Pierce Brosnan campaign aims to break negativity associated with the category:
Akhil Jain, CEO, Ashok & Co. Pan Bahar Limited, talks about roping in Pierce Brosnan for what will probably be the most discussed ad campaign this festive season

Pierce Brosnan and pan masala. Did anyone ever imagine the Irish star, known for his roles as James Bond 007, endorsing pan masala? Well, the country was shaken as well as stirred to wake up on Friday morning and see Pierce Brosnan as the face of Pan Bahar on the front page of the Times of India. Soon, he stared out from hoardings and bus-stands too. Not surprisingly, there was a Twitter storm with many questioning the logic of engaging Brosnan to endorse pan masala, and others just making a joke out of it.
Social media was literally on fire on Friday, when the ad was released. Some expressed shock, some were amused and others constantly checked the once popular Bond’s Twitter handle to see if he really owned up to endorsing Pan Bahar, because no one could think of even a remote connection between him and the brand in question. Whether roping in the international star was a commercially viable move for the makers of Pan Bahar, only the subsequent sales of the brand can tell, but it is obviously a clever trick to extend the reach of a category like pan masala. Besides, the brand’s aim was to link success to a man who is the very personification of perfection…
“I am very excited to be chosen as the brand ambassador of a brand like Pan Bahar. Pan Bahar, like Bond, has stood the test of time and is a winner in its own right. It has got class. That’s something that never goes out of style,” said Pierce Brosnan.
With this campaign, Pan Bahar also hoped to leave the other brands in this category far behind. It created an energizing plot full of fast cars, macho men, stylish women and a sharp, stylish and handsome Brosnan in a slick TVC and a chic ad campaign.
The DDB Mudra team shot this campaign on location in Austin, Texas. Punning on 007, the brand presents Brosnan as the first Hollywood face of the ad in his stylish new avatar.
Calling itself the world’s most expensive pan masala, attempting to sway the target audience by roping in a star of Brosnan’s calibre… Will the newly appointed brand ambassador end up alienating the existing consumers of Pan Bahar or will he help in expanding the target base of the brand by leaps and bounds? Akhil Jain, CEO, Ashok & Co. Pan Bahar Limited talks about roping in Pierce Brosnan for what will probably be the most discussed ad campaign this festive season…
What was the insight behind signing on actor Pierce Brosnan for Pan Bahar?
We started this product category. We invented the concept of pan masala and the formulation was first made in 1936. At first, there wasn’t a brand and we started gaining popularity. In 1966, the management decided to come up with a brand and that’s how Pan Bahar came about, to make the concept of pan masala big and take it across the country. We are the masters in this trade and we wanted someone who was multi-talented, with a maturity that people would believe. Pierce Brosnan matched our needs – with his age, his expressions, etc. There were many things about him - he communicates a lot without saying a word and uses his body language to communicate, that’s his persona and that appeals to the male segment. Brosnan symbolizes a powerful man and that’s what we wanted, a master guy to endorse a master class blend. That was a key insight. As for the tonality and premiumness, we extended our earlier campaign which featured actor Saif Ali Khan and communicated class and sophistication. We had a couple of other options in our mind but we decided to go with Brosnan because of his popularity and his character was the right fit for the brand. In future, we want to place our brand in the very premium segment and create a sophisticated appeal around it. Today, critics see a disconnect but tomorrow things will change, definitely. Brosnan appeals to men and he is influential. There is an aspirational value attached and he also appeals to the younger audience. That’s the strongest connect. We didn’t have a craze that we wanted to invest in a Hollywood star, we just wanted someone who can appeal to the male audience. Let’s see how the consumer reacts.
What is your positioning?
The positioning is identity of success. Success is an aspiratonal thing and the parameters of success can be different and we wanted to build up our brand on this platform.
Could you give us an estimate of the spends you have allocated for the campaign?
We will not be able to reveal it.
Your TA is male, but is there a particular segment that you are targeting. Which markets are you concentrating on?
Consumption is happening across all age groups. This communication is targeted to males between 20-30 years, in the SEC A+, A and B. We are targeting pan-India. We are not specially focusing on the Southern region because the trend of consuming pan masala is not so high here compared to other regions. Though we have a presence in the South, it is greater in the Northern and eastern parts.
What are the marketing plans in place to promote the new campaign?
We will be using Digital in our marketing plan. We have a started a TV, Print and Outdoor campaign. We are also looking at on-ground activations and are sponsoring many events like Dandiya and Durga Puja. The campaign will run for two months.
Besides Saif Ali Khan, you have also used Feroz Khan and Fardeen Khan earlier…
We used Feroz Khan and Fardeen Khan when we re-launched Pan Bahar in 2006. We wanted to show the older generation connecting with the younger one, and thus used the father-son duo. We then re-positioned the brand from ‘Heritage pan masala’ to ‘identity of success’ to connect with the current consumer behaviour. People started accepting the premium brand to show there is status attached to where they were going. The consumer believes that people identify with his beliefs, what he eats or wears. So we re-positioned it. Saif Ali Khan endorsed us because of the heritage value, class and sophistication he has in his personality. It’s all about the right connect. We wanted to have the right people with us not just to gain popularity and establish the brand, but build the consumer perception which is based on particular parameters.
How big is the pan masala market and what is your market share?
I cannot give an exact answer because there is no body like ORG or AC Nielsen that covers this product category. So there is no organized data available as such.
Pan Bahar is positioned as a mouth freshener with no tobacco. However, many associate pan masala with tobacco. How do you correct this perception?
This is the biggest challenge for us. We are attempting to make the product popular with people and make them understand the difference. But yes, definitely the tobacco perception baggage is very heavy in people’s minds because gutka was present earlier and it dominated the whole market. At the product level, both look similar and the colour is almost the same and people mistake pan masala to be gutka. Pan masala is not gutka and there is no tobacco or nicotine present. The ingredients are Kewra, Supari, Katha, Catechu, cardamom seeds, saffron with fragrances and flavours of Sandalwood, Illaichi and Gulab. Because of gutka, people have dragged this innocent product into controversy and created a negative image. We are trying to see how we can tackle it. We want to educate people and create a difference. In a year or two, you will see results.
You don’t target women…
We have been trying and we will look at it in future as it is in our plans. The major chunk of consumption is from males and that’s why the focus is on the male audience. Women also consume the product, but the numbers are much higher for men. You will see more in this space in the next year or two.
What are your expectations from this campaign?
We are just looking at the campaign to help us become the market leader. We expect a lot in terms of consumer preferences also. I believe the non-consumers will also come in and we will become a competitive brand. I believe the negativity associated with the category will be broken after this campaign. We are approaching people indirectly with this campaign, educating them and creating the right feeling in the consumer’s mind.
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Social Beat wins SEO mandate of Tata CLiQ tag rss
The account was won after a multi-agency pitch
e4m e4m Social Beat has won the SEO mandate for Tata CLiQ, one of the fastest-growing omnichannel marketplace in India. Social Beat has been entrusted with optimizing existing content, as well as launching new, optimized category pages systematically on Tata CLiQ’s platform to scale monthly organic traffic by 2x over the next year. The account was won after a multi-agency pitch and will be serviced by Social Beat’s offices in Mumbai.
Shishir Kataria, Director - Marketing, Tata CLiQ, “Shoppers, e-commerce or otherwise, continue to heavily rely on search and discovery throughout their shopping journey, be it engaging with the latest fashion trends or hunting for the best buys. No wonder a platform's ability to be a part of this journey organically drives significant consideration for it amongst potential shoppers. We, at Tata Cliq, are confident that Social Beat will help us develop and optimise content that is highly discoverable to grow our engagement and revenue. Our goal continues to be to drive more and more shoppers to our platform with optimised and curated products and relevant content.”
Vikas Chawla, Co-Founder, Social Beat said, “We are thrilled to partner with Tata CLiQ in their growth journey. We aim to scale traffic to the Tata CLiQ platform manyfold over the next year. Our team of specialised SEO and Content strategists will be working closely to achieve this”
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Will OOH dazzle this festive season?
As the celebrations begin, experts tell us the trends and challenges for the OOH sector this season
Be it the flower-clad taxis in Mumbai for Made in Heaven Season 2 promotion or Zomato’s ‘kheer mangoge kheer denge’ billboards, India's OOH advertising sector has undergone substantial transformation and expansion in the recent years. Even though the medium was severely hit during the pandemic years, it has now managed to rebuild its status. Now, with the onset of the festive season, elections and the cricket world cup, OOH is expected to see more and more advertisers come on board.
Amarjeet Hudda, Chief Operating Officer, Laqshya Media Group, believes most of the clients spend a lot of money during the festive season, especially for Durga Puja, Dussehra and Diwali, targeting their customers in a festive mood. The categories that spend heavily during these months are Auto, Consumer Durables, Real Estate, Organised retail, and E-commerce.
According to Dipankar Sanyal of Platinum Outdoor, there was a huge surge in the festive season last year, and he expects the same this year too. “Last four to five years have turbulent for outdoor. It was picking up in 2019, but then Covid came and everything went flat for two years,” he mentioned.
According to EY-FICCI’s M&E Report 2023, OOH media grew 86 percent in 2022 to Rs 37 billion. The value includes traditional, transit and digital media, but excludes untracked unorganised OOH media such as wall paintings, billboards, ambient media, storefronts, proxy advertising.
Sharing the brand’s perspective, Shivam Ranjan, Head of Marketing, Motorola-APAC, said, “We are going into this festive season with a strong mix of media, including OOH. Within OOH, we are focusing on digital OOH, due to its capability of programmatic serving, measurability, and near real-time insights that allow us to be agile with the communication and optimisation of our campaigns.”
With urbanisation, improved infrastructure, rising consumerism and an increased spending power, clients' expectations from OOH advertising too have evolved. “The clients expect better ROI on every investment, best in class innovations, tech-led planning and execution. Today, technology plays an important role starting from planning the campaign, to measuring metrics to ROI,” Singh explained.
Another trend that Sanyal has observed is that traditionally advertisers looked at spending on OOH nearly two weeks prior to the festivities, but now, most advertisers have now started advertising a week earlier so that they can get maximum eyeballs. Additionally, the digital OOH advertising (DOOH) has also emerged big. The digital OOH screens increased to around 100,000 and contributed eight percent of total segment revenues.
“Now with digital, there is more space for advertisers to come in one frame. Because of this, you can see it is getting more attractive. The innovations too are coming in at a much lower cost and creating a greater impact,” shared Sanyal.
The only challenge with the medium, according to Ranjan, is OOH being a fragmented industry with lack of measurability and agility. This becomes a serious issue for ROI-centric brands. However, the growth of DOOH, which is dynamic, agile and measurable, is giving marketers the confidence to invest in the medium backed by relevant data and outcomes.
Adding to this, Hudda highlighted that availability of good media spots is the biggest challenge in this season as media assets are limited and demand is very high. Due to the gap in the festive season, many clients are not able to fully optimise their campaigns. Rather sometimes, clients are even compelled to divert their budget which adversely impacts the industry, he shared.
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Banking on positive consumer sentiment: BFSI optimistic on doubling festive AdEx : Cache
Some categories within the sector, however, may spend more in the quarter that follows the festive season
The BFSI sector is expecting a surge in demand for loan during the festive season and is looking at increasing its ad spends to cash in on the celebration spirit. Industry leaders say they are hopeful of witnessing a good growth in the number of applications for auto loan, home loan, credit card and health insurance during October, November and December due to positive consumer sentiment this year. However, though most of the BFSI players are planning to double their advertising budget this time compared to the previous year, there are some who are not investing too heavily on marketing during the festivals as they plan to save the money for the fourth quarter.
According to Shailendra Singh, MD & CEO, BOB Financial, they witness incremental growth every year during the October-December quarter, and they anticipate an increase in consumer spending as well as new enrolments for cards this year too. “There remains a surge in customer demand for credit during the festive season,” said Singh.
Singh shared that the company is fully geared up for the launch of #FestiveShoppingRewards on all Bank of Baroda credit card variants under the theme ‘Reimagine Festivities’. They would kickstart festive offerings with the start of Navratri.
The festive season does not just see the demand for credit go up, but there is an increase in applications for health and motor insurance too during this time of the year.
Aabhinna Suresh Khare, Chief Digital & Marketing Officer, BajajCapital Ltd, shared that among insurance products, health insurance and motor insurance reign supreme during festivals. According to Khare, the demand for mutual funds and SIPs too sees a hike.
“Overall, the festive season presents an opportune moment to secure insurance coverage. A plethora of attractive products and services are on offer, with financial institutions extending special discounts and promotions to entice new customers,” said Khare.
The company launched #BlessMeGanesha campaign during Ganesh Chaturthi. “Our goal for this festive season is not only to provide financial solutions but also to create memorable experiences and deepen the connection with our customers,” said Khare.
Though all major sectors spend heavily on advertising during the festive season, within the BFSI sector, some categories spend more in the quarter that follows the festive season.
Explaining the trend, Samir Sethi, Head of Brand Marketing, Policybazaar.com, said that the festive season has varying impacts on the BFSI sector. In the banking sector, for instance, the demand for loans surges as many individuals purchase items and undertake home renovations. Conversely, in the insurance category, the festive season doesn't result in significant changes. Instead, the insurance industry experiences its peak season after the festive period, particularly during the fourth quarter of the financial year.
“As the festive season approaches, there is a noticeable increase in car sales though, leading to a surge in the demand for motor insurance. Consequently, we see a significant uptick in the requests for motor insurance policies. During the festive period, there is an upswing in demand for various categories, such as electronics. However, in the insurance sector, this period doesn't significantly affect us, so we don't run specific campaigns targeting festivals. Nevertheless, we do roll out multiple campaigns throughout the year, and some of them may coincide with the festive season,” said Sethi.
According to the TAM AdEx report on BFSI sector across media for H1, the advertising volume of the sector grew on TV, radio and digital, but declined in the print medium. The report indicated that ad impressions on digital saw 91% rise during Jan-Jun '23 over Jan-Jun’22. The increase was 32% for radio and 4% for TV. The ad space of the BFSI sector decreased by 7% in print.
Speaking on media mix, Singh shared that BOB Financial has a good mix of customer segments belonging to Tier I, II and III. So, understanding their needs and preferred form of media channels, the company will reach out to them through relevant media promotions. “For the easy discovery of our offers, we shall have a dedicated offers page with regular promotion of top offers on our social media and other digital channels,” said Singh. Without disclosing the figure, Singh shared that the company’s promotion budget has surely increased from last year and it will be visible through their multi-channel promotional activities.
According to the TAM report, in the BFSI sector, life insurance is the leading category on TV and radio whereas mutual funds is the top category on digital.
Khare highlighted that in recent times, Bajaj Capital has observed a significant growth in audiences on online platforms and the changing preferences of their clientele. “This observation led us to recalibrate our marketing approach, placing a heightened emphasis on digital avenues,” said Khare.
He further added, “Our promotional efforts are primarily digital-focused, accentuating areas like social media engagement, search engine outreach, content-driven marketing, and targeted online advertising. As we approach the festive season, we've fine-tuned our online approach. By harnessing the insights from data analytics, we aim to grasp our clients' needs and inclinations better, ensuring our content is both tailored and pertinent.”
Khare also mentioned that Baja Capital has doubled its advertising budget compared to the previous year.
“This increase in our ad spend signifies our confidence in the opportunities this festive season presents. This impressive surge in our budget allocation underscores our dedication to maximizing the potential of this festive season and driving significant expansion within our business. We firmly believe that this increased investment in advertising will not only elevate our brand presence but also lead to an exceptional uptick in customer engagement and sales.”
For Policybazaar.com, the media strategy primarily involves a blend of television and digital platforms, an approach that has remained consistent in recent years and is expected to continue in the foreseeable future.
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OMD appoints Dileep Raj Singh as Head of Digital for APAC
Singh will report to Charlotte Lee, CEO of OMD APAC
OMD has added a Head of Digital (HOD) to its Asia Pacific (APAC) regional leadership team with the hiring of Dileep Raj Singh.
Singh is a digital native and brings with him a wealth of experience across product, media agency and client side in APAC, North America and the United Kingdom. His last 10 years have been spent building diverse digital marketing teams covering areas like performance marketing, digital media planning, ad/martech, product marketing, branding and measurement.
As HOD, he will accelerate OMD’s digital leadership agenda, rooted in helping clients address their business challenges and digital ambitions. He will be supporting OMD’s local teams in APAC on operational excellence, and digital transformation frameworks and roadmaps; and the development and implementation of our digital leadership agenda. He will also be working hand in hand with both our regional and global networks to initiate complementary workstreams for our clients in APAC.
“We will continue to invest and win in digital as part of our wider goal to be our clients’ most trusted business transformation partner,” said Charlotte Lee, CEO of OMD APAC.
“It is our global ambition to continue our leadership position in digital, data and technology. In line with this ambition, we are excited to have Singh come on board the OMD APAC leadership team. His background of agency, in-house and start-up experience position him perfectly to understand and address our clients’ business needs,” added Lee.
“Digital media and access to our audience, as we know it, is changing quite rapidly around us. This puts most of us in a delicate but remarkable position, a position from which we can shape and contribute to conversations about the next evolution of digital media. As we embark on this journey, I want to leverage the strength of the OMD network – people, technology, data, tools and platforms – to help our clients pivot and navigate through all the new and evolved possibilities in digital media. With this, I aim to position OMD as an unrivaled partner for our current and future clients; to dominate and succeed in this incredibly competitive and multifarious digital realm,” said Singh.
Singh will report to Lee, and work closely with the team including Chief Strategy Officer (CSO), David McCallen, and Chief Client Officer (CCO), Sadhan Mishra, to drive and support APAC local markets as well as regional clients on digital, data and technology needs.
Mishra was promoted to CCO of OMD APAC recently in June 2023. He will continue to be CEO of OMD Singapore, a position he was promoted into last August. Mishra has been with OMD for over 13 years and in his concurrent new role as CCO, he will focus on key client relationships, understanding their business needs and ensuring we remain a critical partner on their transformation journeys.
McCallen was elevated to the role of CSO of OMD APAC in April 2022, and was previously the CSO of OMD New Zealand for five years where he helped the agency to attain the top place in the market for new business, overall billings and award wins. Since starting in the APAC role, his focus has been on connecting and elevating strategic best practices across the region, building capabilities across a range of strategic outputs, and supporting new business growth both regionally and locally.
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Chandrayaan 3: Brands over the Moon
Some of the best moment marketing posts on India's crucial lunar mission
The nation is in a celebratory mood with its moon mission Chandrayaan 3 making its smooth landing on the lunar surface on the evening of August 23, 2023. The Pragyan rover is in pursuit of discovering water on the moon and is a vital feat for India's ambitious space research.
To celebrate this momentous episode in Indian space research history, netizens have taken to the internet to express their excitement, hopes and fears for the nation's lunar mission. Joining them are brands who have crafted creatives to mark the historic occasion and capture the emotions of the nation who have their eyes set on the moon. Here is our pick of some of the best Chandrayaan 3-moment marketing posts.
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BCCI rakes in Rs 4670 cr in Women's Premier League team auction: Jay Shah 26 Jan
WPL has broken the inaugural auction record of Men's IPL in 2008, tweeted Shah
As expected, Wednesday turned out to be another historic day in Indian women's cricket with BCCI having a windfall gain of Rs 4,600 crores by auctioning five team franchises for the first season, a higher sum compared to what men’s IPL franchises offered to the cricket body during the launch in 2008.
Adani, IndiaWin Sports, Royal Challengers, GSW- GMR cricket and Capri Global have won the bid, BCCI secretary Jay Shah tweeted.
Shah shared in a series of tweets, “Today is a historic day in cricket as the bidding for teams of inaugural #WPL broke the records of the inaugural Men's IPL in 2008! Congratulations to the winners as we garnered Rs.4669.99 Cr in total bid.”
“This marks the beginning of a revolution in women's cricket and paves the way for a transformative journey ahead not only for our women cricketers but for the entire sports fraternity. The #WPL would bring necessary reforms in women's cricket and would ensure an all-encompassing ecosystem that benefits each and every stakeholder.”
“The @BCCI has named the league - Women's Premier League (WPL). Let the journey begin…”
The country's top corporates had bid aggressively for the league. Over 16 groups including IPL franchise owners, Adani group, Torrent and Haldiram were believed to be in the fray.
Given the popularity of IPL in India, the event is touted to be a big draw for all stakeholders involved.
The BCCI was reportedly expecting ₹4,000 crore gain through team auction.
It’s noteworthy that Viacom18 has won the Women's IPL media rights for Rs 951 crore for the next five years creating euphoria around the league whose first season will be held in March.
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