Pitch Exclusive: Marketing sutras from regional champions

How are regional brands like Ghari Detergent, VI-John, Cremica, Emami, Rupa, Catch, Mankind, Lava and Wagh Bakri taking the biggies head-on; and how's their marketing strategy different. Pitch finds out.

e4m by Pallavi Srivastava, Ruchika Kumar & Purba Das
Published: Jul 13, 2011 8:43 AM  | 21 min read
Pitch Exclusive: Marketing sutras from regional champions

If you thought that the tiger and the goat can never be friends, you are wrong. They can gel over a cup of tea. And if you thought that tigers like the Unilever and P&G of the world will gobble up the homegrown goats, you are wrong again. The second largest brand in the home and personal care category is neither Surf nor Ariel. It is Ghari detergent, a 24-year-old brand owned by Kanpur based company, named Rohit Surfactants. The No 1 though is Wheel, which was specifically launched with an objective to counter the popularity of another homegrown brand – Nirma at that time.

The third largest tea company with 7.5 per cent market share is Ahmedabad based Wagh Bakri Tea Group. Meanwhile, VI John, which has hired Shah Rukh Khan, the Badshah of Bollywood as its brand ambassador, claims to be the largest selling shaving cream in India. Pitch takes a look at some of these home-grown brands - the others being Cremica, Catch, Emami, Rupa, Mankind, Linc and Lava, particularly in the FMCG space - how like the paradoxical brand name like Wagh Bakri, have managed to survive in the market, riding high on a different thinking and distinct marketing approach.

Their decisions lie less on the output of crunching numbers and more on the gut feel and self belief. Most of them, as a virtue of being regional brands are closer home to the markets they operate in and understand their customers better than the MNCs, which largely depend on numbers gathered by third party surveys.

Let’s see the standing of some of these brands. Ghari detergent, the 24-year-old brand owned by Kanpur based, Rohit Surfactants’ is worth Rs 2,100 crore, and has outshined some 80 to 100 year old iconic brands like Lux (Rs 1,400 crore) Surf (Rs 1,400 crore) and Colgate (Rs 1,250 crore). Kolkata based Rs 1,200 crore company, Emami, was the first to launch the men’s fairness cream ‘Fair & Handsome’ in 2005. Currently, the brand, worth Rs 120 crore, is the market leader in the category with over 60 per cent market share.


 

 

 

 

 

 

 

Based out of Ahemdabad, Wagh Bakri Tea Group is the third largest Tea company in India with 7.5 per cent market share. Located in a small town named Phillaur of Jalandhar district in Punjab, is another homegrown brand Cremica owned by Mrs. Bector’s Food Specialities, which is at present the third largest player in the sauce category and the No 1 player in the mayonnaise category in India. Cremica is also the sole supplier of ketchups, mayonnaise and dessert toppings to the QSR giant McDonald’s.

Alok Sanwal, Project Head and Editor, I next, who is a part of a publication group that is a favourite of regional brands, sums up the attitude, as he says, “The regional brands have a very good understanding of the consumer’s point of view. Also, the understanding of what kind of certain products or variants of certain products will do well in a market viz-a viz certain other markets is also very good. The price understanding i.e. where the price sensitivity prevails as well as what variant of a product is liked in which market, in terms of sachet size or pack size is fantastic. Another thing is the distribution, management in terms of geographical reach is also very good. Not just in the heart of the city, but also outside the city areas and small towns . So these are the marketing domains they clearly score over MNCs.”

Marketing decision making

One of the biggest strengths of these brands is that as they are promoter driven, hence decision making is simple and quick and doesn’t undergo rounds of meetings and presentations unlike their MNC counterparts. Harsh Agarwal, Director, Emami Group, cannot help but agree, “As compared to MNCs, our decision making is faster,” he says.

Ali Merchant, Director, Triton Communications, the agency that handles many regional brands like Wagh Bakri and Rotomac says, “These regional promoter led brands don’t have multiple layers of decision. For instance, when an agency is working with an MNC, it may need to give the same presentation twice or thrice or may need to meet two or three different teams before any decision is made. On the other hand, in a company like Wagh Bakri or Rotomac, a project can be cleared or dumped in just one meeting.”

The flip side of that could be that the agencies too aren’t sure when they could be axed from their account roll. But the unfortunate decision again is not whims driven but performance driven. As Sudarshan Banerjee, Head, Ignitee Mudra puts it, “They are quick to dump you (the agency,) if they see that your expertise isn’t working, a thing which often does not happen with big brands. Big brands have a large decision making matrix before you can implement any change; there are levels of teams that the agency has to route through. But here, we deal directly with the Chairperson/promoter, who is able to take a quick decision.”

And these decisions often are not scientific, i.e. backed by numbers or surveys. Most of the times they are gut driven. S N Rai, Co-founder & Director, Lava International, says, “I personally give a lot of importance to my gut feeling. I entered into the mobile handset business was on sheer gut.”

Rai was with LG, when he launched his own mobile handset company, and the fact that LG didn’t too well in this business despite making heavy investments into product development, consumer engagement and trading, did not deter him. “Based on this experience, initially we were thinking of entering the telecom service business and not product business but we were sure that our product had bigger opportunity to grow and based on a strong hunch we entered this market.”

Consumer insight driven

As said earlier this gut feeling is not whimsical but based on experience and the knack of gauging consumer sentiment and consumer insight. The biggest example of this is the launch of men’s fairness cream, Fair & Handsome by Emami in 2005. Research suggested that about 28 per cent of all fairness cream users were men. Emami tapped into this insight and spotted this as an opportunity to launch India’s first fairness cream for men. This was clearly acknowledged by other FMCG biggies and since then, there have been slew of launches in this category including HUL’s Fair and Lovely Menz Active, Garnier Men Powerlight, Nivea For Men, Paras Pharma’s Set Wet Get Fair and recently P&G too has introduced Olay Men Solutions. The men’s fairness cream category is currently Rs 200 crore market and Emami’s Fair and Handsome is the leader in this category with a market share of over 60 per cent (despite all the launches from FMCG big daddies) and contributes to about 10 per cent of Emami’s turnover.

Rai of Lava has another insight to share. Lava was the first brand to introduce an alpha keypad as opposed to QWERTY, being introduced by everyone around. Lava was quick to realize that a majority of Indians were never exposed to a computer or a typewriter or for that matter to a QWERTY keyboard. Consumers as such were sending SMSes through keypads where multiple alphabets were placed on a single key and were placed sequentially. So if they had to upgrade to a full-blown keypad holding smartphone, it could be just simpler for them to have an alpha keypad. The company entered the smart phone market with models B-5 and B-2 with Alpha keypad and it was a hit among consumers. As per the company, Lava B-5 and B-2 together cornered 15-20 per cent of the total QWERTY sales happening at that time in India.

In the case of Cremica, when it entered the ketchup business, the ketchup consumption in the Indian kitchen was low and remained around unconsumed for many days. Nevertheless, ketchup was consumed, even though the bottle remained around for six months. Akshay Bector, MD, Mrs Bector’s Food Specialties (and son of Mrs. Bector who started the company in 1989), says, “We entered the business by ensuring that our bottles have a longer shelf life even after they are opened.”

Complimenting the entrepreneurial spirit of these brands, Ignitee Mudra’s Banerjee says, “They are trend hunters and thereby create a differentiated product and need among consumers.”

Mankind Pharma is another company, which is riding on its strong consumer and market understanding. The pharma company is focusing strongly on small towns and rural markets where the demand is high yet the big companies haven’t made a strong mark. R C Juneja, CEO & Chairman Mankind Pharma, says, “The market is growing at 15 per cent per annum, and this is the biggest advantage. Mankind is growing faster than the industry at around 28 per cent. The reason being we are very strong in emerging markets (small towns, rural markets). We could become the seventh largest company within a few years.”

Meanwhile, the Hamdard Group, which has brand like RoohAfza, Safi, Cinkara, Roghan Badam Shirin and Sualin, feels that it has “ageless brands”. Asad Mueed, Director of Hamdard Group, says, “We were founded with a focus on people and their needs. We continue to stay focused on them and bring products that are unique and serve their requirements. If we serve our consumers well, we will continue to have timeless brands.

ROI focused

If they take quick decisions, they expect quick results too. Most of these entrepreneurs are with deep pockets and can afford a long term brand building exercise before they hope to get even. But that’s not how they operate. They are focused and want quick results on their toplines. Merchant of Triton Communications, says, “They are extremely demanding as a client and have this ‘Day-before-yesterday Syndrome’ that I haven’t seen in the multinational companies. The ‘Day-before-yesterday Syndrome’ means that they want really quick results and they don’t expect the agency to take six months to deliver the objective. Rather, they expect results within days and weeks.”

Even the media owners agree that regional brands have a strong focus on ROI. Avinash Pandey, Executive Vice President, Ad Sales, Media Content and Communications Services (MCCS, the Star Group’s News Network that owns Star News, Star Ananda and Star Majha), says, “These players really know how to track ROI on each campaign and activity. For instance, Mankind Pharma advertised its digestive tablet Gas-o-fast in March 2011. Within weeks they called us and told that the sales of the product had been really good post the campaign and thanked us for the support.”

That means, if the product isn’t delivering, they would not shy from killing the product and moving on with an alternative. This is very unlike of MNCs, who would rethink their strategies and push the product again in the market backed by a massive campaign or a brand rejig. Banerjee agrees, “The entrepreneurs are able to emerge out of failures quickly.”

One reason for that could be the limited geography they play in, coupled with the competitive margins they have for their distributors and retailers – who would push a product with higher margins for them – and eventually competitive pricing.

Value for money products

The low margins on profits, while could come as a hindrance to experiment with product for long, it becomes their strength when they compete with the MNC brands which are most of the times priced higher. Ask the promoters to throw some light on this, and they are quick to defend and argue that it’s not just the low price that makes them a hit with the consumers, but a combination of low pricing and quality products. Harshit Kochar, Managing Director, VI-John Group, says, “We offer a good product at a good price so why will customers choose any other brand over VI-John.”

Surya Foods and Agro’s biscuit brand, PriyaGold is another case study, which has been built up on the low pricing good quality business model. At that time the butter biscuits and cream biscuits space was dominated by the biggies like Parle and Britannia, which BP Agarwal, Founder of Surya Foods and Agro thinks “were available at a price which was out of reach of the masses.” The gap was filled by PriyaGold, which decided to position the brand with a tagline: Haq se mango (Demand by right). “The idea behind the positioning was that everybody has the right to good taste and the right to ask for it. Instantly, the brand became a hit among the masses and currently it is the number four player with a 5 per cent market share,” says Agarwal.

The void left by Nirma, after Wheel overtook its position, has been filled by Ghari detergent. Its communication too revolves around constant research the company goes through to bring quality products to the masses. Rohit Surfactants, the company that owns the brand Ghari deliberately chose to target the economy segment. The economy segment contributes 45 per cent to the detergent market, followed by mid segment with 40 per cent and premium segment with 15 per cent contribution. A spokesperson from Rohit Surfactants calls the segmentation as a simple and matter of fact decision. “Seedhi si baat hai (It is very simple), the economy segment is the largest market and the competition is less in this space, so it made sense for us to venture in that segment.”

Kolkata based Linc Pens followed a similar approach. Linc was the first company to come out with gel pens at a price as cheap as Rs 5, which was not available in the market, earlier. It was a huge milestone for Linc because gel pens helped the company grow fast. “We were also the first to introduce ball pens with a special oil-based gel ink at Rs 5, so we created a category (a first kind in the industry),” says Divya Jalan, Head, Marketing, Linc Pens. She further adds that providing quality at good prices is the brand strategy of Linc Pens.

Meanwhile, as opposed to Ghari and PriyaGold, which have been operating in the economy segment, here’s a group – Dharampal Satyapal (DS) Group, which owns the brand Catch (spices and water) - which rather has chosen to take the premium route. The logic is simple. In a category full of me-too unorganised players, irrespective of packaged or non-packaged products, it makes sense to differentiate yourself by targeting a particular segment. While, the mix of spices would remain the same, one can for sure provide an innovative packaging and check on the quality of spices going inside. That’s where Catch charges a premium. For that matter, even Rajnigandha, the pan masala brand owned by the DS Group, too comes at a premium.

Puesh Gupta, Director, DS Group, says, “An important factor that leads to a successful venture is to understand your customer and customise your products for him. Value for money, teamed with best quality, highlights the commitment of a brand.”

Media buying sutras

So does this all impact their media buying behavior as well. These brands not only please the masses, but are a favourite of the media owners too. Most of the Hindi news channels get about 40-60 per cent of their ad revenues from regional brands. These channels love them, as they come to the table with a no-nonsense approach.

Yes, says the media fraternity unanimously, who feel that the regional players are very hard negotiators, which is mostly done in a very informal environment over a cup of tea, and coffee served along with cookies. The attitude doesn’t make the media fraternity shy away from these deals, as they are “good” in terms of making payments on time. “They always pay on time and most of the times in advance,” says Pandey from MCCS.

And what’s the criterion for selecting a media vehicle? The gut feeling, of course. Sanjay Dua, CEO, IBN, Network18 News Media Network, (Network18’s specialised client facing sales division), points out, “They rely less on the science and give more weightage to gut feeling when it comes to media buying.”

Media professionals feel that these marketers are clear and focused in terms of what they are looking for when it comes to selecting media vehicles. For instance, if a promoter has to launch a campaign, he knows exactly how many and which channels he needs to advertise on.

As most of the times, communication is tactical to keep the distributors informed about their new offers on products and keeping the customer informed about changes or variants for the product - the objective is sales driven rather than brand driven - much of that communication happens through print. Another factor is the proximity of the regional print players is greater than the proximity to the national channels (TV channels), which helps them strike a better deal.

However, Sanwal of Jagran Prakashan as an interesting insight who feels that there is a huge wastage in terms of reach as well as optimum return on investment in media spending by regional brands. “As far as basic buying is concerned, if you don’t really see if the plan was optimum or excessive, then in terms of cost (CPRT or CPT), the effectiveness of buying is higher. I mean, per unit rate of buying of time slots is far better for them. The reason being that newspapers, TV channels, and radio stations, also keep a differentiated price points for regional brands,” he says.

Sanwal has a word of caution too for media marketers, as he feels that high reliance on regional brands could be a “little dicey”. The plans, most of the times aren’t fixed. “They may change plans overnight depending on the situation. There is no fixed pattern,” he adds.

Macro as well as micro advertising

Celeb driven advertising is one of the favourite style of advertising and so you see the biggest celebrities like Shah Rukh Khan, Amitabh Bachchan, Sachin Tendulkar, Madhuri Dixit etc endorsing a plethora of such brands like VI-John, Navaratan, Fair & Handsome, Luminous, and Linc Pens.

Rupa & Co, which sells hosiery products under ‘Rupa’ branding, too is one of the earliest adopters of high profile celebrities. In 1999, the company roped in Bollywood actor Govinda as its brand ambassador for its Frontline range. For its women’s innerwear line, the company has had Aishwarya Rai, Lisa Ray, Celina Jaitley and Koena Mitra, as its endorsers. In 2007, the company roped in Hrithik Roshan for MacroMan, a premium sub-brand. P R Agarwala, Chairman, Rupa & Company, credits Rupa’s brand ambassadors for the “success of the products and building great brand visibility.” Rupa has a series of successful sub-brands like MacroMan, Frontline, Softline, Footline, Jon, Theormocot, Skywings, Zooreka, Bumchum and Interlock & Imoogi.

On roping in Shah Rukh Khan as VI-John’s brand ambassador, Kochar says, “Shah Rukh is known as the don of Bollywood and we are considered as the don of the shaving cream market. So I thought if the two dons came together to drive the product, consumers will acknowledge.”

Rajesh Jain, MD, Prachaar Communications (ad agency for VI-John) adds, “Since Shah Rukh always sports a clean shaven look, he was a perfect fit for VI-John.”

Just to digress a bit, while VI-John can be found at retail stores, yet, Kochar’s unique distribution route of pushing it through salons too makes it a hit.

Coming back to the topic, along with the high volume celeb led macro advertising, most of these brands also focus a big deal on promotions at the micro level including advertising in local media, roping regional celebrities, below-the-line activities etc. Triton’s Merchant says, “These brands are very good at taking both the macro and micro approach in advertising. For example for Wagh Bakri Tea, there is a TVC and print campaign that runs on national media but at the same time, when the brand is entering new markets, it is focusing on giving local flavour to the advertising.” Merchant further shares that Wagh Bakri Tea has recently launched a Marathi TVC specifically shot for the Maharashtra market with a Marathi celebrity to give the ad a Marathi flavour. The brand has Smriti Irani as its endorser in Gujarat.

But most of the times, TV is only a meagre part of their marketing budgets. Parag Desai, Executive Director, Wagh Bakri, says, “We thrive on region based local activities, and sales promotion. In fact, we only spend 15-20 per cent of our marketing budget in TV and print, rest 80 per cent is spent on activities. This is crucial because it is very important to actually know your customers and speak to them in the language they understand. That helps them connect better with the brand.”

What holds them back

While the above points have worked most of the times in favour of the regional brands, the same attitude can become hurdle to put them in the league of Dabur, Godrej or a Britannia. Experts feel that one of the biggest challenge that these regional marketers face when they wrestle at the national level is the muscle power in terms of investment and distribution that the MNCs and big Indian companies have. Apart from that, a complacent attitude and too much focus on short term gains is another factor that holds these brands back. “Most of these brands are too happy with their dominance in selected regions and take decades before they decide to expand.”

Another challenge for these regional brand champs is of talent. As Wagh Bakri’s Desai puts it, “When we are expanding it is very difficult for us to get the right kind of manpower. We have to ensure that person is in sync with our philosophy and thoughts. I personally meet and interview people before hiring them.”

Also, if brand names like Ghari or Wagh Bakri can work, if they decide to go national or international too is a question of debate. Desai of Wagh Bakri, however, disagrees. He narrates that way back in 1992, when the company was mulling to export its tea to international markets like the US, a common suggestion was to rebrand it, besides the obvious thought that tea wouldn’t work in a coffee drinking market. “We were advised to export tea in bulk and not under the brand name Wagh Bakri,” says Desai, adding, “But based on our confidence in the brand and our gut feeling, we decided to export the tea under our brand name only. And today, we are the largest selling brand across North America.” Currently, Wagh Bakri tea is exported in more than 25 international markets.

Lastly, an insight, which the Pitch team felt would become a hindrance, is the low trust, these companies have on media. Pitch team often found it challenging to get the companies’ reactions, for the lack of a PR team or an assigned spokesperson. The spokesperson most of the times is the promoter himself and he could be tough to get because of his busy schedule. While that could work to some extent to avoid negative media, it could also become a hindrance when the company might need to pass on a message.

(The story was featured in the July 2011 issue of Pitch)

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Social Beat wins SEO mandate of Tata CLiQ tag rss

The account was won after a multi-agency pitch

e4m by sunny saini
Published: Oct 23, 2023 5:51 PM  | 2 min read
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e4m e4m Social Beat has won the SEO mandate for Tata CLiQ, one of the fastest-growing omnichannel marketplace in India. Social Beat has been entrusted with optimizing existing content, as well as launching new, optimized category pages systematically on Tata CLiQ’s platform to scale monthly organic traffic by 2x over the next year. The account was won after a multi-agency pitch and will be serviced by Social Beat’s offices in Mumbai. 

Shishir Kataria, Director - Marketing, Tata CLiQ, “Shoppers, e-commerce or otherwise, continue to heavily rely on search and discovery throughout their shopping journey, be it engaging with the latest fashion trends or hunting for the best buys. No wonder a platform's ability to be a part of this journey organically drives significant consideration for it amongst potential shoppers. We, at Tata Cliq, are confident that Social Beat will help us develop and optimise content that is highly discoverable to grow our engagement and revenue. Our goal continues to be to drive more and more shoppers to our platform with optimised and curated products and relevant content.”  

Vikas Chawla, Co-Founder, Social Beat said, “We are thrilled to partner with Tata CLiQ in their growth journey. We aim to scale traffic to the Tata CLiQ platform manyfold over the next year. Our team of specialised SEO and Content strategists will be working closely to achieve this”

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Will OOH dazzle this festive season?

As the celebrations begin, experts tell us the trends and challenges for the OOH sector this season

e4m by sunny saini
Published: Oct 12, 2023 4:13 PM  | 3 min read
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Be it the flower-clad taxis in Mumbai for Made in Heaven Season 2 promotion or Zomato’s ‘kheer mangoge kheer denge’ billboards, India's OOH advertising sector has undergone substantial transformation and expansion in the recent years. Even though the medium was severely hit during the pandemic years, it has now managed to rebuild its status. Now, with the onset of the festive season, elections and the cricket world cup, OOH is expected to see more and more advertisers come on board.

Amarjeet Hudda, Chief Operating Officer, Laqshya Media Group, believes most of the clients spend a lot of money during the festive season, especially for Durga Puja, Dussehra and Diwali, targeting their customers in a festive mood. The categories that spend heavily during these months are Auto, Consumer Durables, Real Estate, Organised retail, and E-commerce. 

According to Dipankar Sanyal of Platinum Outdoor, there was a huge surge in the festive season last year, and he expects the same this year too. “Last four to five years have turbulent for outdoor. It was picking up in 2019, but then Covid came and everything went flat for two years,” he mentioned.

According to EY-FICCI’s M&E Report 2023, OOH media grew 86 percent in 2022 to Rs 37 billion. The value includes traditional, transit and digital media, but excludes untracked unorganised OOH media such as wall paintings, billboards, ambient media, storefronts, proxy advertising.

Sharing the brand’s perspective, Shivam Ranjan, Head of Marketing, Motorola-APAC, said, “We are going into this festive season with a strong mix of media, including OOH. Within OOH, we are focusing on digital OOH, due to its capability of programmatic serving, measurability, and near real-time insights that allow us to be agile with the communication and optimisation of our campaigns.” 

With urbanisation, improved infrastructure, rising consumerism and an increased spending power, clients' expectations from OOH advertising too have evolved. “The clients expect better ROI on every investment, best in class innovations, tech-led planning and execution. Today, technology plays an important role starting from planning the campaign, to measuring metrics to ROI,” Singh explained.

Another trend that Sanyal has observed is that traditionally advertisers looked at spending on OOH nearly two weeks prior to the festivities, but now, most advertisers have now started advertising a week earlier so that they can get maximum eyeballs. Additionally, the digital OOH advertising (DOOH) has also emerged big. The digital OOH screens increased to around 100,000 and contributed eight percent of total segment revenues.

“Now with digital, there is more space for advertisers to come in one frame. Because of this, you can see it is getting more attractive. The innovations too are coming in at a much lower cost and creating a greater impact,” shared Sanyal.

The only challenge with the medium, according to Ranjan, is OOH being a fragmented industry with lack of measurability and agility. This becomes a serious issue for ROI-centric brands. However, the growth of DOOH, which is dynamic, agile and measurable, is giving marketers the confidence to invest in the medium backed by relevant data and outcomes. 

Adding to this, Hudda highlighted that availability of good media spots is the biggest challenge in this season as media assets are limited and demand is very high. Due to the gap in the festive season, many clients are not able to fully optimise their campaigns. Rather sometimes, clients are even compelled to divert their budget which adversely impacts the industry, he shared.

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Banking on positive consumer sentiment: BFSI optimistic on doubling festive AdEx : Cache

Some categories within the sector, however, may spend more in the quarter that follows the festive season

e4m by sunny saini
Published: Oct 11, 2023 6:10 PM  | 5 min read
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The BFSI sector is expecting a surge in demand for loan during the festive season and is looking at increasing its ad spends to cash in on the celebration spirit. Industry leaders say they are hopeful of witnessing a good growth in the number of applications for auto loan, home loan, credit card and health insurance during October, November and December due to positive consumer sentiment this year. However, though most of the BFSI players are planning to double their advertising budget this time compared to the previous year, there are some who are not investing too heavily on marketing during the festivals as they plan to save the money for the fourth quarter.  

According to Shailendra Singh, MD & CEO, BOB Financial, they witness incremental growth every year during the October-December quarter, and they anticipate an increase in consumer spending as well as new enrolments for cards this year too. “There remains a surge in customer demand for credit during the festive season,” said Singh. 

Singh shared that the company is fully geared up for the launch of #FestiveShoppingRewards on all Bank of Baroda credit card variants under the theme ‘Reimagine Festivities’. They would kickstart festive offerings with the start of Navratri. 

The festive season does not just see the demand for credit go up, but there is an increase in applications for health and motor insurance too during this time of the year.

Aabhinna Suresh Khare, Chief Digital & Marketing Officer, BajajCapital Ltd, shared that among insurance products, health insurance and motor insurance reign supreme during festivals. According to Khare, the demand for mutual funds and SIPs too sees a hike.

“Overall, the festive season presents an opportune moment to secure insurance coverage. A plethora of attractive products and services are on offer, with financial institutions extending special discounts and promotions to entice new customers,” said Khare. 

The company launched #BlessMeGanesha campaign during Ganesh Chaturthi. “Our goal for this festive season is not only to provide financial solutions but also to create memorable experiences and deepen the connection with our customers,” said Khare. 

Though all major sectors spend heavily on advertising during the festive season, within the BFSI sector, some categories spend more in the quarter that follows the festive season.  

Explaining the trend, Samir Sethi, Head of Brand Marketing, Policybazaar.com, said that the festive season has varying impacts on the BFSI sector. In the banking sector, for instance, the demand for loans surges as many individuals purchase items and undertake home renovations. Conversely, in the insurance category, the festive season doesn't result in significant changes. Instead, the insurance industry experiences its peak season after the festive period, particularly during the fourth quarter of the financial year. 

“As the festive season approaches, there is a noticeable increase in car sales though, leading to a surge in the demand for motor insurance. Consequently, we see a significant uptick in the requests for motor insurance policies. During the festive period, there is an upswing in demand for various categories, such as electronics. However, in the insurance sector, this period doesn't significantly affect us, so we don't run specific campaigns targeting festivals. Nevertheless, we do roll out multiple campaigns throughout the year, and some of them may coincide with the festive season,” said Sethi. 

According to the TAM AdEx report on BFSI sector across media for H1, the advertising volume of the sector grew on TV, radio and digital, but declined in the print medium. The report indicated that ad impressions on digital saw 91% rise during Jan-Jun '23 over Jan-Jun’22. The increase was 32% for radio and 4% for TV. The ad space of the BFSI sector decreased by 7% in print. 

Speaking on media mix, Singh shared that BOB Financial has a good mix of customer segments belonging to Tier I, II and III.  So, understanding their needs and preferred form of media channels, the company will reach out to them through relevant media promotions. “For the easy discovery of our offers, we shall have a dedicated offers page with regular promotion of top offers on our social media and other digital channels,” said Singh. Without disclosing the figure, Singh shared that the company’s promotion budget has surely increased from last year and it will be visible through their multi-channel promotional activities.

According to the TAM report, in the BFSI sector, life insurance is the leading category on TV and radio whereas mutual funds is the top category on digital. 

Khare highlighted that in recent times, Bajaj Capital has observed a significant growth in audiences on online platforms and the changing preferences of their clientele. “This observation led us to recalibrate our marketing approach, placing a heightened emphasis on digital avenues,” said Khare. 

He further added, “Our promotional efforts are primarily digital-focused, accentuating areas like social media engagement, search engine outreach, content-driven marketing, and targeted online advertising. As we approach the festive season, we've fine-tuned our online approach. By harnessing the insights from data analytics, we aim to grasp our clients' needs and inclinations better, ensuring our content is both tailored and pertinent.”

Khare also mentioned that Baja Capital has doubled its advertising budget compared to the previous year. 

“This increase in our ad spend signifies our confidence in the opportunities this festive season presents. This impressive surge in our budget allocation underscores our dedication to maximizing the potential of this festive season and driving significant expansion within our business. We firmly believe that this increased investment in advertising will not only elevate our brand presence but also lead to an exceptional uptick in customer engagement and sales.” 

For Policybazaar.com, the media strategy primarily involves a blend of television and digital platforms, an approach that has remained consistent in recent years and is expected to continue in the foreseeable future.

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OMD appoints Dileep Raj Singh as Head of Digital for APAC

Singh will report to Charlotte Lee, CEO of OMD APAC

e4m by exchange4media Staff
Published: Aug 26, 2023 9:02 AM  | 3 min read
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OMD has added a Head of Digital (HOD) to its Asia Pacific (APAC) regional leadership team with the hiring of Dileep Raj Singh.

Singh is a digital native and brings with him a wealth of experience across product, media agency and client side in APAC, North America and the United Kingdom. His last 10 years have been spent building diverse digital marketing teams covering areas like performance marketing, digital media planning, ad/martech, product marketing, branding and measurement.

As HOD, he will accelerate OMD’s digital leadership agenda, rooted in helping clients address their business challenges and digital ambitions. He will be supporting OMD’s local teams in APAC on operational excellence, and digital transformation frameworks and roadmaps; and the development and implementation of our digital leadership agenda. He will also be working hand in hand with both our regional and global networks to initiate complementary workstreams for our clients in APAC.

“We will continue to invest and win in digital as part of our wider goal to be our clients’ most trusted business transformation partner,” said Charlotte Lee, CEO of OMD APAC.

“It is our global ambition to continue our leadership position in digital, data and technology. In line with this ambition, we are excited to have Singh come on board the OMD APAC leadership team. His background of agency, in-house and start-up experience position him perfectly to understand and address our clients’ business needs,” added Lee.

“Digital media and access to our audience, as we know it, is changing quite rapidly around us. This puts most of us in a delicate but remarkable position, a position from which we can shape and contribute to conversations about the next evolution of digital media. As we embark on this journey, I want to leverage the strength of the OMD network – people, technology, data, tools and platforms – to help our clients pivot and navigate through all the new and evolved possibilities in digital media. With this, I aim to position OMD as an unrivaled partner for our current and future clients; to dominate and succeed in this incredibly competitive and multifarious digital realm,” said Singh.

Singh will report to Lee, and work closely with the team including Chief Strategy Officer (CSO), David McCallen, and Chief Client Officer (CCO), Sadhan Mishra, to drive and support APAC local markets as well as regional clients on digital, data and technology needs.

Mishra was promoted to CCO of OMD APAC recently in June 2023. He will continue to be CEO of OMD Singapore, a position he was promoted into last August. Mishra has been with OMD for over 13 years and in his concurrent new role as CCO, he will focus on key client relationships, understanding their business needs and ensuring we remain a critical partner on their transformation journeys.

McCallen was elevated to the role of CSO of OMD APAC in April 2022, and was previously the CSO of OMD New Zealand for five years where he helped the agency to attain the top place in the market for new business, overall billings and award wins. Since starting in the APAC role, his focus has been on connecting and elevating strategic best practices across the region, building capabilities across a range of strategic outputs, and supporting new business growth both regionally and locally.

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e4m by exchange4media Staff
Published: Aug 25, 2023 1:39 PM  | 1 min read

Chandrayaan 3: Brands over the Moon

Some of the best moment marketing posts on India's crucial lunar mission

e4m by exchange4media Staff
Published: Aug 24, 2023 2:22 PM  | 1 min read
Chandrayaan

The nation is in a celebratory mood with its moon mission Chandrayaan 3 making its smooth landing on the lunar surface on the evening of August 23, 2023. The Pragyan rover is in pursuit of discovering water on the moon and is a vital feat for India's ambitious space research. 

To celebrate this momentous episode in Indian space research history, netizens have taken to the internet to express their excitement, hopes and fears for the nation's  lunar mission. Joining them are brands who have crafted creatives to mark the historic occasion and capture the emotions of the nation who have their eyes set on the moon. Here is our pick of some of the best Chandrayaan 3-moment marketing posts.

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BCCI rakes in Rs 4670 cr in Women's Premier League team auction: Jay Shah 26 Jan

WPL has broken the inaugural auction record of Men's IPL in 2008, tweeted Shah

e4m by sunny saini
Published: Jan 26, 2023 4:21 PM  | 2 min read
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As expected, Wednesday turned out to be another historic day in Indian women's cricket with BCCI having a windfall gain of Rs 4,600 crores by auctioning five team franchises for the first season, a higher sum compared to what men’s IPL franchises offered to the cricket body during the launch in 2008.  

 Adani, IndiaWin Sports, Royal Challengers, GSW- GMR cricket and Capri Global have won the bid,   BCCI secretary Jay Shah tweeted.

Shah shared in a series of tweets, “Today is a historic day in cricket as the bidding for teams of inaugural #WPL broke the records of the inaugural Men's IPL in 2008! Congratulations to the winners as we garnered Rs.4669.99 Cr in total bid.” 

“This marks the beginning of a revolution in women's cricket and paves the way for a transformative journey ahead not only for our women cricketers but for the entire sports fraternity. The #WPL would bring necessary reforms in women's cricket and would ensure an all-encompassing ecosystem that benefits each and every stakeholder.”

“The @BCCI has named the league - Women's Premier League (WPL). Let the journey begin…”

The country's top corporates had bid aggressively for the league. Over 16 groups including IPL franchise owners, Adani group, Torrent and Haldiram were believed to be in the fray. 

Given the popularity of IPL in India, the event is touted to be a big draw for all stakeholders involved. 

The BCCI was reportedly expecting ₹4,000 crore gain through team auction.

It’s noteworthy that Viacom18 has won the Women's IPL media rights for Rs 951 crore for the next five years creating euphoria around the league whose first season will be held in March.

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