Globalisation beckons regional cinema
Regional cinema finds its appeal within a niche audience making it customised in many ways.

On the topic of ‘Regional Cinema: Beyond Cinema’ on the second day of Ficci-Frames 2007, certain buzz words that were being exchanged throughout were personalisation, customisation, etc. Delving deeper into these insights, it was here that regional cinema found its appeal within a niche audience making it customized in many ways. Addressing the gathering on the topic of regional cinema, Prosenjit Chaterjee, West Bengal Film Industry stated, “It ignites certain amount of passion and is an emotional subject, far too complex to express, but then regional cinema is fighting its own battles and we are trying to get a foothold in the global cinema arena – against all odds.”
Noted actor Amol Palekar moderated the session and was not too happy either about the marginalization that was being witnessed by regional cinema or the linguistic distinction that was more pronounced than geographical barriers. Adding further he stated that regional cinema is categorized as non-Hindi cinema and other than Indian cinema. “It is very distressing that Hindi cinema is getting the status of National Cinema, which is unfair. Hindi cinema is also popularly called ‘Bollywood’ cinema, although many in the Bombay film industry find the term derogatory,” he remarked.
Purely entertaining, lacking in content and originality, the Bollywood nomenclature is the face of national cinema and though Bollywood contributes only 40% share of Hindi films in India, it is poignant that regional cinema is just being trivialized for some vague reason. On the other hand Marathi Cinema is fighting for space with Bollywood cinema as they share the same geographic location and space. South Indian Cinema too is downsized to marginalized cinema whereas North Indian ‘tadka’ is not on the menu of most distribution channels and is not able to sustain its stance. All this is dampening the spirit of Indian regional cinema, it was noted.
There are sporadic facts of Bhojpuri cinema being well-received though and there seems to be some ray of hope here. Parameters of commercialization are not articulated where regional cinema was concerned. Bombay cinema is the only film culture in the world that has been able to withstand, and even thwart, the global giant called Hollywood. Working in a manner that hardly befits its so-called industry status and the recent efforts at corporatisation, Bombay cinema has achieved what even the proud French have failed at – prevent Hollywood from bringing the national film industry to its knees, it was noted.
Bombay cinema – often described as the opiate of the masses in the Hindi-speaking world, and increasingly an addiction even in the non-Hindi regions of the globe – is doing to India exactly what Hollywood has so effectively done to so many countries. Aided by an ever-willing and ever-expanding media, Bollywood has emerged as a threat to the entirety of India’s venerable ‘regional’ film industries.
In a country as diverse as India, cinema has long been a tool to tell the stories of different peoples across the vastly diverse regions. However, the regional cinema has also had a powerful role as an entertainment medium that chronicles the concerns, cultural richness and contradictions of India’s many societies. Infact, it was regional cinema that initially catapulted Indian film to the global stage and its uniqueness is in its originality in content has helped its survival.
According to the delegates, the grey areas of concern are marketing and distribution of regional cinema films and the unequal financial budgets allotted to this category is far from adequate. Another major constraint is renting and distribution in theatres which is very expensive and digital technology is not viable on the grounds of heavy costs involved. Artistic creative expression and commerce are conflicting issues that undermine the growth prospects and regional cinema is grappling with the situation, it was noted.
Thanks to the International Film Festivals like MAMI, Goa Fest and others, regional cinema is getting a platform. Ironically, foreign films have higher reception from Indian audiences than regional cinema ought to have and this attitude needs to be changed. Though Indian audiences and the Government is taking this for granted, it is the indomitable spirit that is inspiring filmmakers in the regional cinema category to work on newer original ideas and try and harness vast pool talent and creativity that is available.
Content, originality and identity are the major factors that will help in the survival of regional cinema in the years to come.
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E4M Our strategy is to target younger audiences through Sports: Rajiv Dubey, Dabur
The Head of Media at Dabur India spoke exclusively to exchange4media on the World Cup, associating with Indian Idol, the company’s digital spending and much more
With quirky campaigns, memes and moment marketing, timed with the ongoing World Cup and particularly the India-Pakistan matches, Dabur India has got considerable consumer attention for its popular brands – Red Paste, Cool King Hair Oil, Chyawanprash, Dabur Vita and the recently launched Bae Fresh Gel toothpaste.
The 140-year-old company is going big on key sporting events, World Television Premiere (WTP) movies and reality shows. It is now gearing up to become the title sponsor of popular talent show ‘Indian Idol’ on Sony TV for the first time, shared Rajiv Dubey, who leads the media strategy at Dabur.
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Swapan Seth's new book 'COOL' is out
The book is a reflection of the author's 'eclectic taste across categories'
Advertising professional and art collector Swapan Seth has announced the launch of his new book COOL. The book is described as "a ready reckoner to the hip and the happening, of the known and the very unknown."
The book is a reflection of the author's "eclectic taste across categories: from boltholes to exotic hideaways."
COOL has been published by Simon & Schuster India and is available on Amazon.
Seth is an ad veteran with a long and illustrious career in the industry. He became the youngest-ever Creative Director at Clarion at age 24. He was VP at 26 at Trikaya Grey. Two years later, he started his agency Equus.
He writes for publications such as The Economic Times, Hindustan Times and India Today. This is his second book and he has previously published THIS IS ALL I HAVE TO SAY.
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Disney Star signs 9 sponsors for Asia Cup PAK
Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up come on board
e4m Staff Disney Star has signed nine broadcast and digital streaming sponsors for the upcoming Asia Cup.
Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up have come on board for the upcoming tournament.
As reported earlier by exchange4media, Disney Star has sought Rs 26 crore for the co-presenting sponsorship on TV and Rs 30 crore for Disney+ Hotstar.
According to industry sources, the associate sponsorship on Star Sports has been priced at Rs 19.66 crore, whereas for the ‘powered by’ sponsorship on Disney+ Hotstar, the broadcaster is seeking Rs 18 crore.
As per the information available with exchange4media, Disney+ Hotstar has three sponsorship tiers-- co-presenting (Rs 30 crore), powered by (Rs 18 crore) and associate sponsorship (Rs 12 crore). The broadcaster is offering an estimated reach of 120-140 million for co-presenting sponsors, 90-100 million for powered by and 60-70 million for associate sponsorship.
A spot buy for 10 seconds has been priced at Rs 25 lakh for the India vs Pakistan matches, while for the non-India matches, the ad rate for 10 second is Rs 2.3 lakh. The India matches plus the final for ODIs has been priced at Rs 17 lakh per 10 seconds.
Asia Cup is scheduled to be held from 30 August, 2023, to September 17, 2023.
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Sorted 360 wins creative & social media mandate of Reliance Mall
The agency will manage offline and online campaigns for Reliance Mall
Sorted 360, an integrated creative and social media agency, has won the mandate to providing brand solutions for Reliance Malls across India.
“Sorted 360 is set to enhance Reliance Malls' market presence with their unparalleled creative prowess and strategic thinking,” read a press release.
“Sorted 360's commitment to pushing the boundaries of creative communication aligns perfectly with Reliance Malls' ethos. With a pan-India presence spanning across 19 cities and growing, Reliance Malls has consistently captivated customers by offering an array of Reliance brands and third-party fashion & lifestyle brands. The mall has established an unparalleled connection with its patrons through superior quality, a remarkable value proposition, and an unmatched shopping experience,” it read further.
"We are thrilled to welcome Sorted 360 as our trusted partner in advancing our brand presence across the nation," said the Head of Marketing at Relaice Malls. "Their proven expertise in retail, shopping center management, and innovative creative strategies make them the perfect fit for our vision."
"Partnering with Reliance Malls is a testament to our commitment to shaping extraordinary brand experiences," remarked Prerana Anatharam, Co-founder of Sorted 360. "We are excited to leverage our strategic and creative acumen to further elevate Reliance Malls as the epitome of convenience, choice, and excellence."
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KlugKlug onboards Hemang Mehta as Country Manager for Indias
Mehta was most recently Head of Agency Relationships at Network 18 Media & Investments
KlugKlug has appointed Hemang Mehta as its Country Manager for India.
Mehta will play a pivotal role in driving KlugKlug's growth and expansion within the Indian market and be responsible for Sales & GTM Strategy
Prior to that, he has also represented organisations like Exponential (now VDX.tv), India Today Digital and Rediff.com. His expertise spans various domains including digital media sales, mobile marketing, media planning, and buying, social media marketing, and more.
Hemang Mehta expressed his enthusiasm about joining KlugKlug, saying, "I am thrilled to be a part of KlugKlug, a forward-thinking platform that is reshaping the influencer marketing landscape. As much as I look forward to collaborating with the exuberant team at KlugKlug, I am super excited to interact with the brands to deliver powerful data-backed Influencer solutions that will guarantee business outcomes."
Commenting on the appointment, Kalyan Kumar, Co-Founder and CEO of KlugKlug, stated, "We are excited to welcome Hemang Mehta to our team as the Country Manager for India. His extensive experience in digital media sales and marketing will be instrumental in driving our efforts to provide influencer marketing solutions to our clients. We believe Hemang's leadership will be key in scaling our operations and expanding our reach within the Indian market."
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