Asian TV market: Localised content packaging holds the key
Asia has common cultural values thereby creating a huge potential for sharing of media content themselves. This is more pronounced when it comes to South Asian countries—India, Pakistan, Sri Lanka Nepal, Bangladesh, Bhutan and the Maldives and also between these nations and the Southeast Asian block including Singapore, Malaysia, Indonesia etc.

Asia has common cultural values thereby creating a huge potential for sharing of media content themselves. This is more pronounced when it comes to South Asian countries—India, Pakistan, Sri Lanka Nepal, Bangladesh, Bhutan and the Maldives and also between these nations and the Southeast Asian block including Singapore, Malaysia, Indonesia etc.
The Ficci-Frames 2007 session on ‘Asian TV Market’ addressed a few issues like how can the trade of content be further strengthened amongst the Asian countries.
Moderating the session Content Asia Singapore editorial director Janine Stein, said all Asian countries have a common cultural background which binds the continent with a common thread through media and other sources of information.
Taking this forward and speaking on the importance of content and its use in the market, exchange4media Group publisher and editor-in-chief Anurag Batra said, “Content is reused repeatedly in different formats and mediums. As Indians, we have always looked forward to Western countries. However, we tend to forget that India has a very rich and strong base of fresh ideas and content.”
“Producers lose because they don’t have an eye to see the larger outside market and its potential. There are several instances where Indian producers have created content for foreign broadcasters and channels. Indian broadcasters and channels like SAB
TV and Sun TV have started distribution in other countries. So, all we need is proper packaging and marketing in other countries. We need to try to explore new marketing techniques to penetrate the Asian market. In spite of having common grounds and backgrounds, to sell the content we need to localise the content and adapt it to suite the local audience,” he said.
Batra also stressed on the need to create global content. According him, if Bollywood is as famous as Indian curry and this means that there is enough demand for Indian content in the global market and only packaging is what is lacking and only this can help marketers survive.
Media E2E Chief Evangelist and Chief Executive Atul Phadnis gave an overview of the new emerging market within the South Asian market. According to him, among the seven South Asian countries, India and Pakistan have a huge untapped market for television where the television penetration is just about 50 per cent. The television penetration in India is 51 per cent, it is 55 per cent in Pakistan, while it is 85 per cent in Sri Lanka, he said. He also indicated that there was a huge opportunity for Indian firms to collaborate with those in other South Asian markets in areas of content, technology, training and talent.
Indiantelevision.com founder, chief executive and editor–in–chief Anil Wanvari said, “In India, content producers do not have copyrights over their own creative content as it is with the broadcasters. And this strange phenomenon is exclusive to India alone. I just don’t understand why can’t the content producers further monetise their product through converting the content into various other formats? In India, the broadcasters rule the market which gives a limited chance for individual producers to monitor content.”
Wanvari also pointed out that producers need to retain these rights to monetise the content as well as enjoy the revenues generated by broadcasting of the same.
Asian countries have common issues and content formats like music, films and cricket appeal to all countries. There are various Indian serials dubbed into the local languages of Sri Lanka and other South Asian countries. However, government restrictions play a major role in all Asian countries which have stringent rules on foreign broadcasting companies and use of foreign content. Mediums like television and the Internet give an overview of other nations and latest market trends.
The leading Pakitani channel Geo TV president Imran Aslam also spoke about the common issues and topics which appeal to the Asian audience. Giving a simple example when his company started broadcasting content in the Asian market, he said, “We started our first musical show in Pakistan which had legends from both Indian and Pakistani music industry. This was a hit since both the countries have a rich musical culture and is also appreciated by the audiences in both sides of the border. Indian K-series are a big hit in Pakistan while a few Pakistani serials in the late 90s were adapted by Indian producers too.”
Aslam also pointed out that language is no bar since the basic cultural values are the same in every Asian country. India is becoming less of a nation and more of a global market, he said, adding “more international collaboration must take place and sports like cricket could be an ice breaker.”
As the speakers stressed on common issues, Asia Broadcast Satellite Hong Kong co–founder and chief executive Thomas Choi gave some technological insights. We are in the age of technology and there is a sudden spurt in the Asian market. According to him, cable TV operators are the winners. However the new technologies like DTH, DVB TV, digital video broadcasting and IPTV give broadcasters a new widow and markets to explore. These technologies give broadcasters an opportunity to reach out to a niche audience beyond their national geographical boundaries.
The session ended with the unanimous view that the Asian market has ample opportunities, but the marketers need to package content is a better way to survive and leave a mark in the global market.
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E4M Our strategy is to target younger audiences through Sports: Rajiv Dubey, Dabur
The Head of Media at Dabur India spoke exclusively to exchange4media on the World Cup, associating with Indian Idol, the company’s digital spending and much more
With quirky campaigns, memes and moment marketing, timed with the ongoing World Cup and particularly the India-Pakistan matches, Dabur India has got considerable consumer attention for its popular brands – Red Paste, Cool King Hair Oil, Chyawanprash, Dabur Vita and the recently launched Bae Fresh Gel toothpaste.
The 140-year-old company is going big on key sporting events, World Television Premiere (WTP) movies and reality shows. It is now gearing up to become the title sponsor of popular talent show ‘Indian Idol’ on Sony TV for the first time, shared Rajiv Dubey, who leads the media strategy at Dabur.
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Swapan Seth's new book 'COOL' is out
The book is a reflection of the author's 'eclectic taste across categories'
Advertising professional and art collector Swapan Seth has announced the launch of his new book COOL. The book is described as "a ready reckoner to the hip and the happening, of the known and the very unknown."
The book is a reflection of the author's "eclectic taste across categories: from boltholes to exotic hideaways."
COOL has been published by Simon & Schuster India and is available on Amazon.
Seth is an ad veteran with a long and illustrious career in the industry. He became the youngest-ever Creative Director at Clarion at age 24. He was VP at 26 at Trikaya Grey. Two years later, he started his agency Equus.
He writes for publications such as The Economic Times, Hindustan Times and India Today. This is his second book and he has previously published THIS IS ALL I HAVE TO SAY.
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Disney Star signs 9 sponsors for Asia Cup PAK
Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up come on board
e4m Staff Disney Star has signed nine broadcast and digital streaming sponsors for the upcoming Asia Cup.
Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up have come on board for the upcoming tournament.
As reported earlier by exchange4media, Disney Star has sought Rs 26 crore for the co-presenting sponsorship on TV and Rs 30 crore for Disney+ Hotstar.
According to industry sources, the associate sponsorship on Star Sports has been priced at Rs 19.66 crore, whereas for the ‘powered by’ sponsorship on Disney+ Hotstar, the broadcaster is seeking Rs 18 crore.
As per the information available with exchange4media, Disney+ Hotstar has three sponsorship tiers-- co-presenting (Rs 30 crore), powered by (Rs 18 crore) and associate sponsorship (Rs 12 crore). The broadcaster is offering an estimated reach of 120-140 million for co-presenting sponsors, 90-100 million for powered by and 60-70 million for associate sponsorship.
A spot buy for 10 seconds has been priced at Rs 25 lakh for the India vs Pakistan matches, while for the non-India matches, the ad rate for 10 second is Rs 2.3 lakh. The India matches plus the final for ODIs has been priced at Rs 17 lakh per 10 seconds.
Asia Cup is scheduled to be held from 30 August, 2023, to September 17, 2023.
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Sorted 360 wins creative & social media mandate of Reliance Mall
The agency will manage offline and online campaigns for Reliance Mall
Sorted 360, an integrated creative and social media agency, has won the mandate to providing brand solutions for Reliance Malls across India.
“Sorted 360 is set to enhance Reliance Malls' market presence with their unparalleled creative prowess and strategic thinking,” read a press release.
“Sorted 360's commitment to pushing the boundaries of creative communication aligns perfectly with Reliance Malls' ethos. With a pan-India presence spanning across 19 cities and growing, Reliance Malls has consistently captivated customers by offering an array of Reliance brands and third-party fashion & lifestyle brands. The mall has established an unparalleled connection with its patrons through superior quality, a remarkable value proposition, and an unmatched shopping experience,” it read further.
"We are thrilled to welcome Sorted 360 as our trusted partner in advancing our brand presence across the nation," said the Head of Marketing at Relaice Malls. "Their proven expertise in retail, shopping center management, and innovative creative strategies make them the perfect fit for our vision."
"Partnering with Reliance Malls is a testament to our commitment to shaping extraordinary brand experiences," remarked Prerana Anatharam, Co-founder of Sorted 360. "We are excited to leverage our strategic and creative acumen to further elevate Reliance Malls as the epitome of convenience, choice, and excellence."
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KlugKlug onboards Hemang Mehta as Country Manager for Indias
Mehta was most recently Head of Agency Relationships at Network 18 Media & Investments
KlugKlug has appointed Hemang Mehta as its Country Manager for India.
Mehta will play a pivotal role in driving KlugKlug's growth and expansion within the Indian market and be responsible for Sales & GTM Strategy
Prior to that, he has also represented organisations like Exponential (now VDX.tv), India Today Digital and Rediff.com. His expertise spans various domains including digital media sales, mobile marketing, media planning, and buying, social media marketing, and more.
Hemang Mehta expressed his enthusiasm about joining KlugKlug, saying, "I am thrilled to be a part of KlugKlug, a forward-thinking platform that is reshaping the influencer marketing landscape. As much as I look forward to collaborating with the exuberant team at KlugKlug, I am super excited to interact with the brands to deliver powerful data-backed Influencer solutions that will guarantee business outcomes."
Commenting on the appointment, Kalyan Kumar, Co-Founder and CEO of KlugKlug, stated, "We are excited to welcome Hemang Mehta to our team as the Country Manager for India. His extensive experience in digital media sales and marketing will be instrumental in driving our efforts to provide influencer marketing solutions to our clients. We believe Hemang's leadership will be key in scaling our operations and expanding our reach within the Indian market."
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