Tinder,Woo, QuackQuack & TrulyMadly; it's about love with a marketing spin

With the online dating scene saturated with new players, the more prominent ones are making the right noise with their marketing gimmicks and establishing their brand presence

e4m by Madhuwanti Saha
Published: Apr 26, 2016 8:11 AM  | 10 min read
Tinder,Woo, QuackQuack & TrulyMadly; it's about love with a marketing spin

It seems the dating apps have found a special connect with masses across the country.  With Tinder, under Taru Kapoor’s dynamic leadership redefining the dating app space, there are many other dating apps in the country today which are competing for a larger market share.

According to media reports Kapoor is focusing on establishing the brand in India, steering user growth and increasing user engagement by focusing on local user needs. This is a step towards making India its core market, a move that’s noticed by other players in this growing category. The 97% growth of its active user base in India over three months and 400% increase of app downloads over the last year explains Tinder’s strategy to open its first international office in Delhi.

Close behind is TrulyMadly; launched in 2014 whose market share is 2.5 % in the pool of 100 mn singles in India.   Targeted at women aged between 22 and 27, the app is focused in terms of reaching its TG and is the first brand to advertise on Instagram.

Another homegrown app built in 2014, Woo has 2.5 million users with 20,000 matches per day and targets single urban individual between 25 and 35 who are largely available on digital space.

While the Hyderabad-based dating website QuackQuack has 1.3 million users of which 60% are from metros and 40% from tier-II and tier-III cities.

Having the right edge

In the last two years the category has been growing with many new players foraying into this segment.

Speaking about the competition in the dating app segment, Ravi Mittal, founder, QuackQuack says, “Our focus has been more on the casual side of dating and with our target audience being youngsters in 18-25 age group, we’re doing pretty good in terms of driving traffic and we drive close to 10 million views on our app and browser versions. With our presence being on app and desktop / mobile browsers, we’re available to a larger audience pool who don’t use apps for everything. So our target is quite unique when it comes to competition.”

New-Delhi-based TrulyMadly only considers Tinder as its main competition on the basis of their numbers. “But Tinder has a different positioning. Also if you look at social media we have lot more responses and engagement than others. Also our tie-ups with reputed content partners get us more traction,” says Saumya Agarwal, Business Manager- Revenue & Growth, TrulyMadly.com.

Woo differentiates itself from competitors in this space on the basis of their features like tag search, question card and screening process. “We are focused on going global and already have presence in Indonesia, Malaysia, Philippines, Singapore and Dubai,” said Ritesh Bhatnagar, ‎Head of Marketing and Growth, Woo

TVC: A one off strategy

For most of these players a mix of digital and offline marketing has worked in their favour, though Truly Madly and Woo did test the waters in television advertising. Both of them released their maiden TVCs, after a year of their launch in the market, around the same time (last August) which worked for the brands to strengthen their presence. Despite the success, TVCs will not be on their radar for the time being.

“We made sure that we were well heard and that worked. We got a raise of around 50 % people coming on the app at that time,” explains Bhatnagar, whose campaign titled ‘Find Magic Find Love with Woo’, was executed in three phases and ran for about 12 weeks starting with TV in the first phase, followed by radio and outdoor media in second and on-ground activities in the third.

Agarwal says, “The TVC (Go Boy Browsing) did magic for us. We got almost 100 % month-on-month growth in terms of downloads. So it did help us establish brand proposition which we have carried out online. So there’s no need for us to do another TVC.”

While Woo did a 360-degree campaign (including print, radio television and digital), TrulyMadly restricted itself to TV. “We did few campaigns with radio, we don’t do print as it doesn’t resonate with our product. We don’t do a lot of traditional media,” says Agarwal.

Restricting to digital marketing

Digital marketing is the name of the game for all the dating apps for its cost efficiency and targeted marketing. Bagla agrees, “Our (TrulyMadly’s) TG is always consuming good content online. The kind of shareability you get online, you can’t expect that from TV. So once you create digital content that has the potential to become viral you don’t need to take extra effort to use other platform.”

The app’s strategy to create viral content can be reflected in its associations with comedy collective-- All India Bakchod, digital media website POPxo, Bollywood and lifestyle blog Miss Malini. “The film with AIB called Creep Qawwali garnered 1.5 million views on YouTube. One of our first campaigns Breaking Stereotypes deserves a mention as it went viral. So videos and topical content worked well for us,” shares Bagla, who will focus on creating ‘valuable digital content in house’ this year. ‘It will be short form videos that POPxo does which are themed on lifestyle, dating and testimonials,” she explains.

Woo’s marketing strategy is similar with focus on engagement on the social media platforms with its TG.  This year it produced the web series called ‘Let’s Talk’ and a ‘mockumentary’ with Dice Media called ‘Not Fit.’ “In the latter we organized a dating contest for the audience with the protagonist where the winner gets to feature in the series by finding and matching him on the app. So it’s not just a series but an engaging platform for users to feature in one of the episodes,” says Bhatnagar, adding that for 2016 they will have specific platform oriented campaigns apart from a web-series in May. “We are looking at Instagram campaign that’s separate from a Facebook one. Gone are the days when you used to do a TVC and splash it across Facebook and Twitter,” he further added.

For QuackQuack, simple banner ads have been effective for driving good ROI till date. “Emails still hold a good grip in recall value with customers. In terms of branding, photo / poster campaigns and viral videos have had a great impact on brand outreach via Facebook. One of our poster campaigns ‘Indian Marriage Logic’ reached over 2 million people on social media with over 25k likes and 10k+ shares,” shares Mittal, who is focusing on influencer marketing, video ads and quirky eye catchy ads this year which can reach ‘their target audience better.’

Mittal mentions the marketing spends, “We spend a good 6 figures monthly on digital marketing. 60% per cent is invested on Google banner and email marketing since we get better ROI on that, 40% on campaigns and social media which gives us a recall value.”

On-ground activities for brand awareness

Apps like TrulyMadly, Woo and Tinder have also invested a part of their marketing spend on on-ground activities which have worked for them to create brand awareness. For instance, there was Truly Madly’s Unsingle Mixers which involve EDM, techno and Bollywood gigs by contemporary artistes and DJs in five cities for its users which cost approximate Rs 2.5 lakh each. Another property called Unsingle Tour featuring popular stand-up comedians (managed by Only Much Louder) was toured across reputed women’s colleges and IIMs last year. Looking at its marketing spends, it plans to keep 50% of marketing split for digital medium and brands/events.

Woo marketed itself on ground through its tie-ups with premium burger chain Carl’s Jr and food app Inner Chef. With the former they had discount-cum-venue promotion while the app was promoted at the latter’s food carnivals in Mumbai, Delhi and Bangalore. Offline activities will remain the focus area for Woo in 2016 as Bhatnagar is looking for fresh tie-ups and new events. “We keep ourselves relevant and focus where our consumer is. The kind of TG we are going after is largely present on digital space,” explains Bhatnagar.

Tinder is not trailing far behind with its recent unique associations with brands like restaurant-finder app Zomato for its property called ‘Tinderlicious,’ digital entertainment company The Viral Fever for its short comic video ‘Eat, Pray Swipe,’ Penguin Random House India for its property ‘Tinder Nook’ and HaikuJAM, a collaborative poetry app.

Kapoor says “As the pioneer of the category and the market leader both globally and in India, Tinder enjoys high brand recall and consumer love. For us, word of mouth is our most powerful growth channel and our consumers are best advocates.”

 Reliance on advertising

The dating apps industry in India has been gaining momentum, especially last year, with a number of players entering the market and raising funds. For instance, Noida-headquartered Vee raised $1 million from Lightspeed Venture Partners. TrulyMadly had raised $5.5 million in Series A from Helion Venture Partners and Kae Capital in March 2015. While Woo is backed by Matrix Partners, Omidyar Network and mobile technology company, U2opia.

When it comes to advertising TrulyMadly has kept that door of monetisation open and had partnered with many brands in the past like Starbucks, Cadbury, Lays, Shopper’s Stop, Forever 21, Dove and One Plus X. “Starbucks launched their property ‘Meet Me at Starbucks’ exclusively with us, which generated good numbers. The campaign with One Plus X India (Truly Madly Plus One) during the handset’s launch had a reach of one lakh unique users. 70,000 messages were exchanged. Our social media campaign with Cadbury called Say it With Silk generated 13 lakh impressions. Currently we are running a campaign with Forever 21,” Agarwal shares the numbers of the successful tie-ups. The app is selective about brands that advertise with them and stick to those which resonate with its TG. “We don’t want anyone and everyone. We aren’t looking at Paytm and Snapdeal with 70 per cent off on TrulyMadly. It has to be crafted advertising campaign which will go over here. We are in talks with other major partners. Successful partnership is bringing us repeated contracts with our brands,” she reasons.

Woo, on the other hand, plans to get advertisers on board and has done cross promotions with Uber, Carl’s Jr, PVR BluO (bowling alley) and Inner Chef. “Currently we are trying to consolidate ourselves and get our numbers on international market,” explains Bhatnagar.

Meanwhile QuackQuack doesn’t need to rely on advertisers as it is subscription driven (starting from Rs 1,000 per month) and has broken even three years back, unusual for a dating site who’s TG is between 18 and 25. Will this age group start shelling out money on dating app/sites in a cost-conservative market like India? We can’t help but wonder. Mittal is positive, “Our user base is 25 to 30. Revenue generated is invested in capturing young audience. It’s all about mindset. 19-20 year olds are the curious lot who will soon get adapted into the phenomena of spending on dating.”

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Social Beat wins SEO mandate of Tata CLiQ tag rss

The account was won after a multi-agency pitch

e4m by sunny saini
Published: Oct 23, 2023 5:51 PM  | 2 min read
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e4m e4m Social Beat has won the SEO mandate for Tata CLiQ, one of the fastest-growing omnichannel marketplace in India. Social Beat has been entrusted with optimizing existing content, as well as launching new, optimized category pages systematically on Tata CLiQ’s platform to scale monthly organic traffic by 2x over the next year. The account was won after a multi-agency pitch and will be serviced by Social Beat’s offices in Mumbai. 

Shishir Kataria, Director - Marketing, Tata CLiQ, “Shoppers, e-commerce or otherwise, continue to heavily rely on search and discovery throughout their shopping journey, be it engaging with the latest fashion trends or hunting for the best buys. No wonder a platform's ability to be a part of this journey organically drives significant consideration for it amongst potential shoppers. We, at Tata Cliq, are confident that Social Beat will help us develop and optimise content that is highly discoverable to grow our engagement and revenue. Our goal continues to be to drive more and more shoppers to our platform with optimised and curated products and relevant content.”  

Vikas Chawla, Co-Founder, Social Beat said, “We are thrilled to partner with Tata CLiQ in their growth journey. We aim to scale traffic to the Tata CLiQ platform manyfold over the next year. Our team of specialised SEO and Content strategists will be working closely to achieve this”

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Will OOH dazzle this festive season?

As the celebrations begin, experts tell us the trends and challenges for the OOH sector this season

e4m by sunny saini
Published: Oct 12, 2023 4:13 PM  | 3 min read
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Be it the flower-clad taxis in Mumbai for Made in Heaven Season 2 promotion or Zomato’s ‘kheer mangoge kheer denge’ billboards, India's OOH advertising sector has undergone substantial transformation and expansion in the recent years. Even though the medium was severely hit during the pandemic years, it has now managed to rebuild its status. Now, with the onset of the festive season, elections and the cricket world cup, OOH is expected to see more and more advertisers come on board.

Amarjeet Hudda, Chief Operating Officer, Laqshya Media Group, believes most of the clients spend a lot of money during the festive season, especially for Durga Puja, Dussehra and Diwali, targeting their customers in a festive mood. The categories that spend heavily during these months are Auto, Consumer Durables, Real Estate, Organised retail, and E-commerce. 

According to Dipankar Sanyal of Platinum Outdoor, there was a huge surge in the festive season last year, and he expects the same this year too. “Last four to five years have turbulent for outdoor. It was picking up in 2019, but then Covid came and everything went flat for two years,” he mentioned.

According to EY-FICCI’s M&E Report 2023, OOH media grew 86 percent in 2022 to Rs 37 billion. The value includes traditional, transit and digital media, but excludes untracked unorganised OOH media such as wall paintings, billboards, ambient media, storefronts, proxy advertising.

Sharing the brand’s perspective, Shivam Ranjan, Head of Marketing, Motorola-APAC, said, “We are going into this festive season with a strong mix of media, including OOH. Within OOH, we are focusing on digital OOH, due to its capability of programmatic serving, measurability, and near real-time insights that allow us to be agile with the communication and optimisation of our campaigns.” 

With urbanisation, improved infrastructure, rising consumerism and an increased spending power, clients' expectations from OOH advertising too have evolved. “The clients expect better ROI on every investment, best in class innovations, tech-led planning and execution. Today, technology plays an important role starting from planning the campaign, to measuring metrics to ROI,” Singh explained.

Another trend that Sanyal has observed is that traditionally advertisers looked at spending on OOH nearly two weeks prior to the festivities, but now, most advertisers have now started advertising a week earlier so that they can get maximum eyeballs. Additionally, the digital OOH advertising (DOOH) has also emerged big. The digital OOH screens increased to around 100,000 and contributed eight percent of total segment revenues.

“Now with digital, there is more space for advertisers to come in one frame. Because of this, you can see it is getting more attractive. The innovations too are coming in at a much lower cost and creating a greater impact,” shared Sanyal.

The only challenge with the medium, according to Ranjan, is OOH being a fragmented industry with lack of measurability and agility. This becomes a serious issue for ROI-centric brands. However, the growth of DOOH, which is dynamic, agile and measurable, is giving marketers the confidence to invest in the medium backed by relevant data and outcomes. 

Adding to this, Hudda highlighted that availability of good media spots is the biggest challenge in this season as media assets are limited and demand is very high. Due to the gap in the festive season, many clients are not able to fully optimise their campaigns. Rather sometimes, clients are even compelled to divert their budget which adversely impacts the industry, he shared.

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Banking on positive consumer sentiment: BFSI optimistic on doubling festive AdEx : Cache

Some categories within the sector, however, may spend more in the quarter that follows the festive season

e4m by sunny saini
Published: Oct 11, 2023 6:10 PM  | 5 min read
banking

The BFSI sector is expecting a surge in demand for loan during the festive season and is looking at increasing its ad spends to cash in on the celebration spirit. Industry leaders say they are hopeful of witnessing a good growth in the number of applications for auto loan, home loan, credit card and health insurance during October, November and December due to positive consumer sentiment this year. However, though most of the BFSI players are planning to double their advertising budget this time compared to the previous year, there are some who are not investing too heavily on marketing during the festivals as they plan to save the money for the fourth quarter.  

According to Shailendra Singh, MD & CEO, BOB Financial, they witness incremental growth every year during the October-December quarter, and they anticipate an increase in consumer spending as well as new enrolments for cards this year too. “There remains a surge in customer demand for credit during the festive season,” said Singh. 

Singh shared that the company is fully geared up for the launch of #FestiveShoppingRewards on all Bank of Baroda credit card variants under the theme ‘Reimagine Festivities’. They would kickstart festive offerings with the start of Navratri. 

The festive season does not just see the demand for credit go up, but there is an increase in applications for health and motor insurance too during this time of the year.

Aabhinna Suresh Khare, Chief Digital & Marketing Officer, BajajCapital Ltd, shared that among insurance products, health insurance and motor insurance reign supreme during festivals. According to Khare, the demand for mutual funds and SIPs too sees a hike.

“Overall, the festive season presents an opportune moment to secure insurance coverage. A plethora of attractive products and services are on offer, with financial institutions extending special discounts and promotions to entice new customers,” said Khare. 

The company launched #BlessMeGanesha campaign during Ganesh Chaturthi. “Our goal for this festive season is not only to provide financial solutions but also to create memorable experiences and deepen the connection with our customers,” said Khare. 

Though all major sectors spend heavily on advertising during the festive season, within the BFSI sector, some categories spend more in the quarter that follows the festive season.  

Explaining the trend, Samir Sethi, Head of Brand Marketing, Policybazaar.com, said that the festive season has varying impacts on the BFSI sector. In the banking sector, for instance, the demand for loans surges as many individuals purchase items and undertake home renovations. Conversely, in the insurance category, the festive season doesn't result in significant changes. Instead, the insurance industry experiences its peak season after the festive period, particularly during the fourth quarter of the financial year. 

“As the festive season approaches, there is a noticeable increase in car sales though, leading to a surge in the demand for motor insurance. Consequently, we see a significant uptick in the requests for motor insurance policies. During the festive period, there is an upswing in demand for various categories, such as electronics. However, in the insurance sector, this period doesn't significantly affect us, so we don't run specific campaigns targeting festivals. Nevertheless, we do roll out multiple campaigns throughout the year, and some of them may coincide with the festive season,” said Sethi. 

According to the TAM AdEx report on BFSI sector across media for H1, the advertising volume of the sector grew on TV, radio and digital, but declined in the print medium. The report indicated that ad impressions on digital saw 91% rise during Jan-Jun '23 over Jan-Jun’22. The increase was 32% for radio and 4% for TV. The ad space of the BFSI sector decreased by 7% in print. 

Speaking on media mix, Singh shared that BOB Financial has a good mix of customer segments belonging to Tier I, II and III.  So, understanding their needs and preferred form of media channels, the company will reach out to them through relevant media promotions. “For the easy discovery of our offers, we shall have a dedicated offers page with regular promotion of top offers on our social media and other digital channels,” said Singh. Without disclosing the figure, Singh shared that the company’s promotion budget has surely increased from last year and it will be visible through their multi-channel promotional activities.

According to the TAM report, in the BFSI sector, life insurance is the leading category on TV and radio whereas mutual funds is the top category on digital. 

Khare highlighted that in recent times, Bajaj Capital has observed a significant growth in audiences on online platforms and the changing preferences of their clientele. “This observation led us to recalibrate our marketing approach, placing a heightened emphasis on digital avenues,” said Khare. 

He further added, “Our promotional efforts are primarily digital-focused, accentuating areas like social media engagement, search engine outreach, content-driven marketing, and targeted online advertising. As we approach the festive season, we've fine-tuned our online approach. By harnessing the insights from data analytics, we aim to grasp our clients' needs and inclinations better, ensuring our content is both tailored and pertinent.”

Khare also mentioned that Baja Capital has doubled its advertising budget compared to the previous year. 

“This increase in our ad spend signifies our confidence in the opportunities this festive season presents. This impressive surge in our budget allocation underscores our dedication to maximizing the potential of this festive season and driving significant expansion within our business. We firmly believe that this increased investment in advertising will not only elevate our brand presence but also lead to an exceptional uptick in customer engagement and sales.” 

For Policybazaar.com, the media strategy primarily involves a blend of television and digital platforms, an approach that has remained consistent in recent years and is expected to continue in the foreseeable future.

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OMD appoints Dileep Raj Singh as Head of Digital for APAC

Singh will report to Charlotte Lee, CEO of OMD APAC

e4m by exchange4media Staff
Published: Aug 26, 2023 9:02 AM  | 3 min read
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OMD has added a Head of Digital (HOD) to its Asia Pacific (APAC) regional leadership team with the hiring of Dileep Raj Singh.

Singh is a digital native and brings with him a wealth of experience across product, media agency and client side in APAC, North America and the United Kingdom. His last 10 years have been spent building diverse digital marketing teams covering areas like performance marketing, digital media planning, ad/martech, product marketing, branding and measurement.

As HOD, he will accelerate OMD’s digital leadership agenda, rooted in helping clients address their business challenges and digital ambitions. He will be supporting OMD’s local teams in APAC on operational excellence, and digital transformation frameworks and roadmaps; and the development and implementation of our digital leadership agenda. He will also be working hand in hand with both our regional and global networks to initiate complementary workstreams for our clients in APAC.

“We will continue to invest and win in digital as part of our wider goal to be our clients’ most trusted business transformation partner,” said Charlotte Lee, CEO of OMD APAC.

“It is our global ambition to continue our leadership position in digital, data and technology. In line with this ambition, we are excited to have Singh come on board the OMD APAC leadership team. His background of agency, in-house and start-up experience position him perfectly to understand and address our clients’ business needs,” added Lee.

“Digital media and access to our audience, as we know it, is changing quite rapidly around us. This puts most of us in a delicate but remarkable position, a position from which we can shape and contribute to conversations about the next evolution of digital media. As we embark on this journey, I want to leverage the strength of the OMD network – people, technology, data, tools and platforms – to help our clients pivot and navigate through all the new and evolved possibilities in digital media. With this, I aim to position OMD as an unrivaled partner for our current and future clients; to dominate and succeed in this incredibly competitive and multifarious digital realm,” said Singh.

Singh will report to Lee, and work closely with the team including Chief Strategy Officer (CSO), David McCallen, and Chief Client Officer (CCO), Sadhan Mishra, to drive and support APAC local markets as well as regional clients on digital, data and technology needs.

Mishra was promoted to CCO of OMD APAC recently in June 2023. He will continue to be CEO of OMD Singapore, a position he was promoted into last August. Mishra has been with OMD for over 13 years and in his concurrent new role as CCO, he will focus on key client relationships, understanding their business needs and ensuring we remain a critical partner on their transformation journeys.

McCallen was elevated to the role of CSO of OMD APAC in April 2022, and was previously the CSO of OMD New Zealand for five years where he helped the agency to attain the top place in the market for new business, overall billings and award wins. Since starting in the APAC role, his focus has been on connecting and elevating strategic best practices across the region, building capabilities across a range of strategic outputs, and supporting new business growth both regionally and locally.

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e4m by exchange4media Staff
Published: Aug 25, 2023 1:39 PM  | 1 min read

Chandrayaan 3: Brands over the Moon

Some of the best moment marketing posts on India's crucial lunar mission

e4m by exchange4media Staff
Published: Aug 24, 2023 2:22 PM  | 1 min read
Chandrayaan

The nation is in a celebratory mood with its moon mission Chandrayaan 3 making its smooth landing on the lunar surface on the evening of August 23, 2023. The Pragyan rover is in pursuit of discovering water on the moon and is a vital feat for India's ambitious space research. 

To celebrate this momentous episode in Indian space research history, netizens have taken to the internet to express their excitement, hopes and fears for the nation's  lunar mission. Joining them are brands who have crafted creatives to mark the historic occasion and capture the emotions of the nation who have their eyes set on the moon. Here is our pick of some of the best Chandrayaan 3-moment marketing posts.

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BCCI rakes in Rs 4670 cr in Women's Premier League team auction: Jay Shah 26 Jan

WPL has broken the inaugural auction record of Men's IPL in 2008, tweeted Shah

e4m by sunny saini
Published: Jan 26, 2023 4:21 PM  | 2 min read
women ipl

As expected, Wednesday turned out to be another historic day in Indian women's cricket with BCCI having a windfall gain of Rs 4,600 crores by auctioning five team franchises for the first season, a higher sum compared to what men’s IPL franchises offered to the cricket body during the launch in 2008.  

 Adani, IndiaWin Sports, Royal Challengers, GSW- GMR cricket and Capri Global have won the bid,   BCCI secretary Jay Shah tweeted.

Shah shared in a series of tweets, “Today is a historic day in cricket as the bidding for teams of inaugural #WPL broke the records of the inaugural Men's IPL in 2008! Congratulations to the winners as we garnered Rs.4669.99 Cr in total bid.” 

“This marks the beginning of a revolution in women's cricket and paves the way for a transformative journey ahead not only for our women cricketers but for the entire sports fraternity. The #WPL would bring necessary reforms in women's cricket and would ensure an all-encompassing ecosystem that benefits each and every stakeholder.”

“The @BCCI has named the league - Women's Premier League (WPL). Let the journey begin…”

The country's top corporates had bid aggressively for the league. Over 16 groups including IPL franchise owners, Adani group, Torrent and Haldiram were believed to be in the fray. 

Given the popularity of IPL in India, the event is touted to be a big draw for all stakeholders involved. 

The BCCI was reportedly expecting ₹4,000 crore gain through team auction.

It’s noteworthy that Viacom18 has won the Women's IPL media rights for Rs 951 crore for the next five years creating euphoria around the league whose first season will be held in March.

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