Do creative independents have an edge over network agencies?
On the back of the Publicis - Omnicom merger, we explore whether today smaller agencies seem more attractive, given the freedom devoid of network pressure

The Publicis – Omnicom merger, the sheer scale and size of the joint entity, has brought to the fore various challenges such as distinctly different cultures, salary harmonisation, and stated saving coming on the back of job cuts.
The entire scenario makes smaller independent agencies look all the more attractive, giving them freedom devoid of network pressure and the baggage that comes with it.
“Being a smaller agency, you decide the pace and the accounts you want to work on, what kind of division to have, to include digital or become solely digital or not, you can take a call. There is no network pressure to work in a particular city or country. No pressure to meet targets year-on-year, and no projections or targets 12 months in advance. No top management exerting pressure on the creative team because their bonus is linked to pre-set targets,” said Santosh Padhi, Co-Founder and Chief Creative Officer, Taproot India.
The pressure to take on more work and more pitches than a creative person can do justice to is often multiplied, leading to a vicious cycle, added Padhi.
Padhi’s sentiments are echoed by Prathap Suthan, Managing Partner and Chief Creative Officer, Bang in the Middle. He said, “The only reason why Bang in the Middle came about was the over arching want and desire to have freedom. So that’s something very precious for us and extremely liberating as well. We do have the freedom to pick and choose whom we want to work with, and whom we don't want to work with. More than that, sometimes we would want to work for someone because we like the promise of his or her brand. Work doesn’t have to be always about the money. Earlier, we’d have never looked at a top line called happiness. Being independent also gives us the flexibility to consider different streams of businesses and revenue. More importantly, it gives us the latitude to take decisions on the spot. We don’t have to take permission from anyone.”
Do smaller agencies miss out on prestigious brands?
While independent agencies do have the advantage of freedom, agencies within holding companies hold the advantage of the wide portfolio of the biggest brands any creative person would take pride in working on.
Brands such as Coke, Pepsi, and Apple add value to every portfolio, giving a sense of achievement to those who worked on them. Being part of a team that has worked on these brands automatically holds an advantage, while owners of smaller agencies may have to struggle for years to add a big brand to their agency credentials – a fact that may now be changing with agencies such as Taproot making inroads into bigger brands and working on clients such as Airtel and Pepsi.
Bring in the metals
The other aspect that comes with being part of a network company is the pressure to win awards.
“Network agencies maybe affected because of the pressure to win awards and it becomes a numbers game; so being part of a network turns into a disadvantage. This trend can be observed more in the recent years,” said Manish Bhatt, Founder-Director, Scarecrow Communications.
Bhatt also added that being a part of a network agency can be an advantage or disadvantage depending on the philosophy of that network. It remains more of a corporate affair unless the group has certain rules on the kind of work it needs to take up; for example, some networks say no to political advertising, so it affects the agencies within as well.
Coming to the aspect of client conflict, network agencies have the advantage of taking on clients from the same category as they leverage the advantage of numerous divisions that can work on the accounts and retain otherwise conflicting accounts under the umbrella of the same group.
Protecting client interests
Network agencies attempt to optimise to their own advantage investments and relationships of their parent companies. But are those relationships always in the best interest of clients. In this scenario are independent agencies better able to protect clients’ interest?
“Independent agencies have more to lose, and therefore client relationships are far more emotional and consequently stronger. But of course, these relationships are fragile and the moment money comes under duress, these relationships strain. This is a truth independent agencies would echo across the world,” said Suthan.
When it comes to client interest within network agencies, Suthan added, “As long as individual agencies within holding companies compete as different entities, and continue to hold their turf against each other, clients can only gain. Being part of a holding company doesn't mean that individual agencies have lost their freedom and isolation. I would ideally think that the holding companies would and could offer an invisible layer of insulation and protection in case of crisis and emergencies. But then, I could be a romantic fool.”
While independent agencies certainly revel in their freedom to walk down the untrodden path, free from network pressure, network agencies enjoy the scale and a wider portfolio of bigger clients. More and more brands are now open to working with smaller agencies unfettered by network pressures and baggage; maybe only a project basis in the beginning but it is a start for sure.
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E4M Our strategy is to target younger audiences through Sports: Rajiv Dubey, Dabur
The Head of Media at Dabur India spoke exclusively to exchange4media on the World Cup, associating with Indian Idol, the company’s digital spending and much more
With quirky campaigns, memes and moment marketing, timed with the ongoing World Cup and particularly the India-Pakistan matches, Dabur India has got considerable consumer attention for its popular brands – Red Paste, Cool King Hair Oil, Chyawanprash, Dabur Vita and the recently launched Bae Fresh Gel toothpaste.
The 140-year-old company is going big on key sporting events, World Television Premiere (WTP) movies and reality shows. It is now gearing up to become the title sponsor of popular talent show ‘Indian Idol’ on Sony TV for the first time, shared Rajiv Dubey, who leads the media strategy at Dabur.
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Swapan Seth's new book 'COOL' is out
The book is a reflection of the author's 'eclectic taste across categories'
Advertising professional and art collector Swapan Seth has announced the launch of his new book COOL. The book is described as "a ready reckoner to the hip and the happening, of the known and the very unknown."
The book is a reflection of the author's "eclectic taste across categories: from boltholes to exotic hideaways."
COOL has been published by Simon & Schuster India and is available on Amazon.
Seth is an ad veteran with a long and illustrious career in the industry. He became the youngest-ever Creative Director at Clarion at age 24. He was VP at 26 at Trikaya Grey. Two years later, he started his agency Equus.
He writes for publications such as The Economic Times, Hindustan Times and India Today. This is his second book and he has previously published THIS IS ALL I HAVE TO SAY.
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Disney Star signs 9 sponsors for Asia Cup PAK
Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up come on board
e4m Staff Disney Star has signed nine broadcast and digital streaming sponsors for the upcoming Asia Cup.
Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up have come on board for the upcoming tournament.
As reported earlier by exchange4media, Disney Star has sought Rs 26 crore for the co-presenting sponsorship on TV and Rs 30 crore for Disney+ Hotstar.
According to industry sources, the associate sponsorship on Star Sports has been priced at Rs 19.66 crore, whereas for the ‘powered by’ sponsorship on Disney+ Hotstar, the broadcaster is seeking Rs 18 crore.
As per the information available with exchange4media, Disney+ Hotstar has three sponsorship tiers-- co-presenting (Rs 30 crore), powered by (Rs 18 crore) and associate sponsorship (Rs 12 crore). The broadcaster is offering an estimated reach of 120-140 million for co-presenting sponsors, 90-100 million for powered by and 60-70 million for associate sponsorship.
A spot buy for 10 seconds has been priced at Rs 25 lakh for the India vs Pakistan matches, while for the non-India matches, the ad rate for 10 second is Rs 2.3 lakh. The India matches plus the final for ODIs has been priced at Rs 17 lakh per 10 seconds.
Asia Cup is scheduled to be held from 30 August, 2023, to September 17, 2023.
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Sorted 360 wins creative & social media mandate of Reliance Mall
The agency will manage offline and online campaigns for Reliance Mall
Sorted 360, an integrated creative and social media agency, has won the mandate to providing brand solutions for Reliance Malls across India.
“Sorted 360 is set to enhance Reliance Malls' market presence with their unparalleled creative prowess and strategic thinking,” read a press release.
“Sorted 360's commitment to pushing the boundaries of creative communication aligns perfectly with Reliance Malls' ethos. With a pan-India presence spanning across 19 cities and growing, Reliance Malls has consistently captivated customers by offering an array of Reliance brands and third-party fashion & lifestyle brands. The mall has established an unparalleled connection with its patrons through superior quality, a remarkable value proposition, and an unmatched shopping experience,” it read further.
"We are thrilled to welcome Sorted 360 as our trusted partner in advancing our brand presence across the nation," said the Head of Marketing at Relaice Malls. "Their proven expertise in retail, shopping center management, and innovative creative strategies make them the perfect fit for our vision."
"Partnering with Reliance Malls is a testament to our commitment to shaping extraordinary brand experiences," remarked Prerana Anatharam, Co-founder of Sorted 360. "We are excited to leverage our strategic and creative acumen to further elevate Reliance Malls as the epitome of convenience, choice, and excellence."
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KlugKlug onboards Hemang Mehta as Country Manager for Indias
Mehta was most recently Head of Agency Relationships at Network 18 Media & Investments
KlugKlug has appointed Hemang Mehta as its Country Manager for India.
Mehta will play a pivotal role in driving KlugKlug's growth and expansion within the Indian market and be responsible for Sales & GTM Strategy
Prior to that, he has also represented organisations like Exponential (now VDX.tv), India Today Digital and Rediff.com. His expertise spans various domains including digital media sales, mobile marketing, media planning, and buying, social media marketing, and more.
Hemang Mehta expressed his enthusiasm about joining KlugKlug, saying, "I am thrilled to be a part of KlugKlug, a forward-thinking platform that is reshaping the influencer marketing landscape. As much as I look forward to collaborating with the exuberant team at KlugKlug, I am super excited to interact with the brands to deliver powerful data-backed Influencer solutions that will guarantee business outcomes."
Commenting on the appointment, Kalyan Kumar, Co-Founder and CEO of KlugKlug, stated, "We are excited to welcome Hemang Mehta to our team as the Country Manager for India. His extensive experience in digital media sales and marketing will be instrumental in driving our efforts to provide influencer marketing solutions to our clients. We believe Hemang's leadership will be key in scaling our operations and expanding our reach within the Indian market."
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