Manoti Jain of Supari Studios India among this year’s See It Be It finalists at Cannes

Cannes Lions has selected 15 women this year for the programme. The initiative addresses the lack of female creative leaders by identifying & facilitating the development of talented creative women

e4m by exchange4media Staff
Published: Mar 27, 2019 3:59 PM  | 9 min read
Manoti Jain

Cannes Lions has announced 15 women selected for this year’s ‘See It Be It’ programme. The women, chosen from over 760 global applicants, will receive a complete Festival pass, travel and accommodation courtesy of the Festival, along with an exclusive programme of events, workshops and mentoring with some of the most respected industry leaders.

Louise Benson, VP of Festivals, Cannes Lions and Executive Lead of ‘See It Be It’ commented, “See It Be It is a key pillar of Cannes Lions’ response to the gender imbalance in the creative communications community and an active attempt to change the industry and the world for the better. Now in its sixth year we are starting to see the positive effects of the programme, as many of the global alumnae are not only achieving great personal success but also going on to drive and champion positive change in their markets. We are delighted to support these 15 women from across the world and look forward to seeing them grow and become inspiring leaders.”

The initiative addresses the lack of female creative leaders by identifying and facilitating the development of talented creative women, bringing them to the attention of the industry. In partnership with global sponsor, Spotify, the programme supports women to attain positions of seniority and drive further change as advocates and enlightened leaders.

Danielle Lee, VP - Global Head of Partner Solutions at Spotify said, "We are thrilled to continue our partnership with Cannes Lions and See It Be It for a second year. While we have made incremental strides as an industry, it is as important as ever to empower women worldwide to reach their full potential in creative marketing. The 2019 See It Be It class has raised the bar yet again. I look forward to being part of their journey and the inspiration they're sure to impart to all of us."

2019 See It Be It Ambassador Swati Bhattacharya, Chief Creative Officer of FCBUlka set this year’s theme asking women to ‘Invite Yourself’. Building on the 2018 theme of ‘Leading from within’ Bhattacharya challenges this year’s finalists, and the industry at large, to create space for themselves, and others, to participate in a meaningful and balanced way. 

The 2019 See It Be It finalists are: 

Ana Luna, Creative Director, CIRCUS, Mexico
Ana has worked in advertising for 7 years, creating campaigns for some of the world’s biggest brands including Netflix, Nike and P&G, where she won the Cannes Lions Health  & Wellness Grand Prix for Always 'Intimate Words' in 2015. Driven by her belief in advertising as a catalyst for cultural transformation, she continues to create campaigns that help brands to connect with and inspire their audiences.

Carla Padovani, Senior Creative Copywriter, McCann Santiago, Chile 
After winning multiple creative competitions and lecturing on creativity and copywriting at Universidad Siglo 21, Carla operates as a senior copywriter at McCann Santiago. Motivated by the ability to improve society through effective communication, Carla uses her position to create work that can raise awareness, open up dialogue and make changes to social injustices.

Cécile Pimont, Senior Copywriter / ACD, Freelance, France 
Cécile is a freelance senior copywriter fighting for better representation of the LGBTQIA+ community. Through connecting with other like-minded women, Cécile hopes to see a rise in work that share more diverse stories and the creation of a world where everybody feels included.

Devon Williamson, Art Director, Cheil, Canada
As an art director working with clients such as Human Rights Watch, TD Wealth and Samsung Devon appreciates the opportunities to create impactful work that challenges stigma, empowers and inspires. In 2018 she won 13 Cannes Lions for her work on PFLAG Canada’s Destination Pride, an online platform that helps LGBTQ+ gain acceptance around the world. She was recently named the top Art Director in Canada by Strategy magazine.

Gabriela Guerra, Senior Creative Copywriter, Freelance, Singapore
Having started her career as a copywriter in Brazil, Gabriela took the decision to go freelance and work on projects that mattered to her. She believes the industry needs to practice equality with the same energy it speaks and creates. She co-created Fair Lions, a petition to make the Brazilian Young Lions competition more diverse and representative.

Hira Mohibullah Amin, Creative Director, BBDO Pakistan
With over 150 international awards to her name, Hira’s work focuses on using the power of advertising to impact positive social change in the country. She pioneers change by empowering her teams and clients to push disruptive ideas. As a working mother and female creative, she urges brands to fight against patriarchy and gender inequality with projects including; #ChangeTheClap, led by APTN and UN Women Pakistan’s initiative #BridalUniform.

Jessica Toye, Creative Director, Virtue, USA 
Having explored multiple areas of business, Jess now leads and mentors a team of diverse creatives. Driven by her tenacity and desire to progress, Jess has been awarded by international creative competitions and has achieved recognition as one of The One Club & 3% Conference's "Next Creative Leaders", Ad Age's "Creative of the Year", Adweek's "Creative 100" and the 4A's "100 People Who Make Advertising Great".

Josie Fox, Senior Creative, Special Group, Australia 
As a self-proclaimed ‘Josie of all trades’, Josie’s role often requires her to play a copywriter, designer, photographer and most recently, an animator. With a belief that more women should feel empowered to back themselves and challenge the status quo, Josie is an AWARD school tutor who helps and inspires students to continue their pursuit of creative greatness.

Liz Cartwright, Creative Director, TBWA\Chiat\Day, USA 
As the Creative Director at TBWA\Chiat\Day Liz has worked on iconic campaigns, including the Gatorade film “Like a Mother”, inspired by Serena Williams which received international recognition. She’s also been named one of Business Insider’s “30 Most Creative Women” and The One Club & 3% Conference’s “Next Creative Leaders”.

Manoti Jain, Chief Operating Officer, Supari Studios, India
At the age of 22, Manoti set up Supari Studios sensing a gap in the country’s digital media market. Since then she has helped the company grow into one of the leading content studios in India, winning international awards and building a global audience for brands such as Red Bull, Estee Lauder Companies, Warner Bros. Records, Google, Twitter and Dolby. She strides to create content at the intersection of film, design and technology that is empowering and relevant to audiences.

Nimo Awil, Senior Creative, POKE London, United Kingdom 
Nimo is an award-winning senior creative from Toronto, who mainly grew up in Abu Dhabi and currently lives and works in London. Her work spans a variety of brands including Dove, EE, American Express and The International Olympic Committee. She believes in the power of storytelling, using creativity to solve problems and has a particular interest in how advertising can promote positive change. In 2018, she was selected as a ‘Future Creative Leader’ by Creative Equals and Campaign.

Rachel Kennedy, Art Director, 180 Kingsday, The Netherlands 
As a Senior Art Director, Rachel works on global and pan-European campaigns for a broad spectrum of brands that range from automotive to fashion, pharmaceutical, food and beverage and non-profit.. Rachel hopes to challenge the gender imbalance within management and leaderships roles and help other women rise to the top. A fierce believer that creativity can solve any problem, she’s passionate about doing work for social good with ideas that change lives.

Ruxandra Drilea, Senior Copywriter, Publicis, Romania
Ruxandra is a creative who’s passionate about comedy, entertainment and illustration. She aims to change the perception about millennials in the industry with hard work, plenty of humour and by mentoring young girls through IAA. Her goal is to create binge-worthy creative content that reaches a wide audience, be it an integrated campaign or an SNL sketch. She has a huge ambition to become an agent of change, by becoming the first female creative director of her agency and passing on her insights of the industry to fellow young, aspiring creatives.

Yaa Boateng, Creative Director, The Storytellers, Ghana 
Yaa is an award winning creative with over 65 industry recognitions. She was part of a team of seasoned and talented individuals who came together in 2018 to start Renegades Africa, an agency that connects brands to customers in exciting and unconventional ways. In 2018, she was nominated for her outstanding achievements in Ghana’s prestigious 40 Under 40 Awards in the category Advertising, Communications, Sales and Marketing. Yaa believes networking and learning from other female creatives will help to create recognition for women’s successes in the industry.

Yaprak Gultay, Team Lead for Service Design, Fjord, Sweden 
Yaprak is a hands-on designer, a driver of creative thought leadership and has been a creative force behind work for notable clients, including Hilton Honors, IKEA, Etisalat and Sony Playstation. She wants to see a change in the industry’s perception of women and believes this can only be done by uniting the industry’s female leaders.

See It Be It is supported by a series of global events, in partnership with Spotify and run by alumna around the world. At a recent event hosted by RPA in Los Angeles, Kat Gordon Founder of 3% Movement said, “Invite Yourself to me, means to think about what you want. So many times we edit ourselves and think that this isn’t for me. Believe in what you want and it will take you there.”

The initiative involves industry leaders: giving their time, sharing their experience, igniting new connections and providing opportunities for the women on the programme to grow and learn from. 

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Social Beat wins SEO mandate of Tata CLiQ tag rss

The account was won after a multi-agency pitch

e4m by sunny saini
Published: Oct 23, 2023 5:51 PM  | 2 min read
test

e4m e4m Social Beat has won the SEO mandate for Tata CLiQ, one of the fastest-growing omnichannel marketplace in India. Social Beat has been entrusted with optimizing existing content, as well as launching new, optimized category pages systematically on Tata CLiQ’s platform to scale monthly organic traffic by 2x over the next year. The account was won after a multi-agency pitch and will be serviced by Social Beat’s offices in Mumbai. 

Shishir Kataria, Director - Marketing, Tata CLiQ, “Shoppers, e-commerce or otherwise, continue to heavily rely on search and discovery throughout their shopping journey, be it engaging with the latest fashion trends or hunting for the best buys. No wonder a platform's ability to be a part of this journey organically drives significant consideration for it amongst potential shoppers. We, at Tata Cliq, are confident that Social Beat will help us develop and optimise content that is highly discoverable to grow our engagement and revenue. Our goal continues to be to drive more and more shoppers to our platform with optimised and curated products and relevant content.”  

Vikas Chawla, Co-Founder, Social Beat said, “We are thrilled to partner with Tata CLiQ in their growth journey. We aim to scale traffic to the Tata CLiQ platform manyfold over the next year. Our team of specialised SEO and Content strategists will be working closely to achieve this”

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Will OOH dazzle this festive season?

As the celebrations begin, experts tell us the trends and challenges for the OOH sector this season

e4m by sunny saini
Published: Oct 12, 2023 4:13 PM  | 3 min read
Test

Be it the flower-clad taxis in Mumbai for Made in Heaven Season 2 promotion or Zomato’s ‘kheer mangoge kheer denge’ billboards, India's OOH advertising sector has undergone substantial transformation and expansion in the recent years. Even though the medium was severely hit during the pandemic years, it has now managed to rebuild its status. Now, with the onset of the festive season, elections and the cricket world cup, OOH is expected to see more and more advertisers come on board.

Amarjeet Hudda, Chief Operating Officer, Laqshya Media Group, believes most of the clients spend a lot of money during the festive season, especially for Durga Puja, Dussehra and Diwali, targeting their customers in a festive mood. The categories that spend heavily during these months are Auto, Consumer Durables, Real Estate, Organised retail, and E-commerce. 

According to Dipankar Sanyal of Platinum Outdoor, there was a huge surge in the festive season last year, and he expects the same this year too. “Last four to five years have turbulent for outdoor. It was picking up in 2019, but then Covid came and everything went flat for two years,” he mentioned.

According to EY-FICCI’s M&E Report 2023, OOH media grew 86 percent in 2022 to Rs 37 billion. The value includes traditional, transit and digital media, but excludes untracked unorganised OOH media such as wall paintings, billboards, ambient media, storefronts, proxy advertising.

Sharing the brand’s perspective, Shivam Ranjan, Head of Marketing, Motorola-APAC, said, “We are going into this festive season with a strong mix of media, including OOH. Within OOH, we are focusing on digital OOH, due to its capability of programmatic serving, measurability, and near real-time insights that allow us to be agile with the communication and optimisation of our campaigns.” 

With urbanisation, improved infrastructure, rising consumerism and an increased spending power, clients' expectations from OOH advertising too have evolved. “The clients expect better ROI on every investment, best in class innovations, tech-led planning and execution. Today, technology plays an important role starting from planning the campaign, to measuring metrics to ROI,” Singh explained.

Another trend that Sanyal has observed is that traditionally advertisers looked at spending on OOH nearly two weeks prior to the festivities, but now, most advertisers have now started advertising a week earlier so that they can get maximum eyeballs. Additionally, the digital OOH advertising (DOOH) has also emerged big. The digital OOH screens increased to around 100,000 and contributed eight percent of total segment revenues.

“Now with digital, there is more space for advertisers to come in one frame. Because of this, you can see it is getting more attractive. The innovations too are coming in at a much lower cost and creating a greater impact,” shared Sanyal.

The only challenge with the medium, according to Ranjan, is OOH being a fragmented industry with lack of measurability and agility. This becomes a serious issue for ROI-centric brands. However, the growth of DOOH, which is dynamic, agile and measurable, is giving marketers the confidence to invest in the medium backed by relevant data and outcomes. 

Adding to this, Hudda highlighted that availability of good media spots is the biggest challenge in this season as media assets are limited and demand is very high. Due to the gap in the festive season, many clients are not able to fully optimise their campaigns. Rather sometimes, clients are even compelled to divert their budget which adversely impacts the industry, he shared.

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Banking on positive consumer sentiment: BFSI optimistic on doubling festive AdEx : Cache

Some categories within the sector, however, may spend more in the quarter that follows the festive season

e4m by sunny saini
Published: Oct 11, 2023 6:10 PM  | 5 min read
banking

The BFSI sector is expecting a surge in demand for loan during the festive season and is looking at increasing its ad spends to cash in on the celebration spirit. Industry leaders say they are hopeful of witnessing a good growth in the number of applications for auto loan, home loan, credit card and health insurance during October, November and December due to positive consumer sentiment this year. However, though most of the BFSI players are planning to double their advertising budget this time compared to the previous year, there are some who are not investing too heavily on marketing during the festivals as they plan to save the money for the fourth quarter.  

According to Shailendra Singh, MD & CEO, BOB Financial, they witness incremental growth every year during the October-December quarter, and they anticipate an increase in consumer spending as well as new enrolments for cards this year too. “There remains a surge in customer demand for credit during the festive season,” said Singh. 

Singh shared that the company is fully geared up for the launch of #FestiveShoppingRewards on all Bank of Baroda credit card variants under the theme ‘Reimagine Festivities’. They would kickstart festive offerings with the start of Navratri. 

The festive season does not just see the demand for credit go up, but there is an increase in applications for health and motor insurance too during this time of the year.

Aabhinna Suresh Khare, Chief Digital & Marketing Officer, BajajCapital Ltd, shared that among insurance products, health insurance and motor insurance reign supreme during festivals. According to Khare, the demand for mutual funds and SIPs too sees a hike.

“Overall, the festive season presents an opportune moment to secure insurance coverage. A plethora of attractive products and services are on offer, with financial institutions extending special discounts and promotions to entice new customers,” said Khare. 

The company launched #BlessMeGanesha campaign during Ganesh Chaturthi. “Our goal for this festive season is not only to provide financial solutions but also to create memorable experiences and deepen the connection with our customers,” said Khare. 

Though all major sectors spend heavily on advertising during the festive season, within the BFSI sector, some categories spend more in the quarter that follows the festive season.  

Explaining the trend, Samir Sethi, Head of Brand Marketing, Policybazaar.com, said that the festive season has varying impacts on the BFSI sector. In the banking sector, for instance, the demand for loans surges as many individuals purchase items and undertake home renovations. Conversely, in the insurance category, the festive season doesn't result in significant changes. Instead, the insurance industry experiences its peak season after the festive period, particularly during the fourth quarter of the financial year. 

“As the festive season approaches, there is a noticeable increase in car sales though, leading to a surge in the demand for motor insurance. Consequently, we see a significant uptick in the requests for motor insurance policies. During the festive period, there is an upswing in demand for various categories, such as electronics. However, in the insurance sector, this period doesn't significantly affect us, so we don't run specific campaigns targeting festivals. Nevertheless, we do roll out multiple campaigns throughout the year, and some of them may coincide with the festive season,” said Sethi. 

According to the TAM AdEx report on BFSI sector across media for H1, the advertising volume of the sector grew on TV, radio and digital, but declined in the print medium. The report indicated that ad impressions on digital saw 91% rise during Jan-Jun '23 over Jan-Jun’22. The increase was 32% for radio and 4% for TV. The ad space of the BFSI sector decreased by 7% in print. 

Speaking on media mix, Singh shared that BOB Financial has a good mix of customer segments belonging to Tier I, II and III.  So, understanding their needs and preferred form of media channels, the company will reach out to them through relevant media promotions. “For the easy discovery of our offers, we shall have a dedicated offers page with regular promotion of top offers on our social media and other digital channels,” said Singh. Without disclosing the figure, Singh shared that the company’s promotion budget has surely increased from last year and it will be visible through their multi-channel promotional activities.

According to the TAM report, in the BFSI sector, life insurance is the leading category on TV and radio whereas mutual funds is the top category on digital. 

Khare highlighted that in recent times, Bajaj Capital has observed a significant growth in audiences on online platforms and the changing preferences of their clientele. “This observation led us to recalibrate our marketing approach, placing a heightened emphasis on digital avenues,” said Khare. 

He further added, “Our promotional efforts are primarily digital-focused, accentuating areas like social media engagement, search engine outreach, content-driven marketing, and targeted online advertising. As we approach the festive season, we've fine-tuned our online approach. By harnessing the insights from data analytics, we aim to grasp our clients' needs and inclinations better, ensuring our content is both tailored and pertinent.”

Khare also mentioned that Baja Capital has doubled its advertising budget compared to the previous year. 

“This increase in our ad spend signifies our confidence in the opportunities this festive season presents. This impressive surge in our budget allocation underscores our dedication to maximizing the potential of this festive season and driving significant expansion within our business. We firmly believe that this increased investment in advertising will not only elevate our brand presence but also lead to an exceptional uptick in customer engagement and sales.” 

For Policybazaar.com, the media strategy primarily involves a blend of television and digital platforms, an approach that has remained consistent in recent years and is expected to continue in the foreseeable future.

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OMD appoints Dileep Raj Singh as Head of Digital for APAC

Singh will report to Charlotte Lee, CEO of OMD APAC

e4m by exchange4media Staff
Published: Aug 26, 2023 9:02 AM  | 3 min read
test

OMD has added a Head of Digital (HOD) to its Asia Pacific (APAC) regional leadership team with the hiring of Dileep Raj Singh.

Singh is a digital native and brings with him a wealth of experience across product, media agency and client side in APAC, North America and the United Kingdom. His last 10 years have been spent building diverse digital marketing teams covering areas like performance marketing, digital media planning, ad/martech, product marketing, branding and measurement.

As HOD, he will accelerate OMD’s digital leadership agenda, rooted in helping clients address their business challenges and digital ambitions. He will be supporting OMD’s local teams in APAC on operational excellence, and digital transformation frameworks and roadmaps; and the development and implementation of our digital leadership agenda. He will also be working hand in hand with both our regional and global networks to initiate complementary workstreams for our clients in APAC.

“We will continue to invest and win in digital as part of our wider goal to be our clients’ most trusted business transformation partner,” said Charlotte Lee, CEO of OMD APAC.

“It is our global ambition to continue our leadership position in digital, data and technology. In line with this ambition, we are excited to have Singh come on board the OMD APAC leadership team. His background of agency, in-house and start-up experience position him perfectly to understand and address our clients’ business needs,” added Lee.

“Digital media and access to our audience, as we know it, is changing quite rapidly around us. This puts most of us in a delicate but remarkable position, a position from which we can shape and contribute to conversations about the next evolution of digital media. As we embark on this journey, I want to leverage the strength of the OMD network – people, technology, data, tools and platforms – to help our clients pivot and navigate through all the new and evolved possibilities in digital media. With this, I aim to position OMD as an unrivaled partner for our current and future clients; to dominate and succeed in this incredibly competitive and multifarious digital realm,” said Singh.

Singh will report to Lee, and work closely with the team including Chief Strategy Officer (CSO), David McCallen, and Chief Client Officer (CCO), Sadhan Mishra, to drive and support APAC local markets as well as regional clients on digital, data and technology needs.

Mishra was promoted to CCO of OMD APAC recently in June 2023. He will continue to be CEO of OMD Singapore, a position he was promoted into last August. Mishra has been with OMD for over 13 years and in his concurrent new role as CCO, he will focus on key client relationships, understanding their business needs and ensuring we remain a critical partner on their transformation journeys.

McCallen was elevated to the role of CSO of OMD APAC in April 2022, and was previously the CSO of OMD New Zealand for five years where he helped the agency to attain the top place in the market for new business, overall billings and award wins. Since starting in the APAC role, his focus has been on connecting and elevating strategic best practices across the region, building capabilities across a range of strategic outputs, and supporting new business growth both regionally and locally.

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Chandrayaan 3: Brands over the Moon

Some of the best moment marketing posts on India's crucial lunar mission

e4m by exchange4media Staff
Published: Aug 24, 2023 2:22 PM  | 1 min read
Chandrayaan

The nation is in a celebratory mood with its moon mission Chandrayaan 3 making its smooth landing on the lunar surface on the evening of August 23, 2023. The Pragyan rover is in pursuit of discovering water on the moon and is a vital feat for India's ambitious space research. 

To celebrate this momentous episode in Indian space research history, netizens have taken to the internet to express their excitement, hopes and fears for the nation's  lunar mission. Joining them are brands who have crafted creatives to mark the historic occasion and capture the emotions of the nation who have their eyes set on the moon. Here is our pick of some of the best Chandrayaan 3-moment marketing posts.

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BCCI rakes in Rs 4670 cr in Women's Premier League team auction: Jay Shah 26 Jan

WPL has broken the inaugural auction record of Men's IPL in 2008, tweeted Shah

e4m by sunny saini
Published: Jan 26, 2023 4:21 PM  | 2 min read
women ipl

As expected, Wednesday turned out to be another historic day in Indian women's cricket with BCCI having a windfall gain of Rs 4,600 crores by auctioning five team franchises for the first season, a higher sum compared to what men’s IPL franchises offered to the cricket body during the launch in 2008.  

 Adani, IndiaWin Sports, Royal Challengers, GSW- GMR cricket and Capri Global have won the bid,   BCCI secretary Jay Shah tweeted.

Shah shared in a series of tweets, “Today is a historic day in cricket as the bidding for teams of inaugural #WPL broke the records of the inaugural Men's IPL in 2008! Congratulations to the winners as we garnered Rs.4669.99 Cr in total bid.” 

“This marks the beginning of a revolution in women's cricket and paves the way for a transformative journey ahead not only for our women cricketers but for the entire sports fraternity. The #WPL would bring necessary reforms in women's cricket and would ensure an all-encompassing ecosystem that benefits each and every stakeholder.”

“The @BCCI has named the league - Women's Premier League (WPL). Let the journey begin…”

The country's top corporates had bid aggressively for the league. Over 16 groups including IPL franchise owners, Adani group, Torrent and Haldiram were believed to be in the fray. 

Given the popularity of IPL in India, the event is touted to be a big draw for all stakeholders involved. 

The BCCI was reportedly expecting ₹4,000 crore gain through team auction.

It’s noteworthy that Viacom18 has won the Women's IPL media rights for Rs 951 crore for the next five years creating euphoria around the league whose first season will be held in March.

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