Advertising on television has become more participative today

Challenge for advertisers is to address diverse TV viewing habits in India today and connect with consumers who are moving towards appointment viewing on mobiles, laptops, says Ohri, Executive Chairman, Dentsu India & CEO, Dentsu Asia Pacific (South)

e4m by Collin Furtado
Published: Nov 6, 2014 9:51 AM  | 6 min read
Advertising on television has become more participative today

Advertising on television today has evolved today to become more participative. But in a large and diverse country like India, it is also becomes difficult for TV ads to connect to every customer. Rohit Ohri, Executive Chairman, Dentsu India & CEO, Dentsu Asia Pacific (South), a jury member of the exchange4media Prime Time Awards that will take place on January 16, 2015, speaks to us on the challenges agencies face in creating TV advertising, ingredients needed to make clutter breaking ads, return on investment (ROI) and future trends in the TV advertising industry.  

What are the challenges agencies face while creating and strategising TV advertising campaigns in India today?

One of the biggest challenges for an advertising agency while creating a television campaign is around the fragmentation. Each state in India has its own peculiarities and the television viewing habits are very different. In some parts, they are watching national, some parts they are watching regional and some parts it is the combination of the two. In yet others, it is a spill over from another state, which is really not their own state channel. So it is a very hard challenge to figure out what is the right mix when you look at television. The other thing is that, television also reaches a large population, now hypothetically if your ad is a mass market one; you need to create something that will work for all segments. So how do you create an ad, which works for north and south, east and west from a geographic differences point of view, and SEC A1+ to socio economic classification? There are so many different parameters that actually come into play in the complexity of India that it becomes really hard for an advertising agency … if the client wants one film, and that one film has to do so many different tasks, how do you hit the sweet spot? That is the big challenge.   

What does a TV campaign need to break through the clutter and make a brand stand out from the rest?

Quite honestly it is very hard to say, because if one could say that with a great deal of certainty then every brand would be creating an ad which would cut through the clutter. But currently, there are a few broad emerging trends - one is emotion, which is the one thing that can be used to bind people together. So whether you’re a technology company or a FMCG or a service brand… emotion is something that really gets people… the spate of ad films that are happening online now with Nestle, PepsiCo, etc. are actually using emotion to connect and cut through. The other thing that we are seeing is that there is a lot of participation in the communication. You are almost engaging with it at a different level, where you are also participating in the communication. It is a part activation, part television film. There are many brands that have done stuff like that which gets people to not just lean back and watch a commercial, but lean forward and participate. So that is another thing that we found enormously successful in cutting through the clutter. Don’t just look at it as ads but as content. Take the ice-bucket challenge for example. You could look at it as content, where you see people doing it in their own different ways and the ice bucket challenge is also challenging you. If you think of it in a branding context, then you have to be a part of it. How do you do that?

Take the new campaign that the BJP government has created around ‘Swachh Bharat’. Now ‘Swachh Bharat’ is content in a way that you are putting up photographs of before after and challenging other people to do the same. So this kind of thing has become very popular nowadays where you can be part of the story as well, not just listen to a story. That I think is the new art of storytelling for brands - including the listener of the story into the story as well.

How effective are TV ad campaigns in comparison to other media in terms ROI?
      
It is a double-edged sword. On the one hand television reaches a large segment of the audience and you get a lot of wastage in that sense, in terms of the spill-off of customers you may not be targeting with your brand. But when it comes to building a national brand in terms of awareness and quick build up, a television film is really critical. While we say that it is the age of the digital, which is good and the writing is on the wall, the fact is, television is also here to stay. Even in developed markets like Japan, television hasn’t faded away. It still plays an important part of the process. To answer the question specifically, there is a challenge in sharply defining ROI when it comes to television films because of the nature of the medium. But still very important when you look at a country like India which has so much of diversity. India is like a broadband; at the top of the band people are living in 2014 and at the bottom of the band people are living in 1986. What you say for India is true and the opposite is also true. When we are talking about technology, there is a large part of the Indian population, which doesn’t have electricity or access to laptops and mobiles. So that is a whole different challenge for communication… it is a hard sell on ROI still in television. 

Where do you see the future moving towards for TV campaigns in terms of trends in India?

The biggest trend that is going to happen is really where television is actually consumed. What we are seeing increasingly is that consumption of television in the conventional way, which is the whole family gathering around the TV and watching, is pretty much passé. Today, appointment viewing of television has become very critical… people of a certain SEC are recording their programmes and watching it at their own free will. And the other thing is that, they are watching it on other devices, whether it is on mobile phones or laptops… At the same time, there are a large number of people who do watch television together. But if you ask me what is the trend going to be, then it is about where the consumption is happening, and for television that is a very big change. Because if I am watching TV on my phone or laptop, then the big question is how do I connect brands into that space.    
 

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E4M Our strategy is to target younger audiences through Sports: Rajiv Dubey, Dabur

The Head of Media at Dabur India spoke exclusively to exchange4media on the World Cup, associating with Indian Idol, the company’s digital spending and much more

e4m by e4m Staff
Published: Oct 27, 2023 6:15 PM  | 1 min read
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With quirky campaigns, memes and moment marketing, timed with the ongoing World Cup and particularly the India-Pakistan matches, Dabur India has got considerable consumer attention for its popular brands – Red Paste, Cool King Hair Oil, Chyawanprash, Dabur Vita and the recently launched Bae Fresh Gel toothpaste.

The 140-year-old company is going big on key sporting events, World Television Premiere (WTP) movies and reality shows. It is now gearing up to become the title sponsor of popular talent show ‘Indian Idol’ on Sony TV for the first time, shared Rajiv Dubey, who leads the media strategy at Dabur.

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Swapan Seth's new book 'COOL' is out

The book is a reflection of the author's 'eclectic taste across categories'

e4m by e4m Staff
Published: Oct 27, 2023 6:07 PM  | 1 min read
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Advertising professional and art collector Swapan Seth has announced the launch of his new book COOL. The book is described as "a ready reckoner to the hip and the happening, of the known and the very unknown."

The book is a reflection of the author's "eclectic taste across categories: from boltholes to exotic hideaways."

COOL has been published by Simon & Schuster India and is available on Amazon.

Seth is an ad veteran with a long and illustrious career in the industry. He became the youngest-ever Creative Director at Clarion at age 24. He was VP at 26 at Trikaya Grey. Two years later, he started his agency Equus.

He writes for publications such as The Economic Times, Hindustan Times and India Today. This is his second book and he has previously published THIS IS ALL I HAVE TO SAY.

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Disney Star signs 9 sponsors for Asia Cup PAK

Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up come on board

e4m by exchange4media Staff
Published: Aug 26, 2023 11:48 AM  | 1 min read
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e4m Staff Disney Star has signed nine broadcast and digital streaming sponsors for the upcoming Asia Cup.

Charged by Thums Up, Nerolac Paint+, Amazon Pay, Jindal Panther, My11Circle, MRF, Samsung Galaxy Z Flip5, Wild Stone and Thums Up have come on board for the upcoming tournament.
As reported earlier by exchange4media, Disney Star has sought Rs 26 crore for the co-presenting sponsorship on TV and Rs 30 crore for Disney+ Hotstar.

According to industry sources, the associate sponsorship on Star Sports has been priced at Rs 19.66 crore, whereas for the ‘powered by’ sponsorship on Disney+ Hotstar, the broadcaster is seeking Rs 18 crore.

As per the information available with exchange4media, Disney+ Hotstar has three sponsorship tiers-- co-presenting (Rs 30 crore), powered by (Rs 18 crore) and associate sponsorship (Rs 12 crore). The broadcaster is offering an estimated reach of 120-140 million for co-presenting sponsors, 90-100 million for powered by and 60-70 million for associate sponsorship.

A spot buy for 10 seconds has been priced at Rs 25 lakh for the India vs Pakistan matches, while for the non-India matches, the ad rate for 10 second is Rs 2.3 lakh. The India matches plus the final for ODIs has been priced at Rs 17 lakh per 10 seconds.

Asia Cup is scheduled to be held from 30 August, 2023, to September 17, 2023.

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Sorted 360 wins creative & social media mandate of Reliance Mall

The agency will manage offline and online campaigns for Reliance Mall

e4m by exchange4media Staff
Published: Aug 26, 2023 10:54 AM  | 1 min read
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Sorted 360, an integrated creative and social media agency, has won the mandate to providing brand solutions for Reliance Malls across India.

“Sorted 360 is set to enhance Reliance Malls' market presence with their unparalleled creative prowess and strategic thinking,” read a press release.

“Sorted 360's commitment to pushing the boundaries of creative communication aligns perfectly with Reliance Malls' ethos. With a pan-India presence spanning across 19 cities and growing, Reliance Malls has consistently captivated customers by offering an array of Reliance brands and third-party fashion & lifestyle brands. The mall has established an unparalleled connection with its patrons through superior quality, a remarkable value proposition, and an unmatched shopping experience,” it read further.

"We are thrilled to welcome Sorted 360 as our trusted partner in advancing our brand presence across the nation," said the Head of Marketing at Relaice Malls. "Their proven expertise in retail, shopping center management, and innovative creative strategies make them the perfect fit for our vision."

"Partnering with Reliance Malls is a testament to our commitment to shaping extraordinary brand experiences," remarked Prerana Anatharam, Co-founder of Sorted 360. "We are excited to leverage our strategic and creative acumen to further elevate Reliance Malls as the epitome of convenience, choice, and excellence."

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KlugKlug onboards Hemang Mehta as Country Manager for Indias

Mehta was most recently Head of Agency Relationships at Network 18 Media & Investments

e4m by exchange4media Staff
Published: Aug 24, 2023 3:35 PM  | 1 min read
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KlugKlug has appointed Hemang Mehta as its Country Manager for India.

Mehta will play a pivotal role in driving KlugKlug's growth and expansion within the Indian market and be responsible for Sales & GTM Strategy

Prior to that, he has also represented organisations like Exponential (now VDX.tv), India Today Digital and Rediff.com. His expertise spans various domains including digital media sales, mobile marketing, media planning, and buying, social media marketing, and more.

Hemang Mehta expressed his enthusiasm about joining KlugKlug, saying, "I am thrilled to be a part of KlugKlug, a forward-thinking platform that is reshaping the influencer marketing landscape. As much as I look forward to collaborating with the exuberant team at KlugKlug, I am super excited to interact with the brands to deliver powerful data-backed Influencer solutions that will guarantee business outcomes."

Commenting on the appointment, Kalyan Kumar, Co-Founder and CEO of KlugKlug, stated, "We are excited to welcome Hemang Mehta to our team as the Country Manager for India. His extensive experience in digital media sales and marketing will be instrumental in driving our efforts to provide influencer marketing solutions to our clients. We believe Hemang's leadership will be key in scaling our operations and expanding our reach within the Indian market."

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