Is copywriting on its way out?
Creative Heads say in this digital age copywriting is about keywords and real-time content but human creativity still triumphs and one needs to adapt with the evolving media environment

In this ever-changing, fast-paced world, creatives are being continuously re-worked. This age of social media demands that time is of essence and those who can churn out a copy in a moment’s notice will turn out to be the winner.
From copywriting, it has become necessary writing, say industry experts. A copywriter needs time to create content that leaves an impact, a punchy tagline that inspires the customer and creates a desire to purchase a product or use a service. But now it often doesn't seem sustainable to grant creatives the full authority over ideas.
Creating a copy in a short span also strikes out traditional copywriting rules of ‘waiting and giving the copy time to evolve’. So, what exactly needs to be done to save and revive copywriting? We, at exchange4media, spoke to creative heads from the ad industry to share their viewpoint on the same.
According to Sumanto Chattopadhyay, Chairman and Chief Creative Officer, 82.5 Communications, The Ogilvy Group, today the success of copy is being judged by different criteria. Often, the more 'clickbaity' a line is, the more successful it is deemed.
“It is about packing in as many keywords as possible, grammar be damned... crafting... be damned. A lot of text we read online is generated by AI, which is well suited to the exercise of increasing the word 'value' of text almost as in a game of Scrabble. So we are being replaced, at least partially, with bots. But human creativity still triumphs over Artificial Intelligence. So higher-order writing is something that will continue to be our preserve. We should leave humdrum writing work to AI but hone our skills so that we are still sought out for the most important creative writing jobs,” Chattopadhyay said.
With the rise of digital content, clients want agencies to churn out content fast. This can lead to sloppy copies and irreversible mistakes which can ruin a brand’s image. The power is also shifting from the one who actually writes the ad to those who should only be helping to shape the idea. Plus, we are not far from AI-generated content, opine others.
Copy is everywhere, says Anindya Banerjee, ECD, FCB Ulka. “Copy existed when radio wasn’t there. Copy existed when TV appeared. And copy will continue to exist through the digital age.”
“While our attention spans have become shorter and shorter, copy continues to flourish. In the digital banners you see, the witty Twitter feed or the stylish Instagram post, copy is everywhere. And it is slowly adapting with the changing times. Fighting for attention in an overcrowded world of information, entertainment and marketing, the copy remains an invaluable asset to any business,” Banerjee added.
Along with a brand idea, which is generated by a copywriter, a brand also needs lots of digital real-time content.
Agnello Dias, Creative Chairman, Dentsu Aegis Network India, is of the opinion that traditional writing on digital today is actually not copy, it is visual. “A few keywords put in the appropriate places make it appear like there is copy. Those words actually work as pictures. One doesn't really need to read them strung into a sentence. One just 'sees' them, gets the broad idea and moves on. I would call it hyper-captioning rather than copywriting. Besides, digital is emotionally transient and digital consumers are easily forgiving of mistakes in a copy or a bad copy because it comes with the perception of an extremely short life span,” says Dias.
Talking about the people who are stepping in to fill this gap of digital content, Raghu Bhat, Founder & Copywriter, Scarecrow M&C Saatchi, says: “There are no clearly defined rules to judge 'great copywriting for the digital medium'. This leads to a lot of variance in quality. But brands are ok with this. They know that digital presence is important and as long as there is no social media backlash arising from digital activity, they are happy.”
Also, there are new expectations from digital copywriting. “A client wants to amplify his OOH campaigns through social media. That requires a mix of analysis and creativity which a conventional copywriter may not able to decipher,” Bhat added.
However, Oindrila Roy, Head of Strategy, India, Essence, is of the opinion that the art of copywriting is not dying but evolving alongside media. "We have now moved from memorable and eye-catching copy to thumb-stopping visuals. The focus has shifted to making ideas come alive through the power of visuals. What we have lost in the beauty of wordsmithing, we have gained in the sphere of aesthetics," said Roy.
With mobile being the device of choice, communication is served in a 5-inch screen. "The average consumer's attention span has reduced to 1.7 seconds. The need of the hour is to get a clear message across with no scope for processing beyond the obvious. This too has led to some erosion of crafting and over time, possibly the erosion of crafting skills as we know it," Roy added.
"It is indeed a loss for people like us who joined advertising for the love of the printed word, but we all have to evolve with the changing times and evolving media environment," she said.
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E4M Our strategy is to target younger audiences through Sports: Rajiv Dubey, Dabur
The Head of Media at Dabur India spoke exclusively to exchange4media on the World Cup, associating with Indian Idol, the company’s digital spending and much more
With quirky campaigns, memes and moment marketing, timed with the ongoing World Cup and particularly the India-Pakistan matches, Dabur India has got considerable consumer attention for its popular brands – Red Paste, Cool King Hair Oil, Chyawanprash, Dabur Vita and the recently launched Bae Fresh Gel toothpaste.
The 140-year-old company is going big on key sporting events, World Television Premiere (WTP) movies and reality shows. It is now gearing up to become the title sponsor of popular talent show ‘Indian Idol’ on Sony TV for the first time, shared Rajiv Dubey, who leads the media strategy at Dabur.
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Swapan Seth's new book 'COOL' is out
The book is a reflection of the author's 'eclectic taste across categories'
Advertising professional and art collector Swapan Seth has announced the launch of his new book COOL. The book is described as "a ready reckoner to the hip and the happening, of the known and the very unknown."
The book is a reflection of the author's "eclectic taste across categories: from boltholes to exotic hideaways."
COOL has been published by Simon & Schuster India and is available on Amazon.
Seth is an ad veteran with a long and illustrious career in the industry. He became the youngest-ever Creative Director at Clarion at age 24. He was VP at 26 at Trikaya Grey. Two years later, he started his agency Equus.
He writes for publications such as The Economic Times, Hindustan Times and India Today. This is his second book and he has previously published THIS IS ALL I HAVE TO SAY.
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Disney Star signs 9 sponsors for Asia Cup PAK
Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up come on board
e4m Staff Disney Star has signed nine broadcast and digital streaming sponsors for the upcoming Asia Cup.
Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up have come on board for the upcoming tournament.
As reported earlier by exchange4media, Disney Star has sought Rs 26 crore for the co-presenting sponsorship on TV and Rs 30 crore for Disney+ Hotstar.
According to industry sources, the associate sponsorship on Star Sports has been priced at Rs 19.66 crore, whereas for the ‘powered by’ sponsorship on Disney+ Hotstar, the broadcaster is seeking Rs 18 crore.
As per the information available with exchange4media, Disney+ Hotstar has three sponsorship tiers-- co-presenting (Rs 30 crore), powered by (Rs 18 crore) and associate sponsorship (Rs 12 crore). The broadcaster is offering an estimated reach of 120-140 million for co-presenting sponsors, 90-100 million for powered by and 60-70 million for associate sponsorship.
A spot buy for 10 seconds has been priced at Rs 25 lakh for the India vs Pakistan matches, while for the non-India matches, the ad rate for 10 second is Rs 2.3 lakh. The India matches plus the final for ODIs has been priced at Rs 17 lakh per 10 seconds.
Asia Cup is scheduled to be held from 30 August, 2023, to September 17, 2023.
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Sorted 360 wins creative & social media mandate of Reliance Mall
The agency will manage offline and online campaigns for Reliance Mall
Sorted 360, an integrated creative and social media agency, has won the mandate to providing brand solutions for Reliance Malls across India.
“Sorted 360 is set to enhance Reliance Malls' market presence with their unparalleled creative prowess and strategic thinking,” read a press release.
“Sorted 360's commitment to pushing the boundaries of creative communication aligns perfectly with Reliance Malls' ethos. With a pan-India presence spanning across 19 cities and growing, Reliance Malls has consistently captivated customers by offering an array of Reliance brands and third-party fashion & lifestyle brands. The mall has established an unparalleled connection with its patrons through superior quality, a remarkable value proposition, and an unmatched shopping experience,” it read further.
"We are thrilled to welcome Sorted 360 as our trusted partner in advancing our brand presence across the nation," said the Head of Marketing at Relaice Malls. "Their proven expertise in retail, shopping center management, and innovative creative strategies make them the perfect fit for our vision."
"Partnering with Reliance Malls is a testament to our commitment to shaping extraordinary brand experiences," remarked Prerana Anatharam, Co-founder of Sorted 360. "We are excited to leverage our strategic and creative acumen to further elevate Reliance Malls as the epitome of convenience, choice, and excellence."
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KlugKlug onboards Hemang Mehta as Country Manager for Indias
Mehta was most recently Head of Agency Relationships at Network 18 Media & Investments
KlugKlug has appointed Hemang Mehta as its Country Manager for India.
Mehta will play a pivotal role in driving KlugKlug's growth and expansion within the Indian market and be responsible for Sales & GTM Strategy
Prior to that, he has also represented organisations like Exponential (now VDX.tv), India Today Digital and Rediff.com. His expertise spans various domains including digital media sales, mobile marketing, media planning, and buying, social media marketing, and more.
Hemang Mehta expressed his enthusiasm about joining KlugKlug, saying, "I am thrilled to be a part of KlugKlug, a forward-thinking platform that is reshaping the influencer marketing landscape. As much as I look forward to collaborating with the exuberant team at KlugKlug, I am super excited to interact with the brands to deliver powerful data-backed Influencer solutions that will guarantee business outcomes."
Commenting on the appointment, Kalyan Kumar, Co-Founder and CEO of KlugKlug, stated, "We are excited to welcome Hemang Mehta to our team as the Country Manager for India. His extensive experience in digital media sales and marketing will be instrumental in driving our efforts to provide influencer marketing solutions to our clients. We believe Hemang's leadership will be key in scaling our operations and expanding our reach within the Indian market."
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