Rewind 2010: The big objective for the broadcast industry is to achieve critical mass urgently - Sameer Nair, CEO, Turner General Entertainment Network
Technology, design and entertainment – three things that Sameer Nair, CEO, Turner General Entertainment Network, believes drive the growth of any business. For Nair, technology will be the game changer for the media industry.

Technology, design and entertainment – three things that Sameer Nair, CEO, Turner General Entertainment Network, believes drive the growth of any business, especially the media business. For Nair, the game changer for the media industry is going to be primarily technology, and he believes in the years ahead, the industry will have more opportunities than challenges.
As curtains come down on a decade of entertainment in India, Nair speaks to exchange4media on what are the things to watch out for in the decade ahead.
Let’s begin with one of your favourite subjects – distribution. With digital households actually showing growth now, do you think the big hopes of addressability would finally manifest into something next year?
Next year would be a stretch. It will still take about five years to coalesce into a decent critical mass of digital homes that would make some kind of a difference. You can always be surprised, like we saw with mobile telephony that really leapfrogged in the past few years. But I think digital homes should get to a critical mass, which means enough number of homes in specific markets, by 2015. 2011, and even 2012 will continue to be the same kind of fight we already are in. A street fight for slots, for shows, ratings and that sort of thing.
We will not wake up on January 1, 2011 feeling spectacularly different or new, but over a period of time, I think some of these dynamics will come into play. I think niche and specialty channels will come into their own when they have a strong enough subscriber base. Currently, everyone is hamstrung and a little disadvantaged because the rating system does not measure their performance well enough, which hampers them with regard to advertising. And on the other hand, from a subscriber view point, they don’t actually command premium rates because it is fairly commoditised. In time and with volumes, all of this will sort itself out, re-arrange itself, between classic free-to-air television, genuine Pay TV and highly valued Premium TV.
But when we talk digitisation and digital markets, should one get worried about observations that most of these numbers are from rural households?
Nothing to worry, but it helps to be realistic. The numbers are dispersed over various demographics. Not all of DTH is necessarily an upgrade from analog TV. Some of it is rural, some weekend homes, some low value audiences with no easy access to cable, split between North (HSM) and South… so, one shouldn’t get carried away with the idea of digitisation or the absolute number of digital homes. But India is a large and growing economy; we have a long way to go… and the potential is immense. Again, we need to reach critical mass, reach a tipping point, in core monetisable markets.
… But when we are talking in the context of super-specialty channels?
In an ideal scenario, you should have many specialty channels that are made available on DTH platforms to these upmarket, upgraded households that will then subscribe to these channels and pay good money for it. This is correct in theory, whereas the practical aspect will take a little while longer because there are various other dynamics at play. The DTH companies have their business plans to manage, they have extremely high costs; they currently compete with the analog businesses, so they have to maintain price-points of that kind. All of this will change once we reach a critical mass – for argument’s sake, of about 50 million digital homes in HSM markets. At that point, a whole new math will start making sense, because you can reach out to an audience, make a specific offer to that audience and various percentages of that audience can choose to buy or not. That is real money.
So, from distribution standpoint, there clearly are interesting times ahead.
What about from content standpoint, say for general entertainment genre. The last decade saw the growth, de-growth and re-growth of the genre. What next?
General entertainment as a genre always remains strong. Because general entertainment had been so totally dominant (between 2000 and 2007) that when you saw even a slight a shift in the market, everyone started talking about GE losing ground. If you think about it, there were three Hindi GE channels in 2000, while now there are about eight or nine. More importantly, there were about three news channels, whereas now there are about 60 today in the Hindi space and as you know, the bulk of news channels play large amounts of general entertainment content on a 24-hour news cycle in equal parts of promotion and editorial. If you take that kind of content and add it back into the general entertainment pie, it is still the general entertainment share. In that sense, the audience for the category has expanded.
Also, general entertainment should not be considered as only Hindi general entertainment. From 2000 to now, many regional general entertainment channels have added to the mix. So, the general entertainment category in reality has expanded, the Hindi general entertainment at one point may have dropped because it went to news or to regional language, but with the arrival of new players, it reclaimed that as well. Also, general entertainment tends to be the blockbuster category. It attracts the largest audiences, brings everyone together and then spills off from there. If you want to reach out to mass audiences, you can’t beat GE. Sports is another powerful category, but it tends to be uni-dimensional, male and infrequent. General entertainment is more consistent, all-year round, more inclusive – it has families, 6-60 year olds, males and females, music, movies, comedy, action, drama – general entertainment is your perfect masala Hindi movie.
What are your hopes on genres like movies, music as we move forward?
Not just movies or music, but across categories, as creative people, we often have a world view on how audiences ought to behave, but their reality is different, their viewing conditions may be different. It is never a one-size-fits-all. In the next three to four years, there will be a lot more of these smaller battles, no one big war that will be fought or won. Also, because of the multiple options that are available to people, they have much shorter attention spans, which makes them quicker to respond to newer things and even quicker to leave them behind.
And interestingly, the same young, new, changing audience we cater to are also entering our own industry in the form of many younger people who come into the business bursting with fresh ideas. I read a nice quote the other day: ‘I am not young enough to know everything’ – the younger talent is a force to reckon with, and we keep seeing that in creative industries around us.
Are you seeing that kind of bright talent around you in the industry?
I think so! I see so many bright, clever, ambitious and determined people. It is really vibrant at this point. At a competitive level, I have the highest regard for my peers and colleagues in the industry. No one has a crystal-ball to work out what audiences want. It needs ideas, practicality, passion, quick and smart thinking. From 1991 to now, we have our first generation of satellite TV executives. We are talking about a bunch of people who have been here for 20 years, and then another bunch of people who have lived and worked for at least 10 years in this competitive cutthroat business. We are talking of people who have earned their stripes and are now moving forward, with superlative creative energy. And they know how to deal and work around ground realities.
Wouldn’t that still mean working with limitations of sorts?
Habits die hard and people tend to stick to rituals. There is no getting away from it. People also tend to consume entertainment in that manner. In reality, TV is the ultimate ritualistic medium. You can compare TV with a temple of sorts, you arrive every evening and watch TV – that is a pattern, a ritual you follow, and this will continue for a while. For audiences, that ritual-viewing, the way they do it, the habits, the favourite shows and favourite stars are the big deal. What we try and do is create something new that will hopefully interest people, break one viewing ritual and replace it with another… and sometimes, with some luck, it catches the fancy of a nation.
Slowdown was another highlight of the decade gone. Do you think it changed the industry in some manner?
The slowdown happened. For the media business, it meant that there was a lot of investment coming in on the assumption that at the end of every rainbow, there was a pot of gold. And when the collapse happened, some of the rainbows evaporated… but not because of weak Indian fundamentals, these are robust. The reasons for those failures are different. There are lessons learnt, but our business is only about tomorrow, not yesterday.
But the slowdown did change the way advertisers are looking at the business, especially since there is advertising revenue dependence in our industry...
For some players, such as us, yes. But the business per se has already moved to a 70:30 advertising to subscription mix of revenues. Three things drive the world – technology, design and entertainment. For us, technology is going to be the game changer. India is as good as anywhere in the world for the kind of content available. If you look at what TV has to offer, you have GE in various languages, including English, sports, news, knowledge, kids, movies, pretty much everything. The best shows abroad are here. Next month we are going to do ‘Wipe Out’. You’ve already seen ‘Millionaire’, ‘Big Brother’, ‘Fear Factor’ on TV, so Indians have really nothing to complain about. What will push it forward is technology, which will then begin creating interesting and unique critical masses.
And before we end, what are your views on the changing dynamics in the advertiser and media buyer relation, which has become more about procurement and beating down prices?
Well, the industry is growing, isn’t it? Life itself is a negotiation. Advertisers have to reach audiences, and they have to do that via media. “Media” is in the business of creating – entertainment and information for audiences, and vehicles to reach audiences for advertisers – and we look to advertisers for defraying some of that cost. There is a balance of power, there are good days and bad days, but by and large everyone is fine. If it is indeed the horrible relationship that it is made out to be, then the industry wouldn’t be growing by 10-15 per cent every year. And don’t forget, India is a considerably under-advertised market. So, for the next 10 years, we can expect at least five or ten new brands to be born in every category. And these will be big guys, who come and advertise in a big way – that is what will drive the industry forward. Advertising will continue to be an exciting area for quite some time to come!
But the most exciting of all would be attaining that critical mass you talked about?
Yes, and that will take its time. At present, specialty and niche channels are having the hardest time of their lives, but it will all fall into place when we reach critical mass. The big objective for the broadcast industry in the years ahead is to achieve critical mass urgently and then we will see the most amazing numbers and ideas emerge. And there is no reason to believe that the device that changes our world has to be the immobile STB. It could possibly be a 3G or 4G mobile device. You never know, and that’s what most exciting.
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Rewind 2010: Future perfect for OOH in India - Annie Rickard, Posterscope Worldwide
Annie Rickard, President, Posterscope Worldwide, charts out the factors that are favourable for growth of the OOH industry in India in exchange4media’s Rewind 2010 special coverage.
Most people would agree that media is going through a revolution. Increased globalisation, clients wanting more international appointments and a more consistent delivery and the effect this is having on international agency networks, who need to deliver an integrated and consistent offering. At the same time, convergence is accelerating and consumer behaviour is changing, empowered by technology. The recession did not act as a pause button on the changing behaviour.
If we consider a few statistics, we can see how the pace of change is accelerating and not slowing down. The consumer is in charge. Everyone is a broadcaster – 20 million bloggers, 4 billion photos on Flickr, 55 million tweets a day. Everyone is connected – 500 million people are now on Facebook, 25 per cent of the world’s population is now online and half of new connections are mobile. In India, the latest predictions are that by 2015, there will be 260 million mobile Internet subscribers. This will revolutionise how advertisers communicate with consumers when they are out of home.
The recession forced many companies to take a hard look at where they were investing to ensure that the investment is relevant to the changing communications environment. The recession in a sense accelerated the changes needed to adapt to a new media world.
The old ways of working are changing. Partnerships and collaborations are the new relationships rather than the more traditional buyer-supplier approach.
There are less ‘silos’ as everyone in the communications business needs to work in a different way in an inter-related and interconnected world. In a developing market like India, this means that OOH is moving quickly from being a commodity medium to a medium that is increasingly used by advertisers to deliver more strategically. Flexibility, accountability, innovation and better quality are being demanded by advertisers, who are looking how best to connect with the consumer outside the home.
And of course, the development of digital OOH means that the medium will be able to offer much more depth to advertisers through engagement and connectivity. Although much of the digital development in India is yet to happen, no one doubts that it will become more and more evident. As new shopping malls and airports are built, the chances are they will be 100 per cent digital, so the transformation of the medium will accelerate.
There has been better collaboration in 2010 at the supply end of the Indian OOH market with better trade practices being introduced and a recognition that if the outdoor industry works together to increase professionalism and accountability, the medium will grow.
India is becoming increasingly important to global advertisers. Developing markets like China start with digital as an option, and this will happen in India. The year 2010 has shown us that new ways of working, new partnerships and innovations are very much part of the Indian OOH market. The opportunity for OOH is immense, but there is work to be done. This opportunity will be optimised by increasing accountability, increasing collaboration across the industry, and increased innovation.
The developments in OOH in 2010 in India give us cause to be optimistic about this market. If the industry builds on the momentum, invests in evidence, continues to collaborate and stays committed to improving trade practices, OOH in India will quickly become a must have for global advertisers.
(Annie Rickard is President, Posterscope Worldwide.)
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Rewind 2010: A Report Card of Regional Newspapers
The year 2010 saw a re-ignition of sorts for newspapers. Regional papers dreamt big, a trend that will definitely continue in 2011.
Majhera village, my native place, situated 30 kms far from Nainital and an hour’s uphill walk from the nearest motor road, religiously witnesses the act of the newspaper vendor delivering my father’s favourite Hindi daily at 7 o’ clock sharp every morning. This whole practice dates back to my childhood days when the newspaper used to take an entire day and was sometimes even delivered next day with stale news in my village. However, in last one decade, irrespective of the size or distance of the place, the reach and the penetration of newspapers in small villages and small towns of India have grown tremendously.
While, in cities newspapers are the source of knowledge and information, in small villages and towns, it is stuff for the day-long gossip at tiny tea-shops or panchayats. And it seems, perhaps, newspaper publishers have recognised this evolving reading habit of consumers. That is one of the reasons why 2010 saw most newspapers launching hyper local editions to give an extra dose of local happenings.
Moreover, after the period of global slowdown, 2010 was a year of re-ignition for the Indian newspaper industry. Big brands moved ahead with their long-awaited plans and many small newspaper publishers witnessed expansion. exchange4media takes a look at whether language newspapers lived up to their promise in the year gone.
Branding the Regional
The post slow down period, beginning December 2009, saw Hindi and regional newspaper companies establishing themselves as big brands. Hindustan Media Ventures Ltd came up with its IPO in 2010, and prior to this, in December 2009, Dainik Bhaskar Corporation too jumped into the capital market and saw the scrip being oversubscribed. As I am filing this report, Lokmat group is also planning to come up with an IPO.
Apart from this, most of the big language newspaper brands entered small territories to cater to the small group of consumers. This move also witnessed top three or sometimes four brands involved in intense competition and strategic price wars. That, eventually, had benefitted the readers and advertisers.
In the year gone by, presence of Hindi newspaper brands on Twitter and Facebook platforms became more robust, moreover, some brands strengthened their digital presence as well. Apart from these initiatives, Hindi and regional newspapers also carried out lots of reader engagement activities which further helped in brand recognition. Some of the big brands also experimented with the 3D technology for their advertising partners.
… Yet Small Businesses
While big brands enjoyed the last season, small newspapers were in trouble in some parts of the country. Middle of the year 2010 had seen small newspaper brands of Jammu and Kashmir lamenting over losing business because of the curfew situation in the state. Many newspapers did not function for several days which consequently hit the subscription as well as ad revenues of the publications. North-Eastern states also saw some strife during the year- Some times because of tussle between government and journalists and sometimes threats from militants, due to which, quite a few times newspapers could not hit the newsstands.
In other states like Delhi, Uttar Pradesh, Madhya Pradesh and Bihar, people were seen foraying into newspapers businesses. However, due to the lack of a clear revenue model, they are likely to survive on DAVP or governments ads. Yet, the challenge for the small newspaper groups to woo the local and small advertisers remains the same.
What awaits 2011?
India is growing with around 8.5 per cent GDP rate, literacy rate seems to be increasing, rate of industrialisation has gone up, retail business is flourishing even in small towns and most importantly big brands are entering small Indian markets – these will be the some of the biggest driving forces for the newspaper industry to expand their business in 2011. Adding to this, we can witness few major developments in the year around the various state elections. Tamil Nadu, West Bengal and Kerala, are the three big newspaper markets will witness elections in 2011 and newspaper owners are expected to take full like advantage of this opportunity. Many newspaper brands that were suffering from recession-phobia are also expected to go for brand expansions.
Meanwhile, readers were definitely benefitted by the expansion of the newspaper industry in the previous decade. But from the business prospective, for newspaper owners challenges still remain same. It seems that dependency on advertisement/advertorial revenue cannot get over in the near future; which means the edit sanctity will always be under peril. However, the recently concluded Bihar elections has a silver lining in the paid news case. Yet as few states will witness elections this year, the ghost of paid news can again haunt the industry in 2011. ‘Measurement’ for small newspapers is still a far-fetched idea and there is no authentic numbers to monitor their performance. With answers of some of these questions, I hope year 2011 will inaugurate the new decade for language newspaper industry on a positive note.
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Rewind 2010: Paying for content online - Christine Brendle
“Would you pay for essential news?” lessons from WSJ by Christine Brendle, Publisher of The Wall Street Journal Asia and Managing Director, Dow Jones & Co, Asia Pacific, in exchange4media’s Rewind 2010 special coverage.
“Would you pay for essential news?” It’s a basic economics question and there are lessons to be learned from The Wall Street Journal in this area.
Too many newspapers entered the digital age making a self-fulfilling prophecy. Giving away their news online, those newspapers experienced the natural economic result of so obvious a pricing disparity. Customers stopped paying for the same news (or less) in print they could read at no cost online. Why pay for what’s available free?
Pay for online content
The Journal was much derided for a course that was different, if more economically sound. Its online edition, WSJ.com, was born in the belief that value isn’t determined by channel of delivery. If readers valued the news in print, Dow Jones said, they would value it also on the Internet. In other words, they’d pay.
They paid. It’s no accident that the Journal’s paid circulation has been growing in print at the same time it’s been growing online. The Journal’s global paid circulation today is 2.2 million. More than a million subscribers pay for the Journal’s global editions on the Web and on digital devices.
Meanwhile, other newspapers are watching print circulation sink while they persist in pricing their Web content at zero. The laws of economics are working. Consumers offered a lower cost substitute – in this case, no cost – are opting for the substitute instead.
In the case of the Journal, the laws of economics are working too. In an economic transaction, consumers will pay a price commensurate with the value they expect. In other words, they’re willing to buy the Journal in the US, Asia and Europe, because they’re satisfied with the value – the news and insight – received in return.
Part of the value proposition for today’s readers derives, in fact, from the very vastness and openness of the Web.
On the Web, readers are wrestling with too much volume and too little veracity. No wonder opinion polls show uncertainty and distrust. One recent industry study revealed 61per cent of those surveyed thought half or more of what they read online isn’t reliable. We shouldn’t be surprised that few would want to pay for that.
It’s a different proposition altogether when you pair digital with credible content. The Journal has demonstrated that readers will pay for something they trust, something of value – even if it is online. The evidence points to a flight to quality – and credibility – for the future.
Dow Jones and the Journal have recognised another area where many newspapers and other experts misunderstood the Web and the change it initiated. True enough that the Internet accelerated the globalisation of business and ushered in global digital platforms for information. Yet those profound trends didn’t obviate the local requirements of the global audience.
Local in the global context
So, Dow Jones sees its business – news and information – as local in the global context. We learned a long time ago that doing business in Asia required a local presence and local expertise. Since Dow Jones Newswires began covering Asia in earnest in 1967 or the Journal Asia starting publishing in 1976, we understood the need to embed our journalists in the local culture. It’s why in the past two years we have increased our news gathering force in the region by more than 20 per cent. The global trend didn’t destroy the local imperative. What we discovered as the Internet evolved was complimentary demand for local. As consumers and businesses demand global, they demand local too. Local news, local information, local products remain as important as ever.
The Journal Asia redesigned its Chinese-language website four years ago. It currently has more than a million registered users and counts more than 25 million page views a month. A Japanese language edition of WSJ.com was launched last year and blogs are now regularly published in Korean and Hindi. Factiva, Dow Jones’ online tool for business intelligence and awareness, isn’t just a global content set; it includes content in more than 20 languages. The reader chooses.
Mobile further extends the reach of our brand in the digital world. The Wall Street Journal Asia released a Chinese-language application for iPhone recently, aimed at consumers who want to take the immediacy, insight and authority of The Wall Street Journal Asia with them wherever they go. In the same way, we’ve just launched a Chinese version of Scene Asia, our lifestyle site offering readers observations and insights on what to do and where to go in Asia. The Asia edition of The Wall Street Journal’s iPad app has been promptly adopted by local users in the few weeks since launch.
Value is what it’s about. Information is too important to make the zero-price point the determining factor.
The Internet made information more accessible. It didn’t change the fundamentals of economic behaviour. We need information as much as ever. Providing news and information that is trusted is still a valuable service for readers. There’s always been a price for that. There always will be.
(Christine Brendle is Publisher of The Wall Street Journal Asia and Managing Director, Dow Jones & Co, Asia Pacific.)
(Article coordination by Akash Raha.)
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Rewind 2010: Social media – Find the right experiences - CVS Sharma
Most brands have not leveraged social media enough. Creating the right experience online and offline will be critical, says CVS Sharma Director, Arc Worldwide India, in exchange4media’s Rewind 2010 special coverage.
Current usage trends indicate that consumers are straddling between devices (mobile, PC) accessing mail, searching, social media, gaming and applications. A third of Internet users in India – over 20 million people – are accessing some social media site or the other. Going by 6 degrees of separation, this means a message can be passed across this entire set without using any media whatsoever. But this does not mean that any message whatsoever can reach out to all of them. The message has to have relevance and virability to trickle down through these groups. Brands that build interesting propositions can engage users without incurring media cost. This is close to PR, but entirely different because you don’t need a journalist or a publication or a channel to buy in to your story. Consumers are the media and the audience – a dream come true for any brand custodian.
The case of Jimmy Choo shoes
Jimmy Choo, a world-renowned footwear brand, organised a real-time treasure hunt around London via Foursquare. One pair of Jimmy Choo trainers checked in at various locations and those who followed the campaign and were lucky enough to arrive at a venue before the trainers left, got to pick a pair in the style and size of their choosing. In just under three weeks, over 4,000 people got trainers.
- The competition details were viewed on Facebook 285,000 times.
- 1 in 17 of all users of Foursquare in London was following the Jimmy Choo trainer hunt online.
- Apart from 250 blogs, the hunt was covered by Reuters, The Evening Standard, Vogue, etc.
- Daily trainer sales in-store went up 33 per cent.
All at zero media cost.
The brand, consumer ‘social’ experience and the point of sale (offline) have been brilliantly integrated in the promotion.
Just imagine if the entire exercise was instead attempted at driving traffic to jimmychooshoelovers.com (imaginary), a standalone brand sponsored social media site. Building the site, generating traffic on the site, managing relevant content and sustaining the site after the initial euphoria would have been a Herculean waste of precious marketing money.
Therefore, the case for brands trying to utilise social media for promoting their brands far outweighs using paid media and creating destination sites with social media functionality. Why recreate the groups when they already exist elsewhere. Try and engage them. Brand sites will continue to exist, but not as destination sites, but as one of the key touch points in a distributed experience that makes consumers engage closely with brands.
However, it will be unwise to say digital paid media will become redundant. For many categories such as financial services, etc., online paid media is the most effective touchpoint for awareness, enquiry and lead generation. Reach provided by digital paid media is still very effective and makes economic sense for marketers to continue to invest in the same. But then, social media on such destination sites for such campaigns might not be relevant. What will be the need for social media overdrive in a routine personal loan lead generation campaign?
Marketers, therefore, need not focus their energies on creating destination sites with rich social media features, but finding right conversation topics and experiences (online plus offline) that would engage their consumers, thereby creating brand demand. Creating the experience online plus offline will be critical.
The social media scene in India has recently heated up a lot, which can be seen from the number of brands using Facebook, Twitter and YouTube. However, despite this, most of the brands have not leveraged the medium enough, for most of them ‘going Social’ still means having a Facebook and Orkut page, where they give out product information and run contests, being present on some blog and forum, etc.
Marketers should resist the temptation of creating a social media page/ app just because it hardly costs anything. Like some mobile brands have created promotions such as “enter and get 10ps for every incoming call” – (916 fans on Facebook and 400 Twitter followers). Another mobile brand says “buy a mobile – enter the IMEI number and you will get a chance to attend IIFA” (600 fans on Facebook). Such promotions lack a conversation opportunity, entertainment quotient and completely rely on incentives that do not excite users to spread the good word in the social media space.
The Zoozoo campaign and Jaagore.com campaign are some local examples of effective social media usage. Expect to see the action on social media space heating up in 2011, where brands will integrate social media and mobile localised search functionalities.
[CVS Sharma (Venke) is Director, Arc Worldwide India.]
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Rewind 2010: Social media - What does it mean for marketers? - Anup Jain
Anup Jain, Director – Marketing, Pizza Hut, takes an exhaustive look at how social media can be leveraged for gaining an edge over the competition in exchange4media’s Rewind 2010 special coverage.
Anup Jain, Director Marketing – Pizza Hut, Yum Restaurants International, Indian Sub-continent
Let’s face it. We hear a lot about it these days. Let’s also face it. Many of us think of it as something we must have on the radar rather than we need to actively participate in, to drive our brands. Let me spend some time today unraveling and potentially evangelising the use of social media by whoever is reading this piece, because I believe it could be the turning point in media, creative development and PR – all combined into one.
Let me start by stating the obvious – there are four key things every marketer gets paid to drive – awareness, trial, repeat or loyalty and equity. And, to get us interested, social media must solve for either one or two or all objectives better than what we are using right now, right?
What is social media?
Wikipedia defines this as an umbrella term that defines the various activities that integrate technology, social interaction, and the construction of words, pictures, videos and audio. This means that Facebook, Twitter, Linkedin, Orkut, YouTube, Flickr, blogs and others comprise this definition.
Why are consumers aggregating in huge numbers on such social networks?
All these networks are helping consumers connect with either their friends or colleagues or people holding similar interests, at the cost of using Internet! Facebook in India has anywhere between 14MM and 17MM users, Orkut 19MM, Twitter at 2.3MM. Thus, it is clear that this rush will continue until the last person in the world is connected, since most people around him will put enough pressure to do so!
So, what does it mean?
Let’s do some simple calculations. We can safely assume nearly everyone on Facebook in India is SEC A. This means that out of an urban population of 300MM, of which SEC A is 12 per cent (NRS) = 36MM, nearly 42 per cent of SEC A are on Facebook today! To reach a 42 per cent reach on SEC A, our media agency will give us a comprehensive plan consisting of TV, press, radio and Internet that will eat up the entire annual budget of most brands in a few months.
Whereas, to be present continuously and advertise on Facebook, all it will take is a fraction of that cost. The other part worth noting is that almost 70 per cent of this audience is in the 13-24 age group, meaning if you get them now, they will be yours for life. The next logical question is how.
How can I use social media? What is the first step?
The most wonderful thing about social networks is that they allow you to begin a group or fan community. Check out www.facebook.com/starbucks or www.facebook.com/blackberryindia or www.facebook.com/pizzahutcelebrations. Once you have done that, it is time to advertise to bring in people to become fans and then engage with your fans by way of exciting contests, useful and fun applications and of course, inform them about privilege offers or give them sneak previews about what’s coming up. Be prepared for some candid and heart-wrenching feedback and get ready to answer it real time, because patience on such networks runs thin.
Starbucks has a fan community in excess of 20 million consumers now, and if everyone in the 300 million US could drink a cup of coffee, this page allows them to reach out to 15 per cent fans at the click of a button! So, this is media, advertising, customer service and PR all combined into one.
Now, the same thing is going to happen in India very soon as 40 per cent of SEC A is already on Facebook and is joining communities started by brands which have recognised the impact this medium could have on its sales and imagery. At Pizza Hut, we ourselves are targeting an 8 per cent share of FB users in India aiming to reach 1MM within a couple of months, being already at 0.7MM at current. So, it is important to participate now and get to a critical mass before your nearest competitor. I would say that number is a million as things stand today.
What can I expect as return on my investment?
Your own TV channel – 24x7, 365 days a year with thousands of eager viewers uninterrupted by any surrounding noises (read competition). At Pizza Hut, we released our new TVC for an initiative to 600,000 fans in one shot even before we went on TV. This is the best tool in the coming times to retain your fans and get more fans through word of mouth vis-à-vis advertising that consumers often discount and it gets equalised anyway. This is emotional equity built over time, just like that with a friend or a colleague.
Most brands get almost 50 per cent of their continued sales due to loyal users who swear by the brand. This medium allows your loyal users to recommend you faster to their friends than ever before. Thus, it helps you solve for awareness, trial, repeat with equity being intact – which marketer wouldn’t want that?
At Pizza Hut, we have experienced three times higher redemption on vouchers sent to fans rather than those sent via mass SMSes, emailers, mall advertising, etc.
What can I expect as costs?
Expect to spend at least Rs 15 lakh per year as retainer for your account. Expect another such amount for applications, advertising and contest giveaways to reach that critical mass. Then, the fun begins as you start to drive awareness for your new initiatives, give away privilege news and vouchers to drive larger purchases and higher frequency.
Okay, but who’s gonna do it for me?
Clearly, this is not a space where your traditional agency can help you, who are either good at designing outdoors or posters for kirana shops or your PR agency, which is good at chasing journalists and organising press conferences or your customer service cell, which takes 24 hours before it responds to any query. Also, it is too small a pie for your media agency to handle, because 2 per cent of your online budget is not worth their time, so they haven’t yet invested behind people who understand more than online banners.
In comes the new breed of digital agencies like Hungama Digital or Interface or others who have special skills to handle your fan pages and tweets – content writers who know how to say good morning in your brand’s tonality or know how to respond real time to customer queries, application developers who understand how FB/ Twitter work and the kind of plugins they need to implant to get virality going.
Lastly, where is it all headed?
My personal prediction is that this medium will do two things:
• Endanger traditional second rung media like radio, press and outdoor;
• Challenge our traditional agencies to think ‘ social’ if they aren’t to lose some spends from our budgets in favour of the new digital agency.
(Anup Jain is Director - Marketing – Pizza Hut, Yum Restaurants International, Indian Sub-Continent.)
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Rewind 2010: A decade of collaboration ahead – R Gowthaman
The next 10 years will be driven on the back of collaboration and a much stronger investment on insights, where we move forward from living on just industry based research reports to customised category specific knowledge, says Mindshare’s R Gowthaman in exchange4media’s Rewind 2010 special coverage.
The last decade for this industry witnessed the birth of ‘Media Independents’, and now I believe we are in the adolescent stage with a lot more maturity with 10 years of collective knowledge. We have learnt to treat this as a business and NOT as a department.
There are no major milestones, which we as an industry collectively pushed forward, and I see that emerging in the coming years. However, I see the explosion of communication channels continuing to rise on the back of declining effectiveness of any one single medium, which will prompt the agencies to diversify their skill sets and look beyond traditional media and invest in specialist services.
The business structure of the media agencies will go through a structural change, with accountability sitting at the centre of remuneration and, therefore, we will be moving away from the traditional commission model for large part of the industry. I believe this is good for the industry.
Clients will continue to question the marketing investments through multiple stakeholders, and herein lies the presence of third party auditors, and we agencies must learn to live with them. It will no longer be the longevity of a client relationship, but what share of your clients’ business one handles will become an interesting point of discussion.
I personally believe the “toothpaste is out of the tube’ as regards the relationship with creative agencies, but there will be a lot more strong forces of collaboration for the collective growth that will drive the business. I also believe there will be lot more debates on who owns the data and who interprets the data.
All in all, the next 10 years will be driven on the back of collaboration and a much stronger investment on insights, where we move forward from living on just industry based research reports to customised category specific knowledge.
(R Gowthaman is Leader, Mindshare - South Asia.)
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Rewind 2010: Inconsistent years, consistent decades! - Jasmin Sohrabji
Jasmin Sohrabji, CEO, Omnicom Media Group, turns clairvoyant as she takes a look at what the media scene would be like in this new decade, as part of exchange4media’s Rewind 2010 special coverage.
Each year, when asked to contribute to exchange4media’s Rewind, I am hopelessly confused on the brief... never quite sure if I am asked to comment on the year gone by (as the topic suggests) or the year coming up (as the ‘all inclusive brief’ suggests); so, one year I did a review, and the next year I did a way forward. This year, it’s all nice and simple: we are embarking upon a new year and a new decade, so I can review the year and forward-speak the decade!
Having entered the industry in 1988, I have a first-hand experience of the two decades that followed and a ‘through the eyes of my bosses’ understanding of a (prior) third. I believe that puts me in a seasoned enough position to comment on the new one!
There is one very comforting fact about the decades, they are all extremely consistent... consistent in the surprises each year within will throw up! No trend or formula seems to hold for more than a couple of years, keeping us always alert and refreshed. Through the 90s, we thought we were the privileged lot who experienced the biggest changes TV would ever see! And then came the naughts, where television continued to reinvent and surprise us, refusing to go out of style... both in content and delivery. Each year, as we update our ‘media scene’ presentations, we keep adding new updates to the medium! In fact, a fairly robust barometer of a medium’s durability and dynamism is the number of updates that section goes through each quarter in our Power Point decks!
And while traditional TV evolved all through the last decade, somewhere mid-term, digital and the collective ‘new media’ re-emerged. This time round to stay! The new media passed their acid test with honours (the 2009 slowdown). And as we exit the decade, we shall drop ‘new’ from this medium.
I could continue talking about the rest of the mediums; however, for me, the defining story of the decade was not the mediums, but the brands and categories. What set the past decade apart from the 90s was the ‘sectors’ of change; they drove our media plans in completely different directions, away from the FMCG world. The past decade saw a sort of divide of two schools of media mix – one for the FMCG (and like-minded) world, and another for the sunrise tech sectors. And we thought we had mastered our craft... we now knew how to deal with the traditional and with the new; we were no longer afraid to embrace new media just as long it stayed in the realm of new sectors! We nailed it... or so we thought for a short while there. It is only in the recent years that we have seen a true fusing of the worlds.
And that’s what we will take into the New Year and new decade. The media practitioners of today will balance their expertise of the old way with the exposure of the new and build a media perspective that is borderless of old or new media and old or new sectors.
Each year, a new or existing media dimension evolves. Each decade then leaves behind a legacy of skill sets to the next generation of media practitioners; the 90s brought about a dimension to television (satellite) that left us with a legacy of media negotiators – a breed till then unknown to our industry. From this decade, we are taking with us a new breed of (tech-oriented) media practitioners for whom the new media world is no longer new!
In the coming years, the audio-visual and digital mediums are headed toward a cross platform convergence; on the one hand, the digital enhanced television offering new opportunities for engaging viewers, on the other hand, audio-visual opportunities moving out of the TV box into wider digital platforms. We saw the television space evolve in the 90s and the digital space stabilise through the naughts. The next years will embrace this cross-platform convergence of both these mediums and take it to interesting new heights, because we have entered the decade with a breed of practitioners able, capable and willing to make the difference.
And as we get ready to face the immediate challenges of 2011, we look forward to the consistency of the decade’s surprises!
(Jasmin Sohrabji is CEO, Omnicom Media Group.)
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