IMPACT '40 Under Forty' Media Mavens: Saying it right – Part II
IMPACT from the exchange4media Group launches the first edition of its ‘40 Under Forty’ list to recognise extraordinary achievers who are 40 years of age or below in the Indian Media, Marketing and Advertising industry

IMPACT from the exchange4media Group launches the first edition of its ‘40 Under Forty’ list to recognise extraordinary achievers who are 40 years of age or below in the Indian Media, Marketing and Advertising industry. Continuing our series on content-makers, below are the remainder of the list of media mavens who rule the roost when it comes to content.
NANDINI SINGH DIVAN
Business Head, Star Bharat
Age: 38
Nandini Singh Divan took on the role of Business Head for Star India’s Hindi GEC Star Bharat earlier this year. Having joined Star India in 2005 as Senior Manager, Research and Consumer Insights, Divan says that the different roles she has worked in at Star are what drive her growth in the network. “A mammoth organisation like Star gives us the platform to straddle completely different roles. I have worked across content and front line sales, running and delivering business across niche channels in English entertainment and mass brands like Star Bharat,” says Divan.
She has been instrumental in the success of regional channels like Star Pravaha. Prior to her current role, Divan led Star’s premium portfolio of channels - Star Movies, Star World, Star Movies Select HD and Star World premiere HD - for four years. She says, “During my stint at Star English, I had the good fortune of launching Star Movies Select, which was aimed at targeting the viewers of the English movie category. Viewers were tired of the lack of content and freshness on the English movie portfolio at that time. Star Movies Select launched with the premise of showing them a new story every day with the tagline that promised ‘365 days-365 stories’.”
A Big Moment
“I had spent five years in Star running programming strategy and research and took a leap from content to frontline sales in 2012. Moving to sales set me up for a career in general management and running businesses. The idea is to learn as much as possible throughout your career. The day you stop learning is the day you stop growing.”
SATTVIK MISHRA, RISHI PRATIM MUKHERJEE & SRIPARNA TIKEKAR
Co-Founders, ScoopWhoop Media Pvt Ltd
Age: 30, 34 & 31
Sattvik Mishra, Rishi Pratim Mukherjee and Sriparna Tikekar’s vision has resulted in youth media platform for social news & entertainment ScoopWhoop Media, which today has 400 million monthly content engagements spread across platforms and demographics. Targeted at the 16-35 demographic, it reaches millennials across three digital publications ScoopWhoop.com, Vagabomb.com, and ScoopWhoop Hindi (ScoopWhoop’s Hindi publication).
Mishra, who is in the role of CEO, started ScoopWhoop.com as an experiment along with the others in August 2013 with no intention of being an entrepreneur or starting a company. For six months, he did his day job at an advertising agency and moonlighted as the CEO/content writer for ScoopWhoop. In 2014, ScoopWhoop went from an experiment to one of the leaders in the media-publishing space.
Mukherjee, the company’s COO, earlier worked at Webchutney as an account director and overlooked digital and social media marketing for brands such as Bacardi, Coca-Cola and Max Group. When not at work, he can be found exploring historical places around the country.
Tikekar is the Chief Content Officer and leads a team of over 80 people across Mumbai and Delhi to create evocative content that is interesting and entertaining, all the while being #sorelatable. She has to her credit pioneering innovative video formats for ScoopWhoop such as animated adult fiction, documentary, and fun fiction content around relatable ideas like the ‘desi mom’, launching India’s first openly feminist commercial magazine (Vagabomb), creating content for Hindi-speaking millennials largely misunderstood by mainstream media. ‘Gazabpost’ is ScoopWhoop’s fastest growing brand at 10 million MAUs (monthly active users) in just two years. Prior to ScoopWhoop, she worked as a copywriter with McCann Worldgroup where she created advertising campaigns for brands such as Reckitt Benckiser, Nokia, Reebok, Coke, Perfetti, SREI, and UNICEF. She is also deeply passionate about animal rights and has created a safe space for many street animals, right inside ScoopWhoop’s Delhi headquarters.
Tikekar’s success mantra is, “Never get too comfortable. Nothing grows in the comfort zone.” It is no surprise then that the work they are most proud of is the documentary by the ScoopWhoop team on Kashmir. “They put their lives in danger to capture what goes on during Friday protests in Kashmir, where the situation turned hostile with stone pelting and ensuing tension. It was incredibly brave of them,” says Tikekar.
A Big Moment
So far ScoopWhoop has raised more than US$ 6million from Kalaari Capital and Bharti-Softbank.
PRASHAN AGARWAL
CEO, Gaana
Age: 39
Prashan Agarwal is the CEO of music streaming company Gaana, which has close to 60 million unique listeners every month with a growth of 6x over the past two years. Under his leadership, Gaana has been leading penetration of music streaming in Tier II and Tier III towns, thereby creating tremendous value for the music industry and all its constituents in the form of monetization and recognition. Gaana has launched many industry-first initiatives like Gaana Voice Assistant, Identify a Song, Gaana Specials, Day/Night theme, Google Auto / Google home integration, Amazon Fire TV and transliteration in 14 languages. Agarwal also envisioned and created Gaana Originals. He says, “I am extremely proud of what has been our initiative to build a platform for distribution of non-film music under the brand Gaana Originals. We launched Gaana Originals last year with a slate of 11 top singers and helped them reach more than 100 million streams in less than five months, a feat comparable to the biggest Bollywood albums. We will continue to invest in such initiatives to get recognition for the music fraternity beyond Bollywood.”
A Big Moment
“Digital will continue to bring the world closer and hence the entire music catalogue of the world will be enjoyed across audiences of different demographic profile and music taste. Music consumption is expected to shoot up as it becomes an omnipresent and platform agnostic in people's lives, thus driving up revenues and engagement for all stakeholders.”
ZAKKA JACOB
Deputy Executive Editor, CNN-News18
Age: 36
In the midst of the over-the-top shouting matches that have come to dominate television news, Zakka Jacob’s assertive yet calm demeanour has helped him create a niche for himself in the competitive and rating obsessed primetime slot in the English news genre. Jacob, the Deputy Executive Editor at CNN-News18 and anchor of 8pm show ‘Faceoff Tonight’, specialises in the Foreign Affairs beat and has been fronting the channel's coverage on various critical geo-political issues.
He believes that Television is a great opportunity to tell the stories of real people, real hardships and real aspirations, while also holding those in power accountable. As to how he sees the future of Television News in the Digital era, he says, “Content will always have a future. Content makers will always be needed. The medium may change, from TV to Digital, but the yearning for information and opinion, credible and fast, will always remain.”
Jacob believes in really living life, when he’s outside the studio. “You have to be a bit eccentric to be a journalist, but never take your job too seriously. Always have a life, a decent set of friends & hobbies, outside of the newsroom,” he says, recounting the best advice he ever received.
A Big Moment
Connecting with real people in his 15+ years of experience, Jacob is adept at both, doing the show from the studio and also from the ground, in the middle of the action. Case in point, when the Jallikkattu protests happened early last year, Jacob hosted his nightly debate show in the midst of over one lakh people at Marina Beach, Chennai.
RUCHIR TIWARI
Cluster Head, Hindi Movie Business (Zee Cinema, &pictures, Zee Classic, Zee Action, Zee Cinema HD, &pictures HD, Zee Anmol Cinema)
Age: 38
Since taking over as the Business Head, Zee Hindi Movies Cluster in 2013, Ruchir Tiwari has expanded the portfolio from just one channel – Zee Cinema – to a seven-channel strong bouquet. The Zee movie cluster is a critical business of ZEEL, one that commands a good 35% in the paid channel category, as per the network. Says Tiwari, “In an industry where the success rate is really low, the extraordinary success of Zee Hindi movie channels, and the satisfaction that it brings along, has been the biggest driving force for me.”
Under Tiwari, Zee Cinema was at the forefront in strategically acquiring popular South titles and creating a space for them in the HSM market – a game changing trend for the industry, as this content now occupies around 50 per cent content airtime in the category. Under his leadership, the specialized niche channels like Zee Classic and Zee Action witnessed a growth of over 100% in terms of market share & viewership respectively. Tiwari identified potential demand for Indian cinema and thus spearheaded several acquisition alliances. Tiwari is particularly proud of the 2013 launch of &pictures - a premium Hindi movie channel targeted at the urban audiences, which seized a significant 8% market share, within nine months in the category.
A Big Moment
“A career shift from marketing to content has to be the single most important moment of my life that propelled things in the right direction and I have never looked back ever since.”
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Social Beat wins SEO mandate of Tata CLiQ tag rss
The account was won after a multi-agency pitch
e4m e4m Social Beat has won the SEO mandate for Tata CLiQ, one of the fastest-growing omnichannel marketplace in India. Social Beat has been entrusted with optimizing existing content, as well as launching new, optimized category pages systematically on Tata CLiQ’s platform to scale monthly organic traffic by 2x over the next year. The account was won after a multi-agency pitch and will be serviced by Social Beat’s offices in Mumbai.
Shishir Kataria, Director - Marketing, Tata CLiQ, “Shoppers, e-commerce or otherwise, continue to heavily rely on search and discovery throughout their shopping journey, be it engaging with the latest fashion trends or hunting for the best buys. No wonder a platform's ability to be a part of this journey organically drives significant consideration for it amongst potential shoppers. We, at Tata Cliq, are confident that Social Beat will help us develop and optimise content that is highly discoverable to grow our engagement and revenue. Our goal continues to be to drive more and more shoppers to our platform with optimised and curated products and relevant content.”
Vikas Chawla, Co-Founder, Social Beat said, “We are thrilled to partner with Tata CLiQ in their growth journey. We aim to scale traffic to the Tata CLiQ platform manyfold over the next year. Our team of specialised SEO and Content strategists will be working closely to achieve this”
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Will OOH dazzle this festive season?
As the celebrations begin, experts tell us the trends and challenges for the OOH sector this season
Be it the flower-clad taxis in Mumbai for Made in Heaven Season 2 promotion or Zomato’s ‘kheer mangoge kheer denge’ billboards, India's OOH advertising sector has undergone substantial transformation and expansion in the recent years. Even though the medium was severely hit during the pandemic years, it has now managed to rebuild its status. Now, with the onset of the festive season, elections and the cricket world cup, OOH is expected to see more and more advertisers come on board.
Amarjeet Hudda, Chief Operating Officer, Laqshya Media Group, believes most of the clients spend a lot of money during the festive season, especially for Durga Puja, Dussehra and Diwali, targeting their customers in a festive mood. The categories that spend heavily during these months are Auto, Consumer Durables, Real Estate, Organised retail, and E-commerce.
According to Dipankar Sanyal of Platinum Outdoor, there was a huge surge in the festive season last year, and he expects the same this year too. “Last four to five years have turbulent for outdoor. It was picking up in 2019, but then Covid came and everything went flat for two years,” he mentioned.
According to EY-FICCI’s M&E Report 2023, OOH media grew 86 percent in 2022 to Rs 37 billion. The value includes traditional, transit and digital media, but excludes untracked unorganised OOH media such as wall paintings, billboards, ambient media, storefronts, proxy advertising.
Sharing the brand’s perspective, Shivam Ranjan, Head of Marketing, Motorola-APAC, said, “We are going into this festive season with a strong mix of media, including OOH. Within OOH, we are focusing on digital OOH, due to its capability of programmatic serving, measurability, and near real-time insights that allow us to be agile with the communication and optimisation of our campaigns.”
With urbanisation, improved infrastructure, rising consumerism and an increased spending power, clients' expectations from OOH advertising too have evolved. “The clients expect better ROI on every investment, best in class innovations, tech-led planning and execution. Today, technology plays an important role starting from planning the campaign, to measuring metrics to ROI,” Singh explained.
Another trend that Sanyal has observed is that traditionally advertisers looked at spending on OOH nearly two weeks prior to the festivities, but now, most advertisers have now started advertising a week earlier so that they can get maximum eyeballs. Additionally, the digital OOH advertising (DOOH) has also emerged big. The digital OOH screens increased to around 100,000 and contributed eight percent of total segment revenues.
“Now with digital, there is more space for advertisers to come in one frame. Because of this, you can see it is getting more attractive. The innovations too are coming in at a much lower cost and creating a greater impact,” shared Sanyal.
The only challenge with the medium, according to Ranjan, is OOH being a fragmented industry with lack of measurability and agility. This becomes a serious issue for ROI-centric brands. However, the growth of DOOH, which is dynamic, agile and measurable, is giving marketers the confidence to invest in the medium backed by relevant data and outcomes.
Adding to this, Hudda highlighted that availability of good media spots is the biggest challenge in this season as media assets are limited and demand is very high. Due to the gap in the festive season, many clients are not able to fully optimise their campaigns. Rather sometimes, clients are even compelled to divert their budget which adversely impacts the industry, he shared.
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Banking on positive consumer sentiment: BFSI optimistic on doubling festive AdEx : Cache
Some categories within the sector, however, may spend more in the quarter that follows the festive season
The BFSI sector is expecting a surge in demand for loan during the festive season and is looking at increasing its ad spends to cash in on the celebration spirit. Industry leaders say they are hopeful of witnessing a good growth in the number of applications for auto loan, home loan, credit card and health insurance during October, November and December due to positive consumer sentiment this year. However, though most of the BFSI players are planning to double their advertising budget this time compared to the previous year, there are some who are not investing too heavily on marketing during the festivals as they plan to save the money for the fourth quarter.
According to Shailendra Singh, MD & CEO, BOB Financial, they witness incremental growth every year during the October-December quarter, and they anticipate an increase in consumer spending as well as new enrolments for cards this year too. “There remains a surge in customer demand for credit during the festive season,” said Singh.
Singh shared that the company is fully geared up for the launch of #FestiveShoppingRewards on all Bank of Baroda credit card variants under the theme ‘Reimagine Festivities’. They would kickstart festive offerings with the start of Navratri.
The festive season does not just see the demand for credit go up, but there is an increase in applications for health and motor insurance too during this time of the year.
Aabhinna Suresh Khare, Chief Digital & Marketing Officer, BajajCapital Ltd, shared that among insurance products, health insurance and motor insurance reign supreme during festivals. According to Khare, the demand for mutual funds and SIPs too sees a hike.
“Overall, the festive season presents an opportune moment to secure insurance coverage. A plethora of attractive products and services are on offer, with financial institutions extending special discounts and promotions to entice new customers,” said Khare.
The company launched #BlessMeGanesha campaign during Ganesh Chaturthi. “Our goal for this festive season is not only to provide financial solutions but also to create memorable experiences and deepen the connection with our customers,” said Khare.
Though all major sectors spend heavily on advertising during the festive season, within the BFSI sector, some categories spend more in the quarter that follows the festive season.
Explaining the trend, Samir Sethi, Head of Brand Marketing, Policybazaar.com, said that the festive season has varying impacts on the BFSI sector. In the banking sector, for instance, the demand for loans surges as many individuals purchase items and undertake home renovations. Conversely, in the insurance category, the festive season doesn't result in significant changes. Instead, the insurance industry experiences its peak season after the festive period, particularly during the fourth quarter of the financial year.
“As the festive season approaches, there is a noticeable increase in car sales though, leading to a surge in the demand for motor insurance. Consequently, we see a significant uptick in the requests for motor insurance policies. During the festive period, there is an upswing in demand for various categories, such as electronics. However, in the insurance sector, this period doesn't significantly affect us, so we don't run specific campaigns targeting festivals. Nevertheless, we do roll out multiple campaigns throughout the year, and some of them may coincide with the festive season,” said Sethi.
According to the TAM AdEx report on BFSI sector across media for H1, the advertising volume of the sector grew on TV, radio and digital, but declined in the print medium. The report indicated that ad impressions on digital saw 91% rise during Jan-Jun '23 over Jan-Jun’22. The increase was 32% for radio and 4% for TV. The ad space of the BFSI sector decreased by 7% in print.
Speaking on media mix, Singh shared that BOB Financial has a good mix of customer segments belonging to Tier I, II and III. So, understanding their needs and preferred form of media channels, the company will reach out to them through relevant media promotions. “For the easy discovery of our offers, we shall have a dedicated offers page with regular promotion of top offers on our social media and other digital channels,” said Singh. Without disclosing the figure, Singh shared that the company’s promotion budget has surely increased from last year and it will be visible through their multi-channel promotional activities.
According to the TAM report, in the BFSI sector, life insurance is the leading category on TV and radio whereas mutual funds is the top category on digital.
Khare highlighted that in recent times, Bajaj Capital has observed a significant growth in audiences on online platforms and the changing preferences of their clientele. “This observation led us to recalibrate our marketing approach, placing a heightened emphasis on digital avenues,” said Khare.
He further added, “Our promotional efforts are primarily digital-focused, accentuating areas like social media engagement, search engine outreach, content-driven marketing, and targeted online advertising. As we approach the festive season, we've fine-tuned our online approach. By harnessing the insights from data analytics, we aim to grasp our clients' needs and inclinations better, ensuring our content is both tailored and pertinent.”
Khare also mentioned that Baja Capital has doubled its advertising budget compared to the previous year.
“This increase in our ad spend signifies our confidence in the opportunities this festive season presents. This impressive surge in our budget allocation underscores our dedication to maximizing the potential of this festive season and driving significant expansion within our business. We firmly believe that this increased investment in advertising will not only elevate our brand presence but also lead to an exceptional uptick in customer engagement and sales.”
For Policybazaar.com, the media strategy primarily involves a blend of television and digital platforms, an approach that has remained consistent in recent years and is expected to continue in the foreseeable future.
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OMD appoints Dileep Raj Singh as Head of Digital for APAC
Singh will report to Charlotte Lee, CEO of OMD APAC
OMD has added a Head of Digital (HOD) to its Asia Pacific (APAC) regional leadership team with the hiring of Dileep Raj Singh.
Singh is a digital native and brings with him a wealth of experience across product, media agency and client side in APAC, North America and the United Kingdom. His last 10 years have been spent building diverse digital marketing teams covering areas like performance marketing, digital media planning, ad/martech, product marketing, branding and measurement.
As HOD, he will accelerate OMD’s digital leadership agenda, rooted in helping clients address their business challenges and digital ambitions. He will be supporting OMD’s local teams in APAC on operational excellence, and digital transformation frameworks and roadmaps; and the development and implementation of our digital leadership agenda. He will also be working hand in hand with both our regional and global networks to initiate complementary workstreams for our clients in APAC.
“We will continue to invest and win in digital as part of our wider goal to be our clients’ most trusted business transformation partner,” said Charlotte Lee, CEO of OMD APAC.
“It is our global ambition to continue our leadership position in digital, data and technology. In line with this ambition, we are excited to have Singh come on board the OMD APAC leadership team. His background of agency, in-house and start-up experience position him perfectly to understand and address our clients’ business needs,” added Lee.
“Digital media and access to our audience, as we know it, is changing quite rapidly around us. This puts most of us in a delicate but remarkable position, a position from which we can shape and contribute to conversations about the next evolution of digital media. As we embark on this journey, I want to leverage the strength of the OMD network – people, technology, data, tools and platforms – to help our clients pivot and navigate through all the new and evolved possibilities in digital media. With this, I aim to position OMD as an unrivaled partner for our current and future clients; to dominate and succeed in this incredibly competitive and multifarious digital realm,” said Singh.
Singh will report to Lee, and work closely with the team including Chief Strategy Officer (CSO), David McCallen, and Chief Client Officer (CCO), Sadhan Mishra, to drive and support APAC local markets as well as regional clients on digital, data and technology needs.
Mishra was promoted to CCO of OMD APAC recently in June 2023. He will continue to be CEO of OMD Singapore, a position he was promoted into last August. Mishra has been with OMD for over 13 years and in his concurrent new role as CCO, he will focus on key client relationships, understanding their business needs and ensuring we remain a critical partner on their transformation journeys.
McCallen was elevated to the role of CSO of OMD APAC in April 2022, and was previously the CSO of OMD New Zealand for five years where he helped the agency to attain the top place in the market for new business, overall billings and award wins. Since starting in the APAC role, his focus has been on connecting and elevating strategic best practices across the region, building capabilities across a range of strategic outputs, and supporting new business growth both regionally and locally.
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Chandrayaan 3: Brands over the Moon
Some of the best moment marketing posts on India's crucial lunar mission
The nation is in a celebratory mood with its moon mission Chandrayaan 3 making its smooth landing on the lunar surface on the evening of August 23, 2023. The Pragyan rover is in pursuit of discovering water on the moon and is a vital feat for India's ambitious space research.
To celebrate this momentous episode in Indian space research history, netizens have taken to the internet to express their excitement, hopes and fears for the nation's lunar mission. Joining them are brands who have crafted creatives to mark the historic occasion and capture the emotions of the nation who have their eyes set on the moon. Here is our pick of some of the best Chandrayaan 3-moment marketing posts.
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BCCI rakes in Rs 4670 cr in Women's Premier League team auction: Jay Shah 26 Jan
WPL has broken the inaugural auction record of Men's IPL in 2008, tweeted Shah
As expected, Wednesday turned out to be another historic day in Indian women's cricket with BCCI having a windfall gain of Rs 4,600 crores by auctioning five team franchises for the first season, a higher sum compared to what men’s IPL franchises offered to the cricket body during the launch in 2008.
Adani, IndiaWin Sports, Royal Challengers, GSW- GMR cricket and Capri Global have won the bid, BCCI secretary Jay Shah tweeted.
Shah shared in a series of tweets, “Today is a historic day in cricket as the bidding for teams of inaugural #WPL broke the records of the inaugural Men's IPL in 2008! Congratulations to the winners as we garnered Rs.4669.99 Cr in total bid.”
“This marks the beginning of a revolution in women's cricket and paves the way for a transformative journey ahead not only for our women cricketers but for the entire sports fraternity. The #WPL would bring necessary reforms in women's cricket and would ensure an all-encompassing ecosystem that benefits each and every stakeholder.”
“The @BCCI has named the league - Women's Premier League (WPL). Let the journey begin…”
The country's top corporates had bid aggressively for the league. Over 16 groups including IPL franchise owners, Adani group, Torrent and Haldiram were believed to be in the fray.
Given the popularity of IPL in India, the event is touted to be a big draw for all stakeholders involved.
The BCCI was reportedly expecting ₹4,000 crore gain through team auction.
It’s noteworthy that Viacom18 has won the Women's IPL media rights for Rs 951 crore for the next five years creating euphoria around the league whose first season will be held in March.
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