Hitting the right note: How brands are using music to build a consumer connect

We analyse how brands like Uber, Ola, OPPO, American Tourister & TikTok are roping in musicians and artists, and how Digital platforms are playing a major role

e4m by Beryl Menezes & Christopher Chaves
Published: Jul 5, 2019 8:24 AM  | 12 min read
music

“Where words fail, music speaks.” These words immortalised by Danish author Hans Christian Andersen pay tribute to the power of music that unites people across the world and has come to be an integral part of advertising over time too. 

Currently, World Cup anthems by a plethora of brands, including Uber, Ola, OPPO, American Tourister, TikTok, Syska, Bingo and more have become the order of the day, as have branded music videos using artistes who are hot on the music scene, like the recent Axe hiphop video featuring Ayushmann Khurrana, Naezy, Sunil Chhetri, Dharmesh Yelande and Shashank Arora. 

The underlying factor giving a boost to the Indian music ecosystem is Digital, even as more Indians consume content online through mobiles or OTT platforms on the go, or on multiple screens. This presents a vital opportunity for advertisers to go beyond jingles to building consumer engagement using music as a marketing tool on various music platforms. 

Bridging The Digital Divide Through Music 
About 15-18 years ago, the first digital disruption in India took place on the back of a music-driven service called Napster. Before Apple launched the iPhone, it unveiled the iTunes store in 2002. These pioneers led the way for a plethora of music services including YouTube, Apple Music, Spotify, TikTok, SoundCloud, Amazon Prime Music – and closer home Gaana, JioSaavn, Wynk, Hungama and more recently Red FM’s ad model-driven digital radio app. 

While YouTube Music and Spotify recently launched in India, Amazon has plans to bring its digital audio entertainment platform to the country as well. Audio and video streaming making waves: So what is driving the flourishing growth of music streaming platforms in India? Faster and cheaper 4G data bandwidth, especially on the back of Jio’s disruption, a proliferation of smartphones, more people consuming content on the go, especially during commute time, as well as the plethora of differentiated content available today across genres and artistes, which was not the case until a few years ago. 

Music streaming apps and OTT platforms, as well as voice-enabled services like Alexa, Siri and Google Now Assistant, are driving the growth of digital music consumption in India. According to the International Federation of the Phonographic Industry (IFPI), 96% of smartphone users in India are using their devices to listen to music, the highest rate in the world. Again, according to IMI’s Digital Music Study 2018 report, streaming revenue accounted for 66.8% of the overall market and digital sales contributed to 78.5% of all sales revenues in India. Income from subscription audio streams tripled to Rs 220 crore while video stream revenues contributed Rs 170 crore or 29.8% of total streaming. 

“Today, 250 million users are actively streaming, a number which is set to go up to about 600 million in the next five years. Music is the highest consumed category on digital platforms, with consumers spending five-six hours monthly on streaming services in India, which is set to multiply to 20 hours in the next four-five years,” says Neeraj Roy, Managing Director, Hungama Digital Media Entertainment, adding that regional content accounts for 48% of the total consumption currently. 

Music streaming has witnessed a 3X growth in the past two years and the addressable market is expected to more than double in the coming year, with Punjabi and regional music being the biggest beneficiaries of this increased online music consumption, as is clearly visible from the 25X growth in regional music consumption on Gaana in the last two years, says Prashan Agarwal, CEO, Gaana. 

So how can brands benefit from this? Given that digital audio and video streaming provides personalisation, discovery and engagement, brands have a chance to tap into each of these areas to reach their consumers. “If music can map the mood of the brand and is topical to the mood of the consumer, there is a confluence point between the consumer and the brand that can add a lot of value. Thus brands need to go beyond making very product-centric music to music which caters to consumer tastes, and which also includes the brand attributes,” says Tarun Katial, CEO, ZEE5 India.   
From the concept of streaming being non-existent about a decade ago, to making up 75% of the total revenues of the Indian music industry today, as per various industry reports, the opportunities to tap into this segment, for both brands and OTT platforms, are immense. One of the biggest changes that streaming has brought about is the discovery of upcoming independent artistes who now no longer have to go to a music label or music producer for opportunities to go mainstream, as they can directly reach out to listeners by uploading their videos online on these music streaming apps and social media platforms. “This has paved the way for greater brand-independent artiste collaboration as well,” says Sandip Tarkas, Director, Songdew, who is set to partner with two OTT platforms, which he hopes will help Songdew reach 100 million homes by the end of this year, as compared to eight million OTT users currently.

Podcasts coming of age: According to PwC’s Global Entertainment and Media Outlook 2019 report, while OTT video will be the fastest growing digital service at approximately 22% CAGR from 2018-2023 in India, music, radio and podcasts are expected to grow at 13.8% CAGR to surpass US$1.5 billion by 2023 – the highest in the world. Backed by rapid growth in Internet and smartphone penetration, India is set to be the second fastest growing Internet advertising market globally, after Indonesia, as per the report. 

After streaming, podcasts are indeed the next frontier of growth in the digital music ecosystem, despite still being at a nascent stage today. Podcasts and videos are a great way to drive user retention, and offer music streaming players a platform to build consumer loyalty over time amongst a niche audience. While this space demands frontloaded investment, the returns are significantly higher over time. Gaana, for example, launched ‘Gaana Exclusives’ and ‘Gaana Videos’ to engage with more users and promote non-film music at the same scale of distribution as popular Bollywood songs. This also means there is significant potential for increased advertising revenues on the back of customised branding solutions. 

“While video consumption has definitely increased as bandwidth costs reduce, audio consumption is also growing significantly and brands which offer curated and specialised content to meet consumers’ needs will be rewarded because consumers are willing to pay for podcasts that add value to their lives,” says Harvinder Singh Bhatia, CEO & Co-Founder, Radiowalla Network. 

Podcasts also provide a platform for discussion on hot topics within the community, which may not always be featured in mainstream media. “I started Maed in India as an Indie music podcast to address a gap in discovery of niche regional music and artistes, who were given a platform to perform live on the podcast. However, I also have a podcast around women’s health called ‘She Says She’s Fine’, which addresses issues that mainstream media isn’t comfortable talking about. I firmly believe that this helps people connect and support each other,” Mae Mariyam Thomas, Founder, Maed in India tells us. 

Most popular podcasts today are video-based or a combination of audio and video in a talk show format which is definitely a rapidly emerging digital segment though owing to a small user base, the scale has not arrived yet, says Samir Bangara, Co-founder and MD, Qyuki Digital Media. 
Technology at the intersection of music: Today, the popularity of playlists stem from the algorithm and Machine Learning data tracking usage. However, there are a lot more technology tools available to brands to identify what content to curate for a particular consumer subset, what music to play in a store which will boost sales or immersive experiences that can be created to delight consumers through music. 

For example, Intel has worked with music composer and director A R Rahman recently on ‘Le Musk’, the first Indian movie to be shot entirely using virtual reality (VR). Again, on the 40th anniversary of the movie ‘Grease’, Intel worked with the original director to create a massive VR rendition of the title track using volumetrics which had 130 different cameras in a massive dome, giving audiences an experience of almost being part of the ensemble.  

Avenues for music monetization: Revenues from digital means contributed nearly 78% (Rs 665 crore) to the overall recorded music industry revenues in India and 54% globally in 2017-18, according to the Equirius – Indian Radio Sector Thematic 2019 report. On a standalone basis, the music ecosystem and its ability to drive more consumers to subscription in the Indian context is going to be a little more challenging as the average Indian consumer will look at a lump sum of a wallet like Rs 50 or Rs 100 a month, and within that they would want a bouquet of services which could include a range of video services and perhaps a couple of music services, says Roy of Hungama. 
That said, Katial of ZEE5 believes that consumers are willing to pay top dollars for content that appeals to them, as can be seen from the case of subscription-based OTT platforms. However, the key to monetising the music ecosystem is for artistes and platforms to go behind the paywall and offer only limited content for free, as is the case globally. This is the only way people will see value in music content on OTT platforms, like music-specific shows, musician biopics or even music-centred documentaries, which brands will also see potential in investing in through advertising or co-curation of such content, he adds. 

“The number of music-based long form shows have suddenly increased. Earlier, when people thought of long form music content, it would either be an unplugged kind of session, or some collaboration, but now we are seeing a spurt in music reality shows and there is so much more in this space, and we are only just getting started here in India,” says Mandar Thakur, CEO, Times Music. 

Going The Extra Mile Through Live 
The journey from experiencing music through streaming to attending a concert and then going to a music festival is a natural progression for most music fans today. For this reason, music industry experts believe that the live music space is growing as fast as the digital music space, which of course is an opportunity which brands must capitalise on. “The first music festival which really captured people’s attention was Sunburn way back in 2007. Today, there are at least 10 major music festivals including Bacardi NH7 Weekender, Vh1 Supersonic and Mahindra Blues. The big growth going forward is taking these festivals to smaller towns which have never seen a music festival, and there is a lot of scope there. Our responsibility will be to ensure discovery of these events and smoothen the overall eventgoing experience,” says Shreyas Srinivasan, Founder and CEO, Insider.in. 

Today, fans plan their calendars, travel and holidays around concerts and music festivals and for brands, this is a great opportunity to not only sponsor such festivals, but curate content for them and even support a music artiste’s brand journey, says Lydia Buthello, EVP Brand Experience & Events, Star India. 

Brands can also create a new identity for themselves through these festivals. Besides, they can also support causes that the brand stands for through such festivals such as gender equality, sustainability and CSR, among others. “Bacardi NH7 Weekender is a great example of a sustainable business model for the brand which has become more of a cultural festival today, apart from just having great artistes and good music. The festival today has 20-25 brands invested in each edition,” says Nirmika Singh, Executive Editor, Rolling Stone India. 
Merchandising is another revenue stream for brands at live events which is still at a relatively nascent stage.  “Brands also need to identify their purpose of partnering with a live event -is it pure marketing, sales or just CSR? However, what I do believe is music has the largest resonance as a performing art or as an indulgence with the consumer, and I think there is always a way to link it to the brand-consumer experience,” says Brian Tellis, Founder & Group CEO, Fountainhead MKTG. 

Mogo For Musical Identity 
What is that one non-intrusive piece of advertising that brings about instant brand recall and connects people across ages, languages and geographies? It has to be a MOGO or a brand’s musical logo or sonic identity, which is slowly gaining as much importance as a brand’s logo or visual identity. 

HDFC Life, Vistara, Raymond’s, Titan, Gaana, MG Motors, Tata Salt and CNBC TV18 are just a few examples of brands that have harnessed the power of MOGO, such that consumers, wherever they are, or whatever they are doing, hear the familiar notes and immediately recognise the brand behind it. 

“Today, brands are recognising the importance of ‘ear-points’, just as much as touch-points, to provide consumers with a multisensory brand experience. These ear-points essentially capture brand attributes and musical notes are composed accordingly for a mogoscape, which is a 90-second master composition for a brand, and a MOGO, which is shorter. Brands can buy the rights to the mogo to own their sonic identity, or they can go in for a licensing model for a specific period,” Rajeev Raja, Co-founder, Brandmusiq says.  

“Sonic identity is a valuable marketing tool. Secondly, it also works primarily, it doesn’t take much attention. You are driving your car, you are busy at work, but suddenly you hear a particular tune, it sends you back to a particular memory. Specifically as Indians, music has always been part of our culture and so the concept of sonic identity truly has huge potential as it makes the whole brand experience far more real and provides much bigger recall,” says Lloyd Mathias, Business Strategist and Angel Investor. 

With inputs from Rahul Kamat

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Social Beat wins SEO mandate of Tata CLiQ tag rss

The account was won after a multi-agency pitch

e4m by sunny saini
Published: Oct 23, 2023 5:51 PM  | 2 min read
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e4m e4m Social Beat has won the SEO mandate for Tata CLiQ, one of the fastest-growing omnichannel marketplace in India. Social Beat has been entrusted with optimizing existing content, as well as launching new, optimized category pages systematically on Tata CLiQ’s platform to scale monthly organic traffic by 2x over the next year. The account was won after a multi-agency pitch and will be serviced by Social Beat’s offices in Mumbai. 

Shishir Kataria, Director - Marketing, Tata CLiQ, “Shoppers, e-commerce or otherwise, continue to heavily rely on search and discovery throughout their shopping journey, be it engaging with the latest fashion trends or hunting for the best buys. No wonder a platform's ability to be a part of this journey organically drives significant consideration for it amongst potential shoppers. We, at Tata Cliq, are confident that Social Beat will help us develop and optimise content that is highly discoverable to grow our engagement and revenue. Our goal continues to be to drive more and more shoppers to our platform with optimised and curated products and relevant content.”  

Vikas Chawla, Co-Founder, Social Beat said, “We are thrilled to partner with Tata CLiQ in their growth journey. We aim to scale traffic to the Tata CLiQ platform manyfold over the next year. Our team of specialised SEO and Content strategists will be working closely to achieve this”

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Will OOH dazzle this festive season?

As the celebrations begin, experts tell us the trends and challenges for the OOH sector this season

e4m by sunny saini
Published: Oct 12, 2023 4:13 PM  | 3 min read
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Be it the flower-clad taxis in Mumbai for Made in Heaven Season 2 promotion or Zomato’s ‘kheer mangoge kheer denge’ billboards, India's OOH advertising sector has undergone substantial transformation and expansion in the recent years. Even though the medium was severely hit during the pandemic years, it has now managed to rebuild its status. Now, with the onset of the festive season, elections and the cricket world cup, OOH is expected to see more and more advertisers come on board.

Amarjeet Hudda, Chief Operating Officer, Laqshya Media Group, believes most of the clients spend a lot of money during the festive season, especially for Durga Puja, Dussehra and Diwali, targeting their customers in a festive mood. The categories that spend heavily during these months are Auto, Consumer Durables, Real Estate, Organised retail, and E-commerce. 

According to Dipankar Sanyal of Platinum Outdoor, there was a huge surge in the festive season last year, and he expects the same this year too. “Last four to five years have turbulent for outdoor. It was picking up in 2019, but then Covid came and everything went flat for two years,” he mentioned.

According to EY-FICCI’s M&E Report 2023, OOH media grew 86 percent in 2022 to Rs 37 billion. The value includes traditional, transit and digital media, but excludes untracked unorganised OOH media such as wall paintings, billboards, ambient media, storefronts, proxy advertising.

Sharing the brand’s perspective, Shivam Ranjan, Head of Marketing, Motorola-APAC, said, “We are going into this festive season with a strong mix of media, including OOH. Within OOH, we are focusing on digital OOH, due to its capability of programmatic serving, measurability, and near real-time insights that allow us to be agile with the communication and optimisation of our campaigns.” 

With urbanisation, improved infrastructure, rising consumerism and an increased spending power, clients' expectations from OOH advertising too have evolved. “The clients expect better ROI on every investment, best in class innovations, tech-led planning and execution. Today, technology plays an important role starting from planning the campaign, to measuring metrics to ROI,” Singh explained.

Another trend that Sanyal has observed is that traditionally advertisers looked at spending on OOH nearly two weeks prior to the festivities, but now, most advertisers have now started advertising a week earlier so that they can get maximum eyeballs. Additionally, the digital OOH advertising (DOOH) has also emerged big. The digital OOH screens increased to around 100,000 and contributed eight percent of total segment revenues.

“Now with digital, there is more space for advertisers to come in one frame. Because of this, you can see it is getting more attractive. The innovations too are coming in at a much lower cost and creating a greater impact,” shared Sanyal.

The only challenge with the medium, according to Ranjan, is OOH being a fragmented industry with lack of measurability and agility. This becomes a serious issue for ROI-centric brands. However, the growth of DOOH, which is dynamic, agile and measurable, is giving marketers the confidence to invest in the medium backed by relevant data and outcomes. 

Adding to this, Hudda highlighted that availability of good media spots is the biggest challenge in this season as media assets are limited and demand is very high. Due to the gap in the festive season, many clients are not able to fully optimise their campaigns. Rather sometimes, clients are even compelled to divert their budget which adversely impacts the industry, he shared.

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Banking on positive consumer sentiment: BFSI optimistic on doubling festive AdEx : Cache

Some categories within the sector, however, may spend more in the quarter that follows the festive season

e4m by sunny saini
Published: Oct 11, 2023 6:10 PM  | 5 min read
banking

The BFSI sector is expecting a surge in demand for loan during the festive season and is looking at increasing its ad spends to cash in on the celebration spirit. Industry leaders say they are hopeful of witnessing a good growth in the number of applications for auto loan, home loan, credit card and health insurance during October, November and December due to positive consumer sentiment this year. However, though most of the BFSI players are planning to double their advertising budget this time compared to the previous year, there are some who are not investing too heavily on marketing during the festivals as they plan to save the money for the fourth quarter.  

According to Shailendra Singh, MD & CEO, BOB Financial, they witness incremental growth every year during the October-December quarter, and they anticipate an increase in consumer spending as well as new enrolments for cards this year too. “There remains a surge in customer demand for credit during the festive season,” said Singh. 

Singh shared that the company is fully geared up for the launch of #FestiveShoppingRewards on all Bank of Baroda credit card variants under the theme ‘Reimagine Festivities’. They would kickstart festive offerings with the start of Navratri. 

The festive season does not just see the demand for credit go up, but there is an increase in applications for health and motor insurance too during this time of the year.

Aabhinna Suresh Khare, Chief Digital & Marketing Officer, BajajCapital Ltd, shared that among insurance products, health insurance and motor insurance reign supreme during festivals. According to Khare, the demand for mutual funds and SIPs too sees a hike.

“Overall, the festive season presents an opportune moment to secure insurance coverage. A plethora of attractive products and services are on offer, with financial institutions extending special discounts and promotions to entice new customers,” said Khare. 

The company launched #BlessMeGanesha campaign during Ganesh Chaturthi. “Our goal for this festive season is not only to provide financial solutions but also to create memorable experiences and deepen the connection with our customers,” said Khare. 

Though all major sectors spend heavily on advertising during the festive season, within the BFSI sector, some categories spend more in the quarter that follows the festive season.  

Explaining the trend, Samir Sethi, Head of Brand Marketing, Policybazaar.com, said that the festive season has varying impacts on the BFSI sector. In the banking sector, for instance, the demand for loans surges as many individuals purchase items and undertake home renovations. Conversely, in the insurance category, the festive season doesn't result in significant changes. Instead, the insurance industry experiences its peak season after the festive period, particularly during the fourth quarter of the financial year. 

“As the festive season approaches, there is a noticeable increase in car sales though, leading to a surge in the demand for motor insurance. Consequently, we see a significant uptick in the requests for motor insurance policies. During the festive period, there is an upswing in demand for various categories, such as electronics. However, in the insurance sector, this period doesn't significantly affect us, so we don't run specific campaigns targeting festivals. Nevertheless, we do roll out multiple campaigns throughout the year, and some of them may coincide with the festive season,” said Sethi. 

According to the TAM AdEx report on BFSI sector across media for H1, the advertising volume of the sector grew on TV, radio and digital, but declined in the print medium. The report indicated that ad impressions on digital saw 91% rise during Jan-Jun '23 over Jan-Jun’22. The increase was 32% for radio and 4% for TV. The ad space of the BFSI sector decreased by 7% in print. 

Speaking on media mix, Singh shared that BOB Financial has a good mix of customer segments belonging to Tier I, II and III.  So, understanding their needs and preferred form of media channels, the company will reach out to them through relevant media promotions. “For the easy discovery of our offers, we shall have a dedicated offers page with regular promotion of top offers on our social media and other digital channels,” said Singh. Without disclosing the figure, Singh shared that the company’s promotion budget has surely increased from last year and it will be visible through their multi-channel promotional activities.

According to the TAM report, in the BFSI sector, life insurance is the leading category on TV and radio whereas mutual funds is the top category on digital. 

Khare highlighted that in recent times, Bajaj Capital has observed a significant growth in audiences on online platforms and the changing preferences of their clientele. “This observation led us to recalibrate our marketing approach, placing a heightened emphasis on digital avenues,” said Khare. 

He further added, “Our promotional efforts are primarily digital-focused, accentuating areas like social media engagement, search engine outreach, content-driven marketing, and targeted online advertising. As we approach the festive season, we've fine-tuned our online approach. By harnessing the insights from data analytics, we aim to grasp our clients' needs and inclinations better, ensuring our content is both tailored and pertinent.”

Khare also mentioned that Baja Capital has doubled its advertising budget compared to the previous year. 

“This increase in our ad spend signifies our confidence in the opportunities this festive season presents. This impressive surge in our budget allocation underscores our dedication to maximizing the potential of this festive season and driving significant expansion within our business. We firmly believe that this increased investment in advertising will not only elevate our brand presence but also lead to an exceptional uptick in customer engagement and sales.” 

For Policybazaar.com, the media strategy primarily involves a blend of television and digital platforms, an approach that has remained consistent in recent years and is expected to continue in the foreseeable future.

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OMD appoints Dileep Raj Singh as Head of Digital for APAC

Singh will report to Charlotte Lee, CEO of OMD APAC

e4m by exchange4media Staff
Published: Aug 26, 2023 9:02 AM  | 3 min read
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OMD has added a Head of Digital (HOD) to its Asia Pacific (APAC) regional leadership team with the hiring of Dileep Raj Singh.

Singh is a digital native and brings with him a wealth of experience across product, media agency and client side in APAC, North America and the United Kingdom. His last 10 years have been spent building diverse digital marketing teams covering areas like performance marketing, digital media planning, ad/martech, product marketing, branding and measurement.

As HOD, he will accelerate OMD’s digital leadership agenda, rooted in helping clients address their business challenges and digital ambitions. He will be supporting OMD’s local teams in APAC on operational excellence, and digital transformation frameworks and roadmaps; and the development and implementation of our digital leadership agenda. He will also be working hand in hand with both our regional and global networks to initiate complementary workstreams for our clients in APAC.

“We will continue to invest and win in digital as part of our wider goal to be our clients’ most trusted business transformation partner,” said Charlotte Lee, CEO of OMD APAC.

“It is our global ambition to continue our leadership position in digital, data and technology. In line with this ambition, we are excited to have Singh come on board the OMD APAC leadership team. His background of agency, in-house and start-up experience position him perfectly to understand and address our clients’ business needs,” added Lee.

“Digital media and access to our audience, as we know it, is changing quite rapidly around us. This puts most of us in a delicate but remarkable position, a position from which we can shape and contribute to conversations about the next evolution of digital media. As we embark on this journey, I want to leverage the strength of the OMD network – people, technology, data, tools and platforms – to help our clients pivot and navigate through all the new and evolved possibilities in digital media. With this, I aim to position OMD as an unrivaled partner for our current and future clients; to dominate and succeed in this incredibly competitive and multifarious digital realm,” said Singh.

Singh will report to Lee, and work closely with the team including Chief Strategy Officer (CSO), David McCallen, and Chief Client Officer (CCO), Sadhan Mishra, to drive and support APAC local markets as well as regional clients on digital, data and technology needs.

Mishra was promoted to CCO of OMD APAC recently in June 2023. He will continue to be CEO of OMD Singapore, a position he was promoted into last August. Mishra has been with OMD for over 13 years and in his concurrent new role as CCO, he will focus on key client relationships, understanding their business needs and ensuring we remain a critical partner on their transformation journeys.

McCallen was elevated to the role of CSO of OMD APAC in April 2022, and was previously the CSO of OMD New Zealand for five years where he helped the agency to attain the top place in the market for new business, overall billings and award wins. Since starting in the APAC role, his focus has been on connecting and elevating strategic best practices across the region, building capabilities across a range of strategic outputs, and supporting new business growth both regionally and locally.

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e4m by exchange4media Staff
Published: Aug 25, 2023 1:39 PM  | 1 min read

Chandrayaan 3: Brands over the Moon

Some of the best moment marketing posts on India's crucial lunar mission

e4m by exchange4media Staff
Published: Aug 24, 2023 2:22 PM  | 1 min read
Chandrayaan

The nation is in a celebratory mood with its moon mission Chandrayaan 3 making its smooth landing on the lunar surface on the evening of August 23, 2023. The Pragyan rover is in pursuit of discovering water on the moon and is a vital feat for India's ambitious space research. 

To celebrate this momentous episode in Indian space research history, netizens have taken to the internet to express their excitement, hopes and fears for the nation's  lunar mission. Joining them are brands who have crafted creatives to mark the historic occasion and capture the emotions of the nation who have their eyes set on the moon. Here is our pick of some of the best Chandrayaan 3-moment marketing posts.

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BCCI rakes in Rs 4670 cr in Women's Premier League team auction: Jay Shah 26 Jan

WPL has broken the inaugural auction record of Men's IPL in 2008, tweeted Shah

e4m by sunny saini
Published: Jan 26, 2023 4:21 PM  | 2 min read
women ipl

As expected, Wednesday turned out to be another historic day in Indian women's cricket with BCCI having a windfall gain of Rs 4,600 crores by auctioning five team franchises for the first season, a higher sum compared to what men’s IPL franchises offered to the cricket body during the launch in 2008.  

 Adani, IndiaWin Sports, Royal Challengers, GSW- GMR cricket and Capri Global have won the bid,   BCCI secretary Jay Shah tweeted.

Shah shared in a series of tweets, “Today is a historic day in cricket as the bidding for teams of inaugural #WPL broke the records of the inaugural Men's IPL in 2008! Congratulations to the winners as we garnered Rs.4669.99 Cr in total bid.” 

“This marks the beginning of a revolution in women's cricket and paves the way for a transformative journey ahead not only for our women cricketers but for the entire sports fraternity. The #WPL would bring necessary reforms in women's cricket and would ensure an all-encompassing ecosystem that benefits each and every stakeholder.”

“The @BCCI has named the league - Women's Premier League (WPL). Let the journey begin…”

The country's top corporates had bid aggressively for the league. Over 16 groups including IPL franchise owners, Adani group, Torrent and Haldiram were believed to be in the fray. 

Given the popularity of IPL in India, the event is touted to be a big draw for all stakeholders involved. 

The BCCI was reportedly expecting ₹4,000 crore gain through team auction.

It’s noteworthy that Viacom18 has won the Women's IPL media rights for Rs 951 crore for the next five years creating euphoria around the league whose first season will be held in March.

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